Edgard Varèse Quotes

Edgard Victor Achille Charles Varèse was a French-born composer who spent the greater part of his career in the United States.

Varèse's music emphasizes timbre and rhythm. He coined the term "organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of "sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?"Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and his use of new instruments and electronic resources led to his being known as the "Father of Electronic Music" while Henry Miller described him as "The stratospheric Colossus of Sound".Varèse actively promoted performances of works by other 20th-century composers and founded the International Composers' Guild in 1921 and the Pan-American Association of Composers in 1926. Wikipedia  

✵ 22. December 1883 – 6. November 1965
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Famous Edgard Varèse Quotes

“Our musical alphabet is poor and illogical. Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor.”

Edgard Varèse lecture, edited by Chou Wen-Chung, published in: 391, Nr. 5. June 17, 1917. Translated by Louise Varèse; Quoted in: Classic Essays on Twentieth-Century Music: A Continuing Symposium (1996), .
Context: Our musical alphabet is poor and illogical. Music, which should pulsate with life, needs new means of expression, and science alone can infuse it with youthful vigor.
Why, Italian Futurists, have you slavishly reproduced only what is commonplace and boring in the bustle of our daily lives.
I dream of instruments obedient to my thought and which with their contribution of a whole new world of unsuspected sounds, will lend themselves to the exigencies of my inner rhythm.

“Possible musical forms are as limitless as the exterior forms of crystals.”

Aspects of 20th Century Music (1975) by Gary Wittlich and Richard P. DeLone
Context: There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces. The form of the work is a consequence of this interaction. Possible musical forms are as limitless as the exterior forms of crystals.

“I was not influenced by composers as much as by natural objects and physical phenomena.”

Interview with Gunther Schuller (1965, p. 34), quoted in Sound Structure in Music (1975) bu Robert Erickson; University of California Press. .
Context: I was not influenced by composers as much as by natural objects and physical phenomena. As a child, I was tremendously impressed by the qualities and character of the granite I found in Burgundy, where I often visited my grandfather... So I was always in touch with things of stone and with this kind of pure structural architecture — without frills or unnecessary decoration. All of this became an integral part of my thinking at a very early stage.

“Contrary to general belief, an artist is never ahead of his time but most people are far behind theirs.”

As quoted in Gramophone (1962), Vol. 40, Part 2‎, p. 389
Context: Contrary to general belief, an artist is never ahead of his time but most people are far behind theirs. I was the first composer to explore, so to speak, musical outer space.

“Everyone is born with genius, but most people only keep it a few minutes.”

As quoted by Martha Graham, in Dance Observer, Volumes 24-27 (1957), p. 5

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