Edward Hopper: Most

“To me the most important thing is the sense of going on. You know how beautiful things are when you're traveling.”

Edward Hopper

'Edward Hopper in Saõ Paulo', as cited by William C. Seitz, Smithsonian Press, Washington D.C., 1967
posthumous

Beauty , Travel , Sense

“My aim in painting has always been the most exact transcription possible of my most intimate impressions of nature.”

Edward Hopper

1911 - 1940, Notes on Painting - Edward Hopper (1933)

Nature , Painting

“Everyone goes to the 'Grands-Boulevards' and let himself loose... Do not picture these in costume, they are not for the most part.... perhaps a clown with a big nose, or two girls with bare necks and short skirts.... the parade of the queens of the halls [Paris’ markets] is also one of the events.... Some are pretty but look awkward in their silk dresses and crowns, particularly as the broad sun displays their defects – perhaps a neck too thin or a painted face which shows ghastly white in the sunlight.”

Edward Hopper

In a letter to his mother, Paris, May 11, 1907; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 27
1905 - 1910

Girl , Sun , Parting , Painting

“Paris is a very graceful and beautiful city, almost too formal and sweet to the taste after the raw disorder of New York. Everything seems to have been planned with the purpose of forming a most harmonious whole, which certainly has been done... Every street here is alive with all sorts of conditions of people, priests, nuns, students, and always the little soldiers with wide red pants.”

Edward Hopper

Quote in Hopper's letter to his mother, Paris, October 30, 1906; as cited in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 13
1905 - 1910

People , Beauty

“Sloan [American colleague artist who started his art by making etchings, c. 1920] not having been abroad [in contrary to Hopper himself], has seen these things with a truer and fresher eye than most... The hard early training has given to Sloan a facility and a power of invention that the pure painter seldom achieves.”

Edward Hopper

posthumous
Source: 'Joan Sloan' Hopper', p. 172; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 39

Art , Training

“Well, I have a very simple method of painting. It's to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that's my method. It's very simple... Yes, linseed oil. I used to use poppy oil, but I have heard that poppy oil is given to cracking pigment too, so I use it no longer... I find linseed oil and white lead the most satisfactory mediums.”

Edward Hopper

1941 - 1967
Source: 'Oral history interview with Edward Hopper' (1959, June 17), conducted by John Morse; 'Archives of American Art', Smithsonian Institution

Business , Help , Painting

“I find in working always the disturbing intrusion of elements not a part of my most interested vision, and the inevitable obliteration and replacement of this vision by the work itself as it proceeds..”

Edward Hopper

1911 - 1940, Notes on Painting - Edward Hopper (1933)

Parting

“One must perhaps qualify this statement and say that seemingly opposite tendencies each contain some modicum of the other. I have tried to present my sensations in what is the most congenial and impressive form possible to me.”

Edward Hopper

1911 - 1940, Notes on Painting - Edward Hopper (1933)

“So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect. But these are things for the psychologist to untangle.”

Edward Hopper

Quote in Hopper's letter to Charles H. Sawyer, October 29, 1939; as cited in Edward Hopper, Lloyd Goodrich; New York, Harry N. Abrams, 1971, p. 164
1911 - 1940

Art