Samuel Beckett: Idézetek angolul (oldal 4)

“To go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I’ll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time.”

“Don't wait to be hunted to hide, that's always been my motto.”

“I, of whom I know nothing, I know my eyes are open, because of the tears that pour from them unceasingly.”

“I tried to groan, Help! Help! But the tone that came out was that of polite conversation.”

“What can it matter to me, that I succeed or fail? The undertaking is none of mine, if they want me to succeed I’ll fail, and vice versa, so as not to be rid of my tormentors.”

“Deplorable mania, when something happens, to inquire what.”

“My keepers, why keepers, I'm in no danger of stirring an inch, ah I see, it's to make me think I'm a prisoner, frantic with corporeality, rearing to get out and away.”

“We are no longer the same, you wiser but not sadder, and I sadder but not wiser, for wiser I could hardly become without grave personal inconvenience, whereas sorrow is a thing you can keep adding to all your life long, is it not, like a stamp or an egg collection, without feeling very much the worse for it, is it not.”

“I get up, go out, and everything is changed. The blood drains from my head, the noise of things bursting, merging, avoiding one another, assails me on all sides, my eyes search in vain for two things alike, each pinpoint of skin screams a different message, I drown in the spray of phenomena.”

“Hamm: What's he doing?(CLOV raises lid of NAGG's bin, stoops, looks into it. Pause.)Clov: He's crying.(He closes lid, straightens up)Hamm: Then he's living.”

“Perhaps it's done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.”

“At no moment do I know what I’m talking about, nor of whom, nor of where, nor how, nor why, but I could employ fifty wretches for this sinister operation and still be short of the fifty-first, to close the circuit, that I know, without knowing what it means.”

“But he had turned, little by little, a disturbance into words, he had made a pillow of old words, for his head.”

“They never lynch children, babies, no matter what they do they are whitewashed in advance.”

“Tears, that could be the tone, if they weren't so easy, the true tone and tenor at last.”

“What do you expect, one is what one is, partly at least.”

“A mask of dirty old hairy leather, with two holes and a slit, it was too far gone for the old trick of please your honour and God reward you and pity upon me. It was disastrous.”

“Yes, yes, I am mistaken, I am mistaken.”

“Yes, in my life, since we must call it so, there were three things, the inability to speak, the inability to be silent, and solitude, that’s what I’ve had to make the best of.”