Alan Moore: Trending quotes (page 13)

“Madness and insanity are two terms that are so vague and relative that you can’t really apportion proper values to them. The only thing I can think of that has any use it functional and dysfunctional. Are you working as well? In which case, it doesn’t matter if you are mad.”

Alan Moore

De Abaitua interview (1998)

Thinking , Madness

“All our scientific observations of the universe and quanta can only, in the end, be observations of ourselves.”

Alan Moore

De Abaitua interview (1998)

Universe

“There is an inverse relationship between imagination and money.”

Alan Moore

About the film adaptation of V for Vendetta, in an MTV interview "Alan Moore : The Last Angry Man" http://www.mtv.com/shared/movies/interviews/m/moore_alan_060315/

Money , Imagination

“I was talking earlier — about anarchy and fascism being the two poles of politics. On one hand you’ve got fascism, with the bound bundle of twigs, the idea that in unity and uniformity there is strength; on the other you have anarchy, which is completely determined by the individual, and where the individual determines his or her own life. Now if you move that into the spiritual domain, then in religion, I find very much the spiritual equivalent of fascism. The word “religion” comes from the root word ligare, which is the same root word as ligature, and ligament, and basically means “bound together in one belief.” It’s basically the same as the idea behind fascism; there’s not even necessarily a spiritual component it. Everything from the Republican Party to the Girl Guides could be seen as a religion, in that they are bound together in one belief. So to me, like I said, religion becomes very much the spiritual equivalent of fascism. And by the same token, magic becomes the spiritual equivalent of anarchy, in that it is purely about self-determination, with the magician simply a human being writ large, and in more dramatic terms, standing at the center of his or her own universe. Which I think is a kind of a spiritual statement of the basic anarchist position. I find an awful lot in common between anarchist politics and the pursuit of magic, that there’s a great sympathy there.”

Alan Moore

Alan Moore on Anarchism (2009)

Life , Religion , Girl , Idea

“We are approaching a more fluid state. I have talked about cultural boiling. The idea of the phase-transition period which, in fractal mathematics, is the chaotic flux between one state and another. …Culturally, and as a species, we are approaching a phase-transition. I don’t know quite what that means, on a human level.”

Alan Moore

De Abaitua interview (1998)

Mathematics , Idea

“!-- What you have to do first is separate yourself from the world, most new-born babies don’t see any difference between them, their playpen and their Dad. It’s all them. Only after a little while do they start to realise that it’s not all me, just this bit is me. So by the invention of something similar to the word or concept ‘I’ we separate ourselves from the universe. Then we start to separate up the universe. We will divide sky from ground, the organic from inorganic. Looked at like this, doesn’t it provide a literal interpretation of the Biblical Creation story. -->If you take the idea of God in the Bible as a metaphor for any nascent, formative just-created intelligence, is that not how we all create the universe. We divide the firmament up from the waters of the abyss, and the key to how to do this is in the first line: in the beginning, there was the word. By giving sky one word, the ground into another, we break the universe down into manageable things that we can interact with through language.”

Alan Moore

De Abaitua interview (1998)

God , World , Intelligence , Idea

“Actually, art and magic are pretty much synonymous. I would imagine that this all goes back to the phenomenon of representation, when, in our primordial past, some genius or other actually flirted upon the winning formula of “This means that.” Whether “this” was a voice or “that” was a mark upon a dry wall or “that” was a guttural sound, it was that moment of representation. That actually transformed us from what we were into what we would be. It gave us the possibility, all of a sudden, of language. And when you have language, you can describe pictorially or verbally the strange and mystifying world that you see around you, and it’s probably not long before you also realize that, hey, you can just make stuff up. The central art of enchantment is weaving a web of words around somebody. And we would’ve noticed very early on that the words we are listening to alter our consciousness, and using the way they can transform it, take it to places we’ve never dreamed of, places that don’t exist.”

Alan Moore

The Believer interview (2013)

World , Dreams , Art , Way

“The sexuality of creativity – on that level, human interaction becomes less of an oppressive pyramid and more of a dance, an orgy, something that you can imagine being a bit of fun. It seems to work naturally, except when order is imposed upon it, from above, and then everything starts getting a bit screwed up. The information, the energy, starts to get messed up.”

Alan Moore

De Abaitua interview (1998)

Imagination , Nature , Dance

“!-- I come from the Arts Lab. Most of the writing I used to do was used for performance, so consequently I learnt that when you are reading a poem it has to read properly, which is to do with syllables and stresses. What takes me the longest with my fine writing, like say Voice of the Fire, is reading it through and finding the bits where it clunks, where it’s one syllable too long, and once you find that rhythm – the reader probably won’t be aware of it, consciously, but there is a tidal wave embedded in the prose that the reader is responding to. In the last chapter of Voice in the Fire, where it is actually me talking in my own voice, I don’t use the word ‘I’ or ‘me’ or ‘mine’. I don’t know why – perhaps I had been reading that Private Eye column where it is all ‘I’ ‘I’ ‘I’ and started to feel a bit self-conscious about it – but --> I thought if I can still be the central voice but without having an ‘I’ there, and by not having it there, it makes it easier for the reader to slip into the consciousness of the narrator. If you remove the letter ‘I’ it becomes a universal I. Everybody is the author walking down those streets while they are in the prose.”

Alan Moore

De Abaitua interview (1998)

Art , Feeling , Universe , Reading

“I think that we are approaching a kind of event field – fifteen years, twenty years up the road. There is a big event in the future and because time is not what we think it is, that event radiates in all directions. We are entering its field and have been for hundreds of years. We are starting to approach the core of it.”

Alan Moore

De Abaitua interview (1998)

Thinking , Time , Future

“!-- Most of the effects described in classical magical tradition I believe I can duplicate with art, possibly drugs – or some other means of integrating myself more deeply with that sort of reality, that sort of consciousness – I believe I could do most of the things that are described in traditional magic. This opens up wider possibilities. It also enables me to understand myself on a deeper level. -->By accepting the idea of endless pantheons of gods, I somehow accept these creatures as being distinct and separate from me, and not as being, to some degree, higher functions of me. Iain Sinclair was asking me about this: he asked me ‘do you think they are inside you, or outside you?’ The only answer I could come up with was, the more I think about it the inside is the outside. That the objective world and the non-objective world are the same thing, to some degree. Ideaspace and this space are the same space. Just different ends of the scale. That’s not a very good explanation, but the best I can come up with so far.”

Alan Moore

De Abaitua interview (1998)

God , World , Art , Idea

“I'm not a millionaire but I'm very comfortable doing what I do, and I'm more productive now than I was in my mid-20s. It's all down to functionality eventually. If you're functional it doesn't matter if you're mad.”

Alan Moore

As quoted in "Moore's murderer", in The Guardian (2 February 2002) http://www.guardian.co.uk/film/2002/feb/02/sciencefictionfantasyandhorror.books

Madness

“The more I look at most of the art movements, it’s all occultism, when you get down to it. The Surrealists were openly talking about being magicians.”

Alan Moore

De Abaitua interview (1998)

Art

“I've no objection to the term 'graphic novel,' as long as what it is talking about is actually some sort of graphic work that could conceivably be described as a novel. My main objection to the term is that usually it means a collection of six issues of Spider-Man, or something that does not have the structure or any of the qualities of a novel, but is perhaps roughly the same size.”

Alan Moore

Interview with Locus Magazine http://www.locusmag.com/2003/Issue07/Moore.html (2003)

“Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know.”

Alan Moore

What Is Reality?

Reality , Sense

“It's a new world, Arcane…
It's full of shopping malls…
and striplights and software. The dark corners are being pushed back…
a little more every day.
We're things of the shadow, you and I…
And there isn't as much shadow…
as there used to be..”

Alan Moore

Swamp Thing (1983–1987)

World

“If I wanted a full-scale manifestation, one that was apparent to other people, then I would do a ritual. I have displayed the snake god to other people. Or I have consciously hypnotised them into accepting my psychotic belief system, given them drugs, and made them think they are having the experience I have. Whatever you want. I’m not fussed.”

Alan Moore

De Abaitua interview (1998)

God , People , Thinking

“Magic and art tend to share a lot of the same language. They both talk about evocation, invocation, and conjuring. If you’re trying to conjure a character, then maybe you should treat that with the respect that you would if you were trying to conjure a demon. Because if an image of a god is a god, then in some sense the image of a demon is a demon. I’m thinking of people like Malcolm Lowry, the exquisite author of Under the Volcano. There are kabbalistic demons that are lurking all the way through Under the Volcano, and I assume they were probably similar forces to the ones that eventually overwhelmed Lowry’s life, such as the drinking and the madness. When I hear alcoholics talk about having their demons, I think that they’re probably absolutely literally correct.”

Alan Moore

The Believer interview (2013)

Life , God , People , Alcohol

“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life…
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns…
And somebody falls off…
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller…
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives…
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick.”

Alan Moore

"The world keeps turning.
Oh Alec—
Alec's dead."
Swamp Thing (1983–1987)

Life , Women , Men , God

“If I realised the power of magic to worry and terrify people before, then I certainly would have used it before. Everyone freezes before it for different reasons – perhaps because it means madness to them, or because it means opening the door to a whole lot of stuff that the Age of Reason should have firmly bolted the door upon. A lot of concepts that we got rid of a long time ago that would be a bit creepy to have them back.”

Alan Moore

De Abaitua interview (1998)

People , Age , Time , Madness