Dadasaheb Phalke: Film

“During this period I was constantly preoccupied with the analysis of every film, which I saw, and in considering whether I could make them here. There was no doubt whatsoever about the utility of the profession and its importance as an industry…this was the period of the Swadeshi movement and there was profuse talking and lecturing on the subject. For me personally, this led to the resignation of my comfortable government job and taking to an independent profession. I took this opportunity to explain my ideas to my friends and leaders of the Swadeshi movement. Even people who were familiar with me for 15 years found my ideas impracticable.”

Dadasaheb Phalke

In [Jain, Manju, Narratives of Indian Cinema, http://books.google.com/books?id=ORE9TDOoU1IC&pg=PA22, 2009, Primus Books, 978-81-908918-4-4, 22]
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People , Idea , Personality

“While the film Life of Christ was rolling past before my eyes I was mentally visualizing the gods, Shri Krishna, Shri Ramachandra their Gokul and Ayodhya.. I was gripped by a strange spell. I bought another ticket and saw the film again. This time I felt my imagination taking shape in the screen. Could this really happen? Could we the sons of India, ever be able to see Indian images on the screen. The whole night passed in this mental agony.”

Dadasaheb Phalke

After watching the film The Life of Christ in 1910 quoted in *[Ganti, Tejaswini, Bollywood: A Guidebook to Popular Hindi Cinema, http://books.google.com/books?id=2GAdCp1VAf0C&pg=PA8, 5 March 2013, Routledge, 978-1-136-84929-9, 92]
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Life , God , Imagination , Time

“I have to keep making films in my country so that it gets established as an industry at home.”

Dadasaheb Phalke

When he refused to go to London to make films quoted in Marathi film on Phalke is India’s Oscar Entry, 21 September 2009, 25 December 2013, Indian Express http://www.indianexpress.com/news/marathi-film-on-phalke-is-indias-oscar-entr/519670/,
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Home , Country

“He produced, directed, processed and did everything to make the first Indian feature film Raja Harishchandra. Unlike most film makers of those days, Phalke did not have the westernized audience in mind. His vision was to use the medium to narrate an Indian story to the audience.”

Dadasaheb Phalke

In [Khandekar, Vanita Kohli-, The Indian Media Business, http://books.google.com/books?id=1C4nAgAAQBAJ&pg=PA176, 3 October 2013, SAGE Publications, 978-81-321-1788-9, 176]

Making love

“He brought the first movie camera from Germany, but nobody knows what happened to it afterwards. Maybe it is lying with some antique collector. There were absolutely no film-making facilities - production or distribution - available as people believed films had no future. But, whatever he did from scratch set a precedent for the future generations of film-makers.”

Dadasaheb Phalke

His grandson Kiran Phalke in "Dadasaheb Phalke's family wants Bharat Ratna for him".

Future , Lying , Making love , People