Clifford D. Simak: Trending quotes (page 2)

Interview in Speaking of Science Fiction: The Paul Walker Interviews (1978)
Context: When I talk of the purpose of life, I am thinking not only of human life, but of all life on Earth and of the life which must exist upon other planets throughout the universe. It is only of life on Earth, however, that one can speak with any certainty. It seems to me that all life on Earth, the sum total of life upon the Earth, has purpose. If the means were available, we could trace our ancestry — yours and mine — back to the first blob of life-like material that came into being on the planet. The same thing could be done for the spider that spun his web in the grass, and of the grass in which the web was spun, the bird sitting in the tree and the tree in which he sits, the toad waiting for the fly beneath the bush, and for the fly and bush. We are all genetic brothers. The chain of life, tracing back to that primordial day of life's beginning, is unbroken...

Highway of Eternity (1986)
Context: He stirred again, halfway between sleep and wakefulness, and he was not alone. Across the fire from him sat, or seemed to sit, a man wrapped in some all-enveloping covering that might have been a cloak, wearing on his head a conical hat that dropped down so far it hid his face. Beside him sat the wolf — the wolf, for Boone was certain that it was the same wolf with which he'd found himself sitting nose to nose when he had wakened the night before. The wolf was smiling at him, and he had never known that a wolf could smile.
He stared at the hat. Who are you? What is this about?
He spoke in his mind, talking to himself, not really to the hat. He had not spoken aloud for fear of startling the wolf.
The Hat replied. It is about the brotherhood of life. Who I am is of no consequence. I am only here to act as an interpreter.
An interpreter for whom?
For the wolf and you.
But the wolf does not talk.
No, he does not talk. But he thinks. He is greatly pleased and puzzled.
Puzzled I can understand. But pleased?
He feels a sameness with you. He senses something in you that reminds him of himself. He puzzles what you are.
In time to come, said Boone, he will be one with us. He will become a dog.
If he knew that, said The Hat, it would not impress him. He thinks now to be one with you. An equal. A dog is not your equal...

Highway of Eternity (1986)
Context: He stirred again, halfway between sleep and wakefulness, and he was not alone. Across the fire from him sat, or seemed to sit, a man wrapped in some all-enveloping covering that might have been a cloak, wearing on his head a conical hat that dropped down so far it hid his face. Beside him sat the wolf — the wolf, for Boone was certain that it was the same wolf with which he'd found himself sitting nose to nose when he had wakened the night before. The wolf was smiling at him, and he had never known that a wolf could smile.
He stared at the hat. Who are you? What is this about?
He spoke in his mind, talking to himself, not really to the hat. He had not spoken aloud for fear of startling the wolf.
The Hat replied. It is about the brotherhood of life. Who I am is of no consequence. I am only here to act as an interpreter.
An interpreter for whom?
For the wolf and you.
But the wolf does not talk.
No, he does not talk. But he thinks. He is greatly pleased and puzzled.
Puzzled I can understand. But pleased?
He feels a sameness with you. He senses something in you that reminds him of himself. He puzzles what you are.
In time to come, said Boone, he will be one with us. He will become a dog.
If he knew that, said The Hat, it would not impress him. He thinks now to be one with you. An equal. A dog is not your equal...

Way Station (1963)
Context: His mind went back to that strange business of the spiritual force and the even stranger machine which had been built eons ago, by means of which the galactic people were able to establish contact with the force. There was a name for that machine, but there was no word in the English language which closely approximated it. "Talisman" was the closest, but Talisman was too crude a word. Although that had been the word that Ulysses had used when, some years ago, they had talked of it.

Ch. 12

Source: Way Station (1963), Ch. 11
Context: There was so much knowledge in the galaxy and he knew so little of it, understood so little of the little that he knew.
There were men on Earth who could make sense of it. Men who would give anything short of their very lives to know the little that he knew, and could put it all to use.
Out among the stars lay a massive body of knowledge, some of it an extension of what mankind knew, some of it concerning matters which Man had not yet suspected, and used in ways and for purposes that Man had not as yet imagined. And never might imagine, if left on his own.

“All the Traps of Earth” (pp. 190-191); closing words.
Short Fiction, Skirmish (1977)
Context: Perhaps all that had happened had been no more than the working out of human destiny. If the human race could not attain directly the paranormal power he held, this instinct of the mind, then they would gain it indirectly through the agency of one of their creations. Perhaps this, after all, unknown to Man himself, had been the prime purpose of the robots.
He turned and walked slowly down the length of village street, his back turned to the ship and the roaring of the captain, walked contentedly into this new world he'd found, into this world that he would make — not for himself, nor for robotic glory, but for a better Mankind and a happier.
Less than an hour before he'd congratulated himself on escaping all the traps of Earth, all the snares of Man. Not knowing that the greatest trap of all, the final and the fatal trap, lay on this present planet.
But that was wrong, he told himself. The trap had not been on this world at all, nor any other world. It had been inside himself.
He walked serenely down the wagon-rutted track in the soft, golden afternoon of a matchless autumn day, with the dog trotting at his heels.
Somewhere, just down the street, the sick baby lay crying in its crib.

Source: Way Station (1963), Ch. 18
Context: She looked quickly up. And then her eyes once more went back to the flashing thing she was holding in her hands.
He saw that it was the pyramid of spheres and now all the spheres were spinning slowly, in alternating clockwise and counterclockwise motions, and that as they spun they shone and glittered, each in its own particular color, as if there might be, deep inside each one of them, a source of soft, warm light.
Enoch caught his breath at the beauty and the wonder of it — the old, hard wonder of what this thing might be and what it might be meant to do. He had examined it a hundred times or more and had puzzled at it and there had been nothing he could find that was of significance. So far as he could see, it was only something that was meant to be looked at, although there had been that persistent feeling that it had a purpose and that, perhaps, somehow, it was meant to operate.
And now it was in operation. He had tried a hundred times to get it figured out and Lucy had picked it up just once and had got it figured out.
He noticed the rapture with which she was regarding it. Was it possible, he wondered, that she knew its purpose?

the washed-out, almost invisible blue of a hot, summer noon; the soft robin's egg, sometimes almost greenish blue of a late springtime evening, the darker, almost violet blue of fall. I have become a connoisseur of the coloring that the leaves take on in autumn and I know all the voices and the moods of the woods and river valley. I have, in a measure, entered into communion with nature, and in this wise have followed in the footsteps of Red Cloud and his people, although I am sure that their understanding and their emotions are more fine-tuned than mine are. I have seen, however, the roll of seasons, the birth and death of leaves, the glitter of the stars on more nights than I can number and from all this as from nothing else I have gained a sense of a purpose and an orderliness which it does not seem to me can have stemmed from accident alone.
It seems to me, thinking of it, that there must be some universal plan which set in motion the orbiting of the electrons about the nucleus and the slower, more majestic orbit of the galaxies about one another to the very edge of space. There is a plan, it seems to me, that reaches out of the electron to the rim of the universe and what this plan may be or how it came about is beyond my feeble intellect. But if we are looking for something on which to pin our faith — and, indeed, our hope — the plan might well be it. I think we have thought too small and have been too afraid...
Ch 24
A Choice of Gods (1972)

Source: Time and Again (1951), Chapter XIX (p. 99)
Context: As he looked, Sutton felt the cold hand of loneliness reach down with icy fingers to take him in its grip. For here was sheer, mad loneliness such as he had never dreamed. Here was the very negation of life and motion, here was the stark, bald beginning when there was no life, nor even thought of life. Here anything that knew or thought or moved was an alien thing, a disease, a cancer on the face of nothingness.

Source: Way Station (1963), Ch. 25
Context: That had not been the first time nor had it been the last, but all the years of killing boiled down in essence to that single moment — not the time that came after, but that long and terrible instant when he had watched the lines of men purposefully striding up the slope to kill him.
It had been in that moment that he had realized the insanity of war, the futile gesture that in time became all but meaningless, the unreasoning rage that must be nursed long beyond the memory of the incident that had caused the rage, the sheer illogic that one man, by death or misery, might prove a right or uphold a principle.
Somewhere, he thought, on the long backtrack of history, the human race had accepted an insanity for a principle and had persisted in it until today that insanity-turned-principle stood ready to wipe out, if not the race itself, at least all of those things, both material and immaterial, that had been fashioned as symbols of humanity through many hard-won centuries.

Source: Way Station (1963), Ch. 30
Context: Ulysses, he thought, had not told him all the truth about the Talisman. He had told him that it had disappeared and that the galaxy was without it, but he had not told him that for many years its power and glory had been dimmed by the failure of its custodian to provide linkage between the people and the force. And all that time the corrosion occasioned by that failure had eaten away at the bonds of the galactic cofraternity.

A Heritage of Stars (1977)
Context: Space is an illusion, and time as well. There is no such factor as either time or space. We have been blinded by our own cleverness, blinded by false perceptions of those qualities that we term eternity and infinity. There is another factor that explains it all, and once this universal factor is recognized, everything grows simple. There is no longer any mystery, no longer any wonder, no longer any doubt; for the simplicity of it all lies before us...

Source: Time and Again (1951), Chapter I (p. 6)
Context: There is mystery here, but a soft, sure mystery that is understood and only remains a mystery because I want it so. The mystery of the nighthawk against a darkening sky, the puzzle of the firefly along the lilac hedge.

Ring Around the Sun (1954)
Context: The people finally know.
They've been told about the mutants.
And they hated the mutants.
Of course, they hated them.
They hated them because the existence of the mutants makes them second-class humans, because they are Neanderthalers suddenly invaded by a bow and arrow people.

Cemetery World (1973)
Context: The sun was setting, throwing a fog-like dusk across the stream and trees, and there was a coolness in the air. It was time, I knew, to be getting back to camp. But I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.

As quoted in the Associated Press obituary (27 April 1988)
Context: I have tried at times to place humans in perspective against the vastness of universal time and space. I have been concerned with where we, as a race, may be going and what may be our purpose in the universal scheme — if we have a purpose. In general, I believe we do, and perhaps an important one.

Source: Way Station (1963), Ch. 32
Context: How strange it is, he thought, how so many senseless things shape our destiny. For the rifle range had been a senseless thing, as senseless as a billiard table or a game of cards — designed for one thing only, to please the keeper of the station. And yet the hours he'd spent there had shaped toward this hour and end, to this single instant on this restricted slope of ground.

Highway of Eternity (1986)
Context: Boone gulped and swallowed. He spoke to The Hat.
"You said the Highway to Eternity?"
That is not what I said. I said the Highway of Eternity.
"Small difference," Boone told him.
Not so small as you might think.

Highway of Eternity (1986)
Context: He stirred again, halfway between sleep and wakefulness, and he was not alone. Across the fire from him sat, or seemed to sit, a man wrapped in some all-enveloping covering that might have been a cloak, wearing on his head a conical hat that dropped down so far it hid his face. Beside him sat the wolf — the wolf, for Boone was certain that it was the same wolf with which he'd found himself sitting nose to nose when he had wakened the night before. The wolf was smiling at him, and he had never known that a wolf could smile.
He stared at the hat. Who are you? What is this about?
He spoke in his mind, talking to himself, not really to the hat. He had not spoken aloud for fear of startling the wolf.
The Hat replied. It is about the brotherhood of life. Who I am is of no consequence. I am only here to act as an interpreter.
An interpreter for whom?
For the wolf and you.
But the wolf does not talk.
No, he does not talk. But he thinks. He is greatly pleased and puzzled.
Puzzled I can understand. But pleased?
He feels a sameness with you. He senses something in you that reminds him of himself. He puzzles what you are.
In time to come, said Boone, he will be one with us. He will become a dog.
If he knew that, said The Hat, it would not impress him. He thinks now to be one with you. An equal. A dog is not your equal...