Aldous Huxley: Trending quotes

“The soul of wit may become the very body of untruth.”

Wanted, A New Pleasure
Music at Night and Other Essays (1931)

“Jehovah, Allah, the Trinity, Jesus, Buddha, are names for a great variety of human virtues, human mystical experiences, human remorses, human compensatory fantasies, human terrors, human cruelties. If all men were alike, all the world would worship the same God.”

Foreward (p. vii)
Brave New World Revisited (1958)

“Proverbs are always platitudes until you have personally experienced the truth of them.”

“One and Many,” p. 3
Do What You Will (1928)

“What the cinema can do better than literature or the spoken drama is to be fantastic.”

Part IV: America, London http://books.google.com/books?lr=&id=iy0SkXPxsF8C&q=%22Proverbs+are+always+platitudes+until+you+have+personally+experienced+the+truth+of+them%22&pg=PA207#v=onepage, Jesting Pilate: The Diary of a Journey, (1926)

“The film concludes with … the most nauseatingly luscious, the most penetratingly vulgar mammy song that it has ever been my lot to hear. My flesh crept as the loud speaker poured out those sodden words, the greasy, sagging melody. I felt ashamed of myself for listening to such things, for even being a member of the species to which such things are addressed.”

"Where are the Movies Moving?" in Essays Old and New (1926)

“Defined in psychological terms, a fanatic is a man who consciously over-compensates a secret doubt.”

“Silence is Golden,” p. 62
Do What You Will (1928)

“In the course of evolution nature has gone to endless trouble to see that every individual is unlike every other individual.… Physically and mentally, each one of us is unique. Any culture which, in the interests of efficiency or in the name of some political or religious dogma, seeks to standardize the human individual, commits an outrage against man’s biological nature.”

"The Substitutes for Religion, The Religion of Sex"
Proper Studies (1927)

“A belief in hell and the knowledge that every ambition is doomed to frustration at the hands of a skeleton have never prevented the majority of human beings from behaving as though death were no more than an unfounded rumour, and survival a thing beyond the bounds of possibility.”

Source: Brave New World Revisited (1958), Chapter 3 (p. 21)

““What about spatial relationships?” the investigator inquired, as I was looking at the books. It was difficult to answer. True, the perspective looked rather odd, and the walls of the room no longer seemed to meet in right angles. But these were not the really important facts. The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as Where?—How far?—How situated in relation to what? In the mescalin experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its Perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern. I saw the books, but was not at all concerned with their positions in space. What I noticed, what impressed itself upon my mind was the fact that all of them glowed with living light and that in some the glory was more manifest than in others. In this context position and the three dimensions were beside the point. Not, of course, that the category of space had been abolished. When I got up and walked about, I could do so quite normally, without misjudging the whereabouts of objects. Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.”

Themes and Variations (1950)

“Children are nowhere taught, in any systematic way, to distinguish true from false, or meaningful from meaningless, statements. Why is this so? Because their elders, even in the democratic countries, do not want them to be given this kind of education.”

describing his experiment with mescaline, pp. 19-20
Source: The Doors of Perception (1954)

“A totally unmystical world would be a world totally blind and insane.”

Source: Brave New World Revisited (1958), Chapter 11 (p. 106)

Aldous Huxley book Grey Eminence

Grey Eminence (1940)

“History teaches us that war is not inevitable. Once again, it is for us to choose whether we use war or some other method of settling the ordinary and unavoidable conflicts between groups of men.”

“The masses on the contrary, have just reached the point where the ancestors of today's scientists were standing two generations back. They are convinced that the scientific picture of an arbitrary abstraction from reality is a picture of reality as a whole and that therefore the world is without meaning or value. But nobody likes living in such a world. To satisfy their hunger for meaning and value, they turn to such doctrines as nationalism, fascism and revolutionary communism. Philosophically and scientifically, these doctrines are absurd; but for the masses in every community, they have this great merit: they attribute the meaning and value that have been taken away from the world as a whole to the particular part of the world in which the believers happen to be living.”

What Are You Going To Do About It? The case for constructive peace (1936)

Aldous Huxley book Ends and Means

Ends and Means (1937)

“The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less sure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable mystery which it tries, forever vainly, to comprehend.”

“The man who comes back through the Door in the Wall will never be quite the same as the man who went out. He will be wiser but less cocksure, happier but less self-satisfied, humbler in acknowledging his ignorance yet better equipped to understand the relationship of words to things, of systematic reasoning to the unfathomable Mystery which it tries, forever vainly, to comprehend.”

The Doors of Perception (1954)

“Ours is an industrial civilization, in which no society can prosper unless it possesses an elite of highly trained scientists and a considerable army of engineers and technicians. The possession and wide dissemination of a great deal of correct, specialized knowledge has become a prime condition of national survival. In the United States, during the last twenty or thirty years, this fact seems to have been forgotten. Professional educationists have taken John Dewey's theories of ‘learning through doing’ and of ‘education as life adjustment,’ and have applied them in such a way that, in many American schools, there is now doing without learning, along with courses in adjustment to everything except the basic twentieth-century fact that we live in a world where ignorance of science and its methods is the surest, shortest road to national disaster. During the past half century every other nation has made great efforts to impart more knowledge to more young people. In the United States professional educationists have chosen the opposite course.”

Page 191
The Doors of Perception (1954)

“However hard they try, men cannot create a social organism, they can only create an organization. In the process of trying to create an organism they will merely create a totalitarian despotism.”

"Knowledge and Understanding", in Vedanta and the West (May-June 1956); later in Collected Essays (1958)

“If good music has charms to soothe the savage breast, bad music has no less powerful spells for filling the mildest breast with rage, the happiest with horror and disgust. Oh, those mammy songs, those love longings, those loud hilarities! How was it possible that human emotions intrinsically decent could be so ignobly parodied.”

Source: Brave New World Revisited (1958), Chapter 3 (p. 24)

“And suddenly I had an inkling of what it must feel like to be mad.”

“Silence is Golden,” p. 59
Do What You Will (1928)