Vlagyimir Jevgrafovics Tatlin idézet

Vlagyimir Jevgrafovics Tatlin festő és építész. Kazimir Maleviccsel az orosz avantgárd legjelentősebb szereplője az 1920-as éveknek, később a konstruktivizmust fémjelzi neve. Leghíresebb kísérlete a Tatlin-torony. Wikipedia  

✵ 28. december 1885 – 31. május 1953
Vlagyimir Jevgrafovics Tatlin fénykép
Vlagyimir Jevgrafovics Tatlin: 7   idézetek 0   Kedvelés

Vlagyimir Jevgrafovics Tatlin: Idézetek angolul

“The influence of my art is expressed in the movement of the Constructivists, of which I am the founder – Tatlin.”

Quoted from a biographical note written by Tatlin in 1929, published in Tatlin', Weingarten; Kunstverlag Weingarten, 1987), p. 328; as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 34
Quotes, 1926 - 1954

“The dream [of flying] is as old as Icarus... I too want to give back to man the feeling of flight [with his 'Letatlin'-air-bike, 1929-1932]. This we have been robbed of by the mechanical flight of the aeroplane. We cannot feel the movement of our body in the air.”

quote, c. 1930; https://utopiadystopiawwi.wordpress.com/constructivism/vladimir-tatlin/letalin/ cited by Christina Lodder, in Russian Constructivism; Yale University Press, Connecticut, 1983, p. 213
The 'Letatlin' was a glider, what Tatlin called an 'air bike', since it would be manually pedaled by the user and contain no motor
Quotes, 1926 - 1954

“[the task of material culture is] to shed light on the tasks of production in our country, and also to discover the place of the artist-constructor in production, in relation to improving the quality both of the manufactured product and of the organization of the new way of life in general.”

Quote, May 1924; from Tatlin's lecture on 'Material Culture and Its Role in the Production of Life in the USSR'; as quoted by Larissa A. Zhadova, ed., Tatlin, trans. Paul Filotas et al; Thames and Hudson, London, 1988, p. 252
In May 1924, right in the middle of N.E.P., Tatlin offered his synoptic statement of what was still the task of material culture
Quotes, 1910 - 1925

“Let's split open our figures and place the environment inside them.”

Quote before 1920; ac cited by Christina Lodder, in Russian Constructivism, (New Haven: Yale University Press, 1983), 17
Quotes, 1910 - 1925

“In reinforced concrete we have not only a new material but, of far greater consequence, new constructions and a new method for designing buildings. Therefore, in using [reinforced concrete], we have to renounce the old traditions and concern ourselves with meeting new tasks.”

Quote in: 'Zodchii 19' (1915), p. 198; as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 30
Quotes, 1910 - 1925

“[iron and glass, the] 'materials of the new Classicism.”

Quote, 1921: in Nasha predstoiashchaia rabota,, V. Tatlin, T Shapiro, I. Meerzon, and P. Vinogradov, 'VIII s"ezd sovetov. Ezhednevnyi biulleten' s"ezda 13 (January 1, 1921), p. 11; as cited by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 30
Quotes, 1910 - 1925

“The engineers made hard forms. Evil. With angles. They are easily broken. The world is round and soft..”

quote, c. 1930; cited by Christina Lodder https://utopiadystopiawwi.wordpress.com/constructivism/vladimir-tatlin/letalin/, in Russian Constructivism; Yale University Press, Connecticut, 1983, p. 214
The 'Letatlin' Tatlin constructed in organic round and oval forms
Quotes, 1926 - 1954

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