Anne Rice: Making

“Tell me how bad I am… it makes me feel so good.”

“We're frightened of what makes us different.”

“A perfectly evil Devil makes even less sense than a perfect God.”

“One tiny flame could make so many other flames; one tiny flame could set afire a whole world.”

“It was as if this night were only one of thousands of nights, world without end, night curving into night to make a great arching line of which I couldn’t see the end, a night in which I roamed alone under cold, mindless stars.”

“For always in her there was a dark place full of despair and a great dividing force to make meaning because there was none.”

“Yes, I know," "And I love to hear you say it, Louis. I need to hear you say it. I don't think anyone will ever say it quite like you do. Come on, say it again. I'm a perfect devil. Tell me how bad I am. It makes me feel so good!”

“And he would listen, making only a few comments, always sympathetic, so that when I left him I had the distinct impression he had solved everything for me.”

“What does all this mean finally, I kept asking like a college kid. Why does it make me want to cry? Maybe it’s that we are all outsiders, we are all making our own unusual way through a wilderness of
normality that is just a myth.”

“In spite of all the refinements of civilization that conspired to make art – the dizzying perfection of the string quartet or the sprawling grandeur of Fragonard's canvases – beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.”

“We would make our heroes shallow,” he answered, the words very slow and almost sad. “We would make them brittle. It is they who must remind us of the true meaning of strength.”

“I was so conflicted and disillusioned about organized religion that I couldn't write. … I think my writings will go on being the writings of a believer in Christ. I think I'll be less frustrated and freer to write about the full dimension of what that means. But I write metaphysical thrillers, and how this works out in fiction is always mysterious: characters confront dilemmas. The worldview of the novel is certainly optimistic and that of a believer. What character will say what, I don't know until I start writing. …. Because I had written Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana, I had become a public Christian. I wanted my readers to know that I was stepping aside from organized religion and the names Christian and Christianity because I wanted to exonerate myself from the things organized religion was doing in the name of Jesus. Christians have lost credibility in America as people who know how to love. They have become associated with hatred, persecution, attempting to abolish the separation of church and state, and trying to pressure people to vote certain ways in elections. I wanted to make it clear that I did not in any way remain complicit with those things.”