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“History is not Time; nor is evolution. They are both consequences. Time is a state: the flame in which there lives the salamander of the human soul.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 57

“An artist needs knowledge and the power of observation only so that he can tell from what he is abstaining, and to be sure that his abstention will not appear artificial or false.”

Andrei Tarkovsky

Journal entry (7 July 1980); published in Time Within Time: The Diaries 1970-1986 (1989)

“It is perfectly possible to be a professional director or a professional writer and not to be an artist: merely a sort of executor of other people's ideas.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 188

“My function is to make whoever sees my films aware of his need to love and to give his love, and aware the beauty is summoning him.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 200

“I have to say from the outset that not all prose can be transferred to the screen.”

Andrei Tarkovsky book Sculpting in Time

Sculpting in Time (1986)

“Everything is conditioned by necessity of one kind or another; and if it were actually possible to find a person in conditions of total freedom, he would be like some deep water fish that had been dragged up to the surface. It's curious to reflect that Rublyov worked within the strictures of the canon! And the longer I live in the West the more curious and equivocal freedom seems to me. Freedom to take drugs? To kill? To commit suicide?”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 180

“The Stalker seems to be weak, but essentially it is he who is invincible because of his faith and his will to serve others.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 181

“It seems to me that the individual today stands at a crossroads, faced with the choice of whether to pursue the existence of blind consumer, subject to the implacable march of new technology and the endless multiplication of material goods, or to seek out a new way that will lead to spiritual responsibility, a way that ultimately might mean not only his personal salvation but also the saving of society at large; in other words, to turn to God.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 218

“Becoming an artist does not merely mean learning something, acquiring professional techniques and methods. Indeed, as someone has said, in order to write well you have to forget the grammar.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 88

“The meaning of religious truth is hope.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 43

“An artist cannot be partially sincere any more than art can be an approximation of beauty.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 47

“Above all, I feel that the sounds of this world are so beautiful in themselves that if only we could listen to them properly, cinema would have no need for music at all.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 162

“All of us are infected today with an extraordinary egoism. And that is not freedom; freedom means learning to demand only of oneself, not of life and others, and knowing how to give: sacrifice in the name of love.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 180

“What is Bresson's genre? He doesn't have one. Bresson is Bresson. He is a genre in himself. Antonioni, Fellini, Bergman, Kurosawa, Dovzhenko, Vigo, Mizoguchi, Bunuel — each is identified with himself. The very concept of genre is as cold as the tomb. And is Chaplin — comedy? No: he is Chaplin, pure and simple; a unique phenomenon, never to be repeated.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 150

“No one component of a film can have any meaning in isolation: it is the film that is the work of art.”

Andrei Tarkovsky book Sculpting in Time

And we can only talk about its components rather arbitrarily, dividing it up artificially or the sake of theoretical discussion.
Source: Sculpting in Time (1986), p. 114