Aristide Maillol: Doe

Aristide Maillol was sculptor from France. Explore interesting quotes on doe.
Aristide Maillol: 36   quotes 0   likes

“The immobility that the artist creates is not at all that of the photograph. A worth of art contains latent life, possibility of movement; a grimace made eternal does not represent life. One always talks of w:Donatello, but never of della Quercia. Yet della Qercia invented w:Michelangelo’s style before Michelangelo.”

Aristide Maillol

Source: Conversations with Judith Cladel (1939–1944), p. 408

Life , Art

“The more immobile Egyptian statues are, the more it seems as if they would move.... immobility of the body does not mean immobility of the flesh; in my model for the monument to Cézanne the whole figure is quiet, but there are several movements in the torso.”

Aristide Maillol

Source: Conversations with Judith Cladel (1939–1944), pp. 407 – 408

“When Picasso does pure painting he is a great artist. When he paints as an cubist, putting one tone next to another, the arrangement of planes is fine and the result very strong. But those who imitate him achieve nothing worthwhile.”

Aristide Maillol

Source: Conversations with Judith Cladel (1939–1944), p. 407

Strong , Painting

“The particular does not interest me; I find meaning only in a general idea. In Michelangelo one is carried away by the idea of power, the whole single-minded concept he imposed on himself. The 'Slaves' and the 'Medici tombs' are sculpture made to be seen only from one side. For me, sculpture means the block; my figure of 'France' has more than twenty different sides. When I enlarged it only four were left, and I had to rework it..”

Aristide Maillol

Source: Conversations with Judith Cladel (1939–1944), p. 406

Idea

“w:Donatello's art does not come out of nature, it belongs to the studio. He exaggerates to make it lifelike. His weeping children grimace frightfully... When movement is excessive it is frozen: it no longer represents life.”

Aristide Maillol

Source: Conversations with Judith Cladel (1939–1944), p. 408

Life , Children , Art , Nature