Richard Wright idézet (130 idézet, oldal 3)

Richard Wright: 130 idézet0 Kedvelés

Richard Wright: Idézetek angolul

“As a protective mechanism, I developed a terse, cynical mode of speech that rebuffed those who sought to get too close to me. Conversation was my way of avoiding expression; my words were reserved for those times when I sat down alone to write. My face was always a deadpan or a mask of general friendliness; no word or event could jar me into a gesture of enthusiasm or despair.”

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Richard Wright könyv Black Boy

Forrás: Black Boy (American Hunger) (1991), p. 278

““He had fled a world that he had known and that had emotionally crucified him, but what was he here in this world whose impact loosed storms in his blood? Could he ever make the white faces around him understand how they had charged his world with images of beckoning desire and dread? Naw, naw…No one could believe the kind of life he had lived and was living.”

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Richard Wright

The Long Dream (1958)

“This presentation had lasted for more than three hours, but it had enthroned a new sense of reality in the hearts of those present, a sense of man on earth. With the exception of the church and its myths and legends, there was no agency in the world so capable of making men feel the earth and the people upon it as the Communist party.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“A quarter of a century was to elapse between the time when I saw my father sitting with the strange woman and the time when I was to see him again, standing alone upon the red clay of a Mississippi plantation, a sharecropper, clad in ragged overalls, holding a muddy hoe in his gnarled, veined hands—a quarter of a century during which my mind and consciousness had become so greatly and violently altered that when I tried to talk to him I realized that, though ties of blood made us kin, though I could see a shadow of my face in his face, though there was an echo of my voice in his voice, we were forever strangers, speaking a different language, living on vastly distant planes of reality.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“Negroes, as they enter our culture, are going to inherit the problems we have, but with a difference. They are outsiders and they are going to know that they have these problems. They are going to be self‑conscious; they are going to be gifted with a double vision, for, being Negroes, they are going to be both inside and outside of our culture at the same time. Every emotional and cultural convulsion that ever shook the heart and soul of Western man will shake them. Negroes will develop unique and specially defined psychological types. They will become psychological men, like the Jews... They will not only be Americans or Negroes; they will be centers of knowing, so to speak... The political, social, and psychological consequences of this will be enormous...”

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Richard Wright könyv The Outsider

The Outsider (1953)

“I declare unabashedly that I like and even cherish the state of abandonment, of aloneness; … it seems the natural, inevitable condition of man, and I welcome it … I've been shaped to this mental stance by the kind of experience I have fallen heir to.”

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Richard Wright

White Man, Listen! (1957)

“During the following days I learned through discreet questioning that I had seemed a fantastic element to the black Communists. I was shocked to hear that I, who had been only to grammar school, had been classified as an intellectual. What was an intellectual? I had never heard the word used in the sense in which it was applied to me.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“Watching the white people eat would make my empty stomach churn and I would grow vaguely angry. Why could I not eat when I was hungry? Why did I always have to wait until others were through? I could not understand why some people had enough food and others did not.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“He had lived and acted on the assumption that he was alone, and now he saw that he had not been. What he had done made others suffer. No matter how much he would long for them to forget him, they would not be able to. His family was a part of him, not only in blood, but in spirit.”

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Richard Wright

Native Son (1940)

“I'm an American Negro; as such, I've had a burden of race consciousness. So have these people. I worked in my youth as a common laborer, and I've had a class consciousness. So have these people. I grew up in the Methodist and Seventh Day Adventist churches and I saw and observed religion in my childhood; and these people are religious. I was a member of the Communist Party for twelve years and I know something of the politics and psychology of rebellion…. These emotions are my instruments…. I want to try to use these emotions to try to find out what these people feel and think and why.”

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Richard Wright könyv The Color Curtain

The Color Curtain (1956)

“As summer neared, my mother suffered yet another stroke of paralysis and again I had to watch her suffer, listen to her groans, powerless to help. I used to lie awake nights and think back to the early days in Arkansas, tracing my mother’s life, reliving events, wondering why she had apparently been singled out for so much suffering, meaningless suffering, and I would feel more awe than I had ever felt in church. My mind could find no answer and I would feel rebellious against all life. But I never felt humble.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“I sat and cursed myself. Why did I always appear so dumb when I was called upon to perform something in a crowd? I knew how to write as well as any pupil in the classroom, and no doubt I could read better than any of them, and I could talk fluently and expressively when I was sure of myself. Then why did strange faces make me freeze? I sat with my ears and neck burning, hearing the pupils whisper about me, hating myself, hating them; I sat still as stone and a storm of emotion surged through me”

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Richard Wright könyv Black Boy

Black Boy (1945)

“The essence of the irony of the plight of the Negro in America, to me, is that he is doomed to live in isolation while those who condemn him seek the basest goals of any people on the face of the earth. Perhaps it would be possible for the Negro to become reconciled to his plight if he could be made to believe that his sufferings were for some remote, high, sacrificial end; but sharing the culture that condemns him, and seeing that a lust for trash is what blinds the nation to his claims, is what sets storms to rolling in his soul.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“A man who worships in the Seventh-Day Adventist Church lives, psychologically, in a burning and continuous moment that never ends: the present is ever-lasting; the past is telescoped into the now; there is no future and at any moment Christ may come again and then the anxious tension of time will be no more…. [My grandmother] lived with all of us, yet, psychologically, she hovered somewhere off in space…. Always she seemed to be peeping out of Heaven into the world while living in the world.”

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Richard Wright

Eight Men (1961)

“A dim notion of what life meant to a Negro in America was coming to consciousness in me, not in terms of external events, lynchings, Jim Crowism, and the endless brutalities, but in terms of crossed-up feeling, of psyche pain. I sensed that Negro life was a sprawling land of unconscious suffering, and there were but few Negroes who knew the meaning of their lives, who could tell their story.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“If the stars twinkled more than usual on any given night, it meant that the angels in heaven were happy and were flitting across the doors of heaven; and since stars were merely holes ventilating heaven, the twinkling came from the angels flitting past the holes that admitted air into the holy home of God.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“Where could he find such experiences, such spheres of existence? In the main, he accepted the kind of world that the Bible claimed existed; but, for the sufferings, terrors, accidental births, and meaningless deaths of that world, he rejected the Biblical prescriptions of repentance, prayer, faith and grace. He was persuaded that what started on this earth had to be rounded off and somehow finished here.”

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Richard Wright könyv The Outsider

The Outsider (1953)

“Richard went to Paris in 1946, when I was 22, he was 38. Now, it took me a long time; I had to get to be much older to realize something. I didn't realize it that day at all. I was not born in Mississippi; I was born in New York. And I did not leave Mississippi to go to Chicago. And endure all that. I was much too young to realize what I was looking at really. But, that's a journey. To go from Mississippi to Chicago to New York to Paris in 38 years is amazing. You might as well have walked all that distance, it's almost that remarkable.”

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Richard Wright

James Baldwin at Yale University (2 November 1983)

“I did not act in this fashion deliberately; I did not prefer this kind of relationship with people. I wanted a life in which there was a constant oneness of feeling with others, in which the basic emotions of life were shared, in which common memory formed a common past, in which collective hope reflected a national future.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of hunger for life that gnaws in us all.”

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Richard Wright

Forrás: American Hunger (1977), p. 77

“I don't know if Native Son is a good book or a bad book. And I don't know if the book I'm working on now will be a good book or a bad book. And I really don't care. The mere writing of it will be more fun and a deeper satisfaction than any praise or blame from anybody. I feel that I'm lucky to be alive to write novels today, when the whole world is caught in the pangs of war and change.”

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Richard Wright

pg. xxxiv
Native Son (1940)

“…. Above all, he was ashamed of his world, for the world about him had branded his world as bad, inferior. Moreover, he felt no moral strength or compulsion to defend his world. That in him which had always made him self-conscious was now the bud of a new possible life that was pressing ardently but timidly against the shell of the old to shatter it and be free.”

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Richard Wright

The Long Dream (1958)

“The southern whites would rather have had Negroes who stole, work for them than Negroes who knew, however dimly, the worth of their own humanity. Hence, whites placed a premium upon black deceit; they encouraged irresponsibility; and their rewards were bestowed upon us blacks in the degree that we could make them feel safe and superior.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“Perspective is that part of a poem, novel, or play which a writer never puts directly upon paper. It is that fixed point in intellectual space where a writer stands to view the struggles, hopes, and sufferings of his people. There are times when he may stand too close and the result is a blurred vision. Or he may stand too far away and the result is a neglect of important things.”

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Richard Wright

White Man, Listen! (1957)

“These were the rhythms of his life: indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger- like water ebbing and flowing from the tug of a far-away, invisible force.”

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Richard Wright

"Fear", pp. 31, Harper Row 1966
Native Son (1940)

“I found that when I talked to them in abstract terms, my ideas were not understood. The irony of it was that I, who had all but to steal books to read, had been branded as an intellectual by the one group that claimed it was dedicated to educating the oppressed and informing them with a vision of life.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“Anything seemed possible, likely, feasible, because I wanted everything to be possible…Because I had no power to make things happen outside of me in the objective world, I made things happen within. Because my environment was bare and bleak, I endowed it with unlimited potentialities, redeemed it for the sake of my own hungry and cloudy yearning.”

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Richard Wright könyv Black Boy

Black Boy (1945)

“I'm a rootless man, but I'm neither psychologically distraught nor in any wise particularly perturbed because of it. Personally, I do not hanker after, and seem not to need, as many emotional attachments, sustaining roots, or idealistic allegiances as most people. I declare unabashedly that I like and even cherish the state of abandonment, of aloneness; it does not bother me; indeed, to me it seems the natural, inevitable condition of man, and I welcome it. I can make myself at home almost anywhere on this earth and can, if I've a mind to and when I'm attracted to a landscape or a mood of life, easily sink myself into the most alien and widely differing environments.”

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Richard Wright

White Man, Listen! (1957)

“With a twitching nose
A dog reads a telegram
On a wet tree trunk.”

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Richard Wright

Haiku: This Other World (1998)

“I soon made myself a nuisance by asking far too many questions of everybody. Every happening in the neighborhood, no matter how trivial, became my business.”

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Richard Wright könyv Black Boy

Black Boy (1945)

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