Anthony Burgess: Trending quotes (page 8)

“Sultan Aladdin… had few illusions about his own people: amiable, well-favoured, courteous, they loved rest better than industry… their function was to remind the toiling Chinese, Indians and British of the ultimate vanity of labour.”

Anthony Burgess

Fiction, Time for a Tiger (1956)

Love , People

“…. There was a good deal of drunkenness - … There was lechery, nakedness. It was a warm afternoon,’ he added, as if to excuse the nakedness….
‘I saw the ceremony between the Empress and Gaius Silius and I assumed it was all a game. There was a great deal of laughter and little solemnity. Then the marriage or mock marriage was …. consummated at once and in public. And, in sympathy as it were, the other guests - A great mass of naked bodies. Men and women. Fornication for them. There were boys there too, Ganymedes. ….
‘And when does Gaius Silius think he can strike the blow that will secure him the imperial c -’
I do not think,’ Narcissus said, ‘that Gaius Silius has such an ambition. He is a weak man besotted by the erotic, no more.”

Anthony Burgess

Fiction, The Kingdom of the Wicked (1985)

Women , Men , Marriage , Game

“And make up your mind about what bloody race you belong to. One minute it’s all about being a farmer’s boy in Northamptonshire and the next you’re on about the old days in Calcutta and what the British have done to Mother India and the snake-charmers and the bloody temple-bells. Ah, wake up, for God’s sake. You’re English right enough but you’re forgetting how to speak the bloody language, what with traipsing about with Punjabis and Sikhs and God knows what. You talk Hindustani in your sleep, man. Sort it out, for God’s sake. If you want to put a loincloth on, get cracking, but don’t expect the privileges --’ (the word came out in a wet blurr; the needle stuck for a couple of grooves) ‘the privileges, the privileges…”

Anthony Burgess

Fiction, Time for a Tiger (1956)

God , Boy , Sleep , Forgetting

“…with Indians there is an unhealthy love of the law…”

Anthony Burgess

Fiction, The Enemy in the Blanket (1958)

Love , Law

“Goebbels…now made an applauded entrance. He was no man to improvise a word or two of greeting; he had typewritten sheets…. He spoke of the cinema as the popular voice of the state…those products, themselves a means of cleansing the world film market through their purity and excellence of the regrettable decadent ordures excreted by international Jewry….”

Anthony Burgess

Fiction, Earthly Powers (1980)

World

“He seemed to lose interest in the subject of his daughter, glooming at a yellow card of ancient railway regulations on the wall. But when the harbingers of the coming train were audible – porters trundling, a scrambled gabble from the station announcer, frantic blowing on hot tea – he became eager again and was out swiftly on to the platform. I followed him. The train slid in. I saw the driver look down disdainful from his cosy hell, sharing – like soldier and auxiliary – a mystique with the tea-room woman. Passengers, disillusioned with arrival, got out greyly amid grey steam; passengers, hungry for the illusion of getting somewhere, jostled their way on.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

Way , Hell , Tea , Daughters

“…it is recognised in England that home drinking is no real pleasure. We pray in a church and booze in a pub: profoundly sacerdotal at heart, we need a host in both places to preside over us. In Catholic churches as in continental bars the host is there all the time. But the Church of England kicked out the Real Presence and the licensing laws gave the landlord a terrible sacramental power. Ted was giving me grace of his own free will, holding back death – which is closing time – making a lordly grant of extra life.”

Anthony Burgess

Fiction, The Right to an Answer (1960)

Life , Death , Pleasure , Law

“The country will absorb you and you will cease to be Victor Crabbe. You will less and less find it possible to do the work for which you were sent here. You will lose function and identity. You will be swallowed up and become another kind of eccentric. You may become a Muslim. You may forget your English, or at least lose your English accent. You may end in a kampong, no longer a foreigner, an old brownish man with many wives and children, one of the elders whom the young will be encouraged to consult on matters of the heart. You will be ruined.”

Anthony Burgess

Fiction, Time for a Tiger (1956)

Children , Heart , Country , Forgetting

“The important thing is to get yourself born. You’re entitled to that. But you’re not entitled to life. Because if you were entitled to life, then the life would have to be quantified. How many years? Seventy? Sixty? Shakespeare was dead at fifty-two. Keats was dead at twenty-six. Thomas Chatterton at seventeen.”

Anthony Burgess

Fiction, The Clockwork Testament, or Enderby's End (1974)

Life , Dead

“…English translation of the Koran. I wonder how, with such a repetitive farrago of platitudes, expressing so self-evident a theology and an ethic so puerile, Islam can have spread as it has.”

Anthony Burgess

Fiction, The Enemy in the Blanket (1958)

“A white woman tipsy at the club, discoursing sexual needs unsatisfied by an overworked and debilitated husband, was a great topic of scandal in the bazaar. It was a man’s world, and a realistic planter or government officer should have been content with beery sodality and the odd session with a geisha or perempuan jahat. But these men had been to decent schools and were romantic. It was the same in Burma, as Orwell reminds us. The French suffered less.”

Anthony Burgess

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

Men , World , School , Suffering

“Howarth began to see that, however much it was against one’s will and convictions, sides had to be taken, the dreary corrupt world of politics had to be entered by the good and dispassionate, to protect and avenge the weak. But one always entered too late.”

Anthony Burgess

Fiction, The Worm and the Ring (1960)

World

“We," he said, not without complacency, "are different. We attest the divine paradox. We are barren only to be fertile. We proclaim the primary reality of the world of the spirit which has an infinitude of mansions for an infinitude of human souls. And you too are different. Your destiny is of the rarest kind. You will live to proclaim the love of Christ for man and man for Christ in a figure of earthly love." Preacher's rhetoric; it would have been better in Italian, which thrives on melodious meaninglessness.
I said, with the same weariness as before, "My destiny is to live in a state of desire both church and state condemn and to grow sourly rich in the purveying of a debased commodity. I've just finished a novel which, when I'd read it through in typescript, made me feel sick to my stomach. And yet it's what people want -- the evocation of a past golden time when there was no Mussolini or Hitler or Franco, when gods were paid for with sovereigns, Elgar's Symphony Number One in A flat trumpeted noblimente a massive hope in the future, and the romantic love of a shopgirl and a younger son of the aristocracy portended a healthful inflection but not destruction of the inherited social pattern. Comic servants and imperious duchesses. Hansom cabs and racing at Ascot. Fascists and democrats alike will love it. My destiny is to create a kind of underliterature that lacks all whiff of the subversive.”

Anthony Burgess

"Don't," Carlo said, "underestimate yourself."
Fiction, Earthly Powers (1980)

Love , God , People , Health

“Oh, it was gorgeosity and yumyumyum. When it came to the Scherzo I could viddy myself very clear running and running on like very light and mysterious nogas, carving the whole litso of the creeching world with my cut-throat britva. And there was the slow movement and the lovely last singing movement still to come. I was cured all right.”

Anthony Burgess

Fiction, A Clockwork Orange (1962)

Love , World , Light , Singing

“Paresis, as it is generally called in preference to the old GPI or general paralysis of the insane, is characterized by symptoms of bewildering variety, confirming the description of syphilis as the Great Imitator or, because of this very wealth of its ultimate manifestations, the Aristocrat of Diseases. Paresis involves a meningoencephalitis which marks its onset by personality changes, mild at first but growing steadily worse. There is irritability, failure of memory and judgement, insomnia, slovenliness, aggression, confusion, delusion, manic depression, epileptiform convulsion, slurred speech, incontinence, emaciation, sensational psychosis, finally death. The act of careless bohemian love, anonymous, quick and uncondomized, is proved not to have been worth the trouble or money…..”

Anthony Burgess

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

Love , Death , Money , Disease

“…even the police discussed this violence as possibly coming within the scope of their terms of reference.”

Anthony Burgess

Fiction, Beds in the East (1959)

“We know what goes on in the act of love, and those of us who are writers despair of ever finding verbal equivalents for the pain and pleasure of excitation fulfilled in what Rabelais’s translator Urquhart called ‘venerean ecstasy’. A mechanical description of the act tells us nothing, any more than a scientifically accurate account of mastication will convey the flavour of roast duck.”

Anthony Burgess

Non-Fiction, Flame Into Being: The Life and Work of D. H. Lawrence (1985)

Love , Pain , Pleasure , Despair

“Journalism may not dare too much. It can be gently humorous and ironic, very lightly touched by idiosyncrasy, but it must not repel readers by digging too deeply. This is especially true of its approach to language: the conventions are not questioned. The questioning of linguistic conventions is one of the main duties of what we call literature.”

Anthony Burgess

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

Literature , Question

“…today’s…newspapers…full of…diminishing exports, the unkillable widening grin of the pullulating East, the expanding machine of the almighty infallible State…. He himself could only turn to the past, but he heard that it was already possible to change the past, bringing the past perpetually up to date, a perpetual jackal fawning on the present, a malleable witness with no qualms about perjury. He knew that the armies were on the march, the Tannoys blaring, the collective mind – tool of oligarchy – being fashioned under the anaesthetic of the catchphrase and the mass entertainment…”

Anthony Burgess

Fiction, The Eve of St. Venus (1964)

Fashion , Change , Past

“Trade and gambling and a woman occasionally - that was a man’s life.”

Anthony Burgess

Fiction, Beds in the East (1959)

Life