Donald Judd: Thing

“Usually when someone says a thing is too simple they're saying that certain familiar things aren't there, and they're seeing a couple maybe that are left… But actually there may be… several new things to which they aren't paying attention. These may be quite complex… They may [also] be read all at once. This is important to most of the best work going on now. It has to have a wholeness to it that previous work didn't have, but still, within that, it's not all as simple as [people] say.”

Donald Judd

Donald Judd (1965) in Artforum interview, as quoted in: Richard Shiff (2012) Doubt,
1960s

People , Reading

“I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new. I didn't want to get into something which is played out and narrow. I want to do as I like, invent my own interests. Of course, that doesn't mean that people who, like Newman, still paint are worn out. But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment. I think what I'm trying to deal with is something more long range than that in a way, more obscure perhaps, more involved with things that happen over a longer time perhaps. At least it's another area of experience.”

Donald Judd

Quoted in: Donald Jud http://www.theartstory.org/artist-judd-donald.htm at theartstory.org, 2014
1960s, "Oral history interview with Donald Judd," 1965

People , Way , Thinking , Time

“I wanted work that didn't involve incredible assumptions about everything. I couldn't begin to think about the order of the universe or, the nature of American society. I didn't want work that was general or universal in the usual sense. I didn't want it to claim too much. Obviously the means and the structure couldn't be separate and couldn't even be thought of as two things joined. Neither word meant anything. A shape, a volume, a color, a surface is something itself. It shouldn't be concealed as part of a fairly different whole. The shapes and materials shouldn't be altered by their context.”

Donald Judd

Donald Judd (1967), in: Perspecta 11 (1967), p. 44; Quoted in: James Fitzsimmons (1979) Art International. Vol 23. p. 69
1960s

Color , Nature , Thinking , Sense

“In any art there are a lot of technical things that you can get to like. Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot. I pay a lot of attention to how things are done and the whole activity of building something is interesting.”

Donald Judd

1960s, "Oral history interview with Donald Judd," 1965

People , Art , Way

“Art is simultaneously particular and general. This is a real dichotomy. The great thing about proportion, one aspect of art, is that it is both extremes at once. The level of quality of a work can usually be established by the extent of the polarity between its generality and particularity. Or, to state the idea a little too simply, the better the work, the more diverse its aspects. The nature of the general aspects and the particular ones changes from artist to artist and especially from time to time, since the changes are due to broad changes in philosophy. This change is the essential change in art, determining its purpose and appearance”

Donald Judd

Source: 1980, "Art and Architecture," 1987, p. 177

Art , Idea , Nature , Appearance

“A simple box is really a complicated thing.”

Donald Judd

Box of delights http://www.newstatesman.com/node/147350, NewStatesman.com, 23 February 2004
Attributed from posthumous publications

Box

“I'm not arguing, incidentally, for a confusion of art and architecture, a fashion now, but for a coherent relationship. Therefore, within the capacity of one person or of a small group, the relationship of all visible things should be considered.”

Donald Judd

Source: 1980, "Art and Architecture," 1987, p. 196

Art , Fashion , Personality

“The history of art and art’s condition at any time are pretty messy. They should stay that way. One can think about them as much as one likes, but they won’t become neater; neatness isn’t even a very good reason for thinking about them. A lot of things just can’t be connected.”

Donald Judd

Donald Judd, "Local History" (1964); Quoted in: Judd (1975, p. 151); and cited in: David Raskin. Donald Judd. New Haven: Yale University Press, 2010.
1960s

Art , Way , History , Thinking