Bono: Trending quotes (page 3)

Rolling Stone interview (2005)
Context: If I could put it simply, I would say that I believe there's a force of love and logic in the world, a force of love and logic behind the universe. And I believe in the poetic genius of a creator who would choose to express such unfathomable power as a child born in "straw poverty"; i. e., the story of Christ makes sense to me. … As an artist, I see the poetry of it. It's so brilliant. That this scale of creation, and the unfathomable universe, should describe itself in such vulnerability, as a child. That is mind-blowing to me. I guess that would make me a Christian. Although I don't use the label, because it is so very hard to live up to. I feel like I'm the worst example of it, so I just kinda keep my mouth shut. … I try to take time out of every day, in prayer and meditation. I feel as at home in a Catholic cathedral as in a revival tent. I also have enormous respect for my friends who are atheists, most of whom are, and the courage it takes not to believe.

"Red Hill Mining Town"
Lyrics, The Joshua Tree (1987)
Context: The Glass is cut, The Bottle run dry. Our love runs cold in the caverns of the night

On his sunglasses; Imelda Marcos famously had a huge collection of shoes.
Rolling Stone interview (2005)
Context: I'm the Imelda Marcos of sunglasses.... Very sensitive eyes to light. If somebody takes my photograph, I will see the flash for the rest of the day. My right eye swells up. I've a blockage there, so that my eyes go red a lot. So it's part vanity, it's part privacy and part sensitivity.

"Where the streets have no name"
Lyrics, The Joshua Tree (1987)
Context: I want to run, I want to hide, I want to tear down the walls that hold me inside. I want to reach out and touch the plains, Where the streets have no names

National Prayer Breakfast (2006)
Context: It is such an important idea, Jubilee, that Jesus begins his ministry with this. Jesus is a young man, he's met with the rabbis, impressed everyone, people are talking. The elders say, he's a clever guy, this Jesus, but he hasn't done much... yet. He hasn't spoken in public before...
When he does, his first words are from Isaiah: "The Spirit of the Lord is upon me," he says, "because He has anointed me to preach good news to the poor." And Jesus proclaims the year of the Lord's favour, the year of Jubilee. [Luke 4:18]
What he was really talking about was an era of grace — and we're still in it.

On reactions to his spray painting the fountain at the free concert he gave in San Francisco, in a Press conference (November 1987) http://www.u2source.com/2007/08/19/bono-press-conference-regarding-graffiti/
Context: It is fair to say that we overreacted a bit. … Its not really worth defending my action, I did it in the spirit of the concert, and I thought I did it in the spirit of the artist's work, and he agreed — but, in fact he didn't own his work anymore, as most artists are prone to, he'd sold it, and the City of San Francisco owned it, and they didn't like what I did at all. … Its a really wild thing, you know, you're in Rock n Roll band — you know, I happen to sell millions of records — people therefore think that makes you a responsible citizen — this is not true. … I think this is one of the more mild actions of tour-madness. … It's the music that is magical with U2. … I don't mind being arrested for putting on a free concert, but I don't want to be arrested for being a vandal. I am a vandal and I do regret what I did. I really do regret it. It was dumb.

National Prayer Breakfast (2006)
Context: There is a continent — Africa — being consumed by flames.
I truly believe that when the history books are written, our age will be remembered for three things: the war on terror, the digital revolution, and what we did — or did not to — to put the fire out in Africa.
History, like God, is watching what we do.

"I still have'nt found what I'm looking for"
Lyrics, The Joshua Tree (1987)
Context: I believe in the Kingdom come, then all the colours will bleed into one. Bleed into one. But yes I'm still running

National Prayer Breakfast (2006)
Context: It is such an important idea, Jubilee, that Jesus begins his ministry with this. Jesus is a young man, he's met with the rabbis, impressed everyone, people are talking. The elders say, he's a clever guy, this Jesus, but he hasn't done much... yet. He hasn't spoken in public before...
When he does, his first words are from Isaiah: "The Spirit of the Lord is upon me," he says, "because He has anointed me to preach good news to the poor." And Jesus proclaims the year of the Lord's favour, the year of Jubilee. [Luke 4:18]
What he was really talking about was an era of grace — and we're still in it.

PENN Address (2004)
Context: There's a truly great Irish poet. His name is Brendan Kennelly, and he has this epic poem called the Book of Judas, and there's a line in that poem that never leaves my mind, it says: "If you want to serve the age, betray it." What does that mean, to betray the age?
Well to me betraying the age means exposing its conceits, it's foibles; it's phony moral certitudes. It means telling the secrets of the age and facing harsher truths.

PENN Address (2004)
Context: America is an idea, but it's an idea that brings with it some baggage, like power brings responsibility. It's an idea that brings with it equality, but equality even though it's the highest calling, is the hardest to reach. The idea that anything is possible, that's one of the reasons why I'm a fan of America. It's like hey, look there's the moon up there, lets take a walk on it, bring back a piece of it. That's the kind of America that I'm a fan of.

"God Part II"
Lyrics, Rattle And Hum(1988)
Context: I don't believe the Devil, I don't believe his book, but the truth is not the same without the lies he made up.

"If God Will Send His Angels"
Lyrics, Pop (1997)
Context: And I don't need to know why
And I don't want to promise
Where do we go
Where did you go
And I don't want to lie
I just know that I need to...
Love.

PENN Address (2004)
Context: I didn't expect change to come so slow, so agonizingly slow. I didn't realize that the biggest obstacle to political and social progress wasn't the Free Masons, or the Establishment, or the boot heel of whatever you consider 'the Man' to be, it was something much more subtle. As the Provost just referred to, a combination of our own indifference and the Kafkaesque labyrinth of 'no's you encounter as people vanish down the corridors of bureaucracy.

In an interview to the World Association of Newspapers for World Press Freedom Day (3 May 2004)
Context: It's an amazing thing to think that ours is the first generation in history that really can end extreme poverty, the kind that means a child dies for lack of food in its belly. That should be seen as the most incredible, historic opportunity but instead it's become a millstone around our necks. We let our own pathetic excuses about how it's "difficult" justify our own inaction. Be honest. We have the science, the technology, and the wealth. What we don't have is the will, and that's not a reason that history will accept.

PENN Address (2004)
Context: The scale of the suffering and the scope of the commitment they often numb us into a kind of indifference. Wishing for the end to AIDS and extreme poverty in Africa is like wishing that gravity didn't make things so damn heavy. We can wish it, but what the hell can we do about it?
Well, more than we think. We can't fix every problem — corruption, natural calamities are part of the picture here — but the ones we can we must. The debt burden, as I say, unfair trade, as I say, sharing our knowledge, the intellectual copyright for lifesaving drugs in a crisis, we can do that. And because we can, we must. Because we can, we must. Amen.

"God Part II"
Lyrics, Rattle And Hum(1988)
Context: I don't believe in rape. But everytime She passes by, wild thoughts escape

"Red Hill Mining Town"
Lyrics, The Joshua Tree (1987)
Context: Our Love has slowly slipped away, Our Love has seen its better day

Rolling Stone interview (2005)
Context: I was in my room listening on headphones on a tape recorder. It's very intimate. It's like talking to somebody on the phone, like talking to John Lennon on the phone. I'm not exaggerating to say that. This music changed the shape of the room. It changed the shape of the world outside the room; the way you looked out the window and what you were looking at.
I remember John singing "Oh My Love." It's like a little hymn. It's certainly a prayer of some kind — even if he was an atheist. "Oh, my love/For the first time in my life/My eyes can see/I see the wind/Oh, I see the trees/Everything is clear in our world." For me it was like he was talking about the veil lifting off, the scales falling from the eyes. Seeing out the window with a new clarity that love brings you. I remember that feeling.
Yoko came up to me when I was in my twenties, and she put her hand on me and she said, "You are John's son." What an amazing compliment!