Augusto Boal: Doing

“We must all do theatre – to find out who we are, and to discover who we could become.”

Augusto Boal

Aesthetics of the Oppressed (2006)

“Theatre has nothing to do with buildings or other physical constructions. Theatre — or theatricality — is the capacity, this human property which allows man to observe himself in action, in activity.”

Augusto Boal

The Rainbow of Desire (1995)
Context: Theatre has nothing to do with buildings or other physical constructions. Theatre — or theatricality — is the capacity, this human property which allows man to observe himself in action, in activity. The self-knowledge thus acquired allows him to be the subject (the one who observes) of another subject (the one who acts). It allows him to imagine variations of his action, to study alternatives. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.

“Biographies smack of the end, the final utterances. Mission accomplished. I, by contrast, am always at the start of some new path or other. I want more. More, more. I am given to excess. It would be awkward to talk about myself: in what I do, the important thing is the deed, not the doer. When all is said and done, who am I? What use am I?”

Augusto Boal

Hamlet and the Baker's Son (2001)

“Let us hope that one day – please, not too far in the future – we’ll be able to convince or force our governments, our leaders, to do the same; to ask their audiences – us – what they should do, so as to make this world a place to live and be happy in – yes, it is possible – rather than just a vast market in which we sell our goods and our souls. Let’s hope. Let’s work for it!”

Augusto Boal

Games for Actors and non-Actors (1992)
Context: In truth the Theatre of the Oppressed has no end, because everything which happens in it must extend into life…. The Theatre of the Oppressed is located precisely on the frontier between fiction and reality – and this border must be crossed. If the show starts in fiction, its objective is to become integrated into reality, into life. Now in 1992, when so many certainties have become so many doubts, when so many dreams have withered on exposure to sunlight, and so many hopes have become as many deceptions – now that we are living through times and situations of great perplexity, full of doubts and uncertainties, now more than ever I believe it is time for a theatre which, at its best, will ask the right questions at the right times. Let us be democratic and ask our audiences to tell us their desires, and let us show them alternatives. Let us hope that one day – please, not too far in the future – we’ll be able to convince or force our governments, our leaders, to do the same; to ask their audiences – us – what they should do, so as to make this world a place to live and be happy in – yes, it is possible – rather than just a vast market in which we sell our goods and our souls. Let’s hope. Let’s work for it!

World , Hope , Soul , Future