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Oliver Sacks idézet

Oliver Wolf Sacks, CBE , brit származású amerikai neurológus és író.

A neurológia és a pszichiátria professzora volt a New York-i Egyetem Orvostudományi karán, korábban a Columbia Egyetemen, ahol a Columbia Artist címet is birtokolta. Még korábban több évet töltött a Yeshiva Egyetem Albert Einstein College of Medicine klinikai karán. Sacks több bestseller írója volt, melyek közül jó néhány neurológiai rendellenességektől szenvedő emberek esettanulmánya. Az 1973-ban megjelent Ébredések című könyvéből azonos című, Oscar-díjra jelölt filmadaptáció is készült 1990-ben, Robin Williams és Robert De Niro főszereplésével. Továbbá ő, és a Musicophilia: Tales of Music and the Brain című könyve voltak a PBS-en futó Nova című sorozat Musical Minds című epizódjának témája. Wikipedia  

✵ 9. július 1933 – 30. augusztus 2015
Oliver Sacks fénykép
Oliver Sacks: 18   idézetek 0   Kedvelés

Oliver Sacks: Idézetek angolul

“This new quantum mechanics promised to explain all of chemistry. And though I felt an exuberance at this, I felt a certain threat, too. “Chemistry,” wrote Crookes, “will be established upon an entirely new basis…. We shall be set free from the need for experiment, knowing a priori what the result of each and every experiment must be.” I was not sure I liked the sound of this. Did this mean that chemists of the future (if they existed) would never actually need to handle a chemical; might never see the colors of vanadium salts, never smell a hydrogen selenide, never admire the form of a crystal; might live in a colorless, scentless, mathematical world? This, for me, seemed and awful prospect, for I, at least, needed to smell and touch and feel, to place myself, my senses, in the middle of the perceptual world.”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), pp. 312–313

“Temple is an intensely moral creature. She has a passionate sense of right and wrong, for example, in regard to the treatment of animals; and law, for her, is clearly not just the law of the land but, in some far deeper sense, a divine or cosmic law, whose violation can have disastrous effects—seeming breakdowns in the course of nature itself.”

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Oliver Sacks

An Anthropologist On Mars, The New Yorker, 27 December 1993

“And I often dream of chemistry at night, dreams that conflate the past and the present, the grid of the periodic table transformed to the grid of Manhattan. […] Sometimes, too, I dream of the indecipherable language of tin (a confused memory, perhaps, of its plaintive “cry”). But my favorite dream is of going to the opera (I am Hafnium), sharing a box at the Met with the other heavy transition metals—my old and valued friends—Tantalum, Rhenium, Osmium, Iridium, Platinum, Gold, and Tungsten.”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), p. 317

“I never heard [my parents] talk between themselves about Palestine or Zionism, and I suspected they had no strong convictions on the subject, at least until after the war, when the horror of the Holocaust made them feel there should be a “National Home.” I felt they were bullied by the organizers of these meetings, and by the gangsterlike evangelists who would pound at the front door and demand large sums for yeshivas or “schools in Israel.” My parents, clearheaded and independent in most other ways, seemed to become soft and helpless in the face of these demands, perhaps driven by a sense of obligation or anxiety. My own feelings […] were passionately negative: I came to hate Zionism and evangelism and politicking of every sort, which I regarded as noisy and intrusive and bullying.”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), p. 171

“The beauty of the forest is extraordinary — but “beauty” is too simple a word, for being here is not just an aesthetic experience, but one steeped with mystery, with awe. … [The forest] has to do with the ancient, the aboriginal, the beginning of all things. The primeval, the sublime, are much better words here — for they indicate realms remote from the moral or the human, realms which force us to gaze into immense vistas of space and time, where the beginnings and originations of all things lie hidden. Now, as I wandered in the cycad forest on Rota, it seemed as if my senses were actually enlarging, as if a new sense, a time sense, was opening within me, something which might allow me to appreciate millennia or aeons as directly as I had experienced seconds or minutes. … Standing here in the jungle, I feel part of a larger, calmer identity; I feel a profound sense of being at home, a sort of companionship with the earth.”

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Oliver Sacks

“The Island of the Colour-blind and Cycad Island” (Picador, London, 1996) pages 223-225

“When I was fourteen or fifteen […] the Yom Kippur service ended in an unforgettable way, for Schechter, who always put great effort into the blowing of the shofar—he would go red in the face with exertion—produced a long, seemingly endless note of unearthly beauty, and then dropped dead before us on the bema, the raised platform where he would sing. I had the feeling that God had killed Schechter, sent a thunderbolt, stricken him. The shock of this for everyone was tempered by the reflection that if there was ever a moment in which a soul was pure, forgiven, relieved of all sin, it was at this moment, when the shofar was blown in conclusion of the fast […].”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), p. 177

“When I was five, I am told, and asked what my favorite things in the world were, I answered, “smoked salmon and Bach.” (Now, sixty years later, my answer would be the same.)”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), p. 182

“Some employees in slaughterhouses, she notes, rapidly develop a protective hardness and start killing animals in a purely mechanical way: “The person doing the killing approaches his job as if he was stapling boxes moving along a conveyor belt. He has no emotions about his act.” Others, she reveals, “start to enjoy killing and… torment the animals on purpose.” Speaking of these attitudes turned Temple’s mind to a parallel: “I find a very high correlation,” she said, “between the way animals are treated and the handicapped…. Georgia is a snake pit—they treat [handicapped people] worse than animals…. Capital-punishment states are the worst animal states and the worst for the handicapped.” All this makes Temple passionately angry, and passionately concerned for humane reform: she wants to reform the treatment of the handicapped, especially the autistic, as she wants to reform the treatment of cattle in the meat industry.”

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Oliver Sacks

An Anthropologist On Mars, The New Yorker, 27 December 1993

“My own first love was biology. I spent a great part of my adolescence in the Natural History museum in London (and I still go to the Botanic Garden almost every day, and to the Zoo every Monday). The sense of diversity—of the wonder of innumerable forms of life—has always thrilled me beyond anything else.”

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Oliver Sacks

Personal correspondence, quoted in Stephen Jay Gould, "Cabinet Museums: Alive, Alive, O!", Dinosaur in a Haystack (Harmony, 1995), p. 245

“On one occasion—it was an oppressive Saturday in the tense summer of 1939—I decided to ride my tricycle up and down Exeter Road near the house, but there was a sudden downpour and I got completely soaked. [Aunt] Annie wagged a finger at me, and shook her heavy head: “Riding on shabbas? You can't get away with it,” she said. “He sees everything, He is watching all the time!” I disliked Saturdays from this time on, disliked God, too (or at least the vindictive, punitive God that Annie's warning had evoked) and developed an uncomfortable, anxious, watched feeling about Saturdays”

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Oliver Sacks könyv Uncle Tungsten

which persists, a little, to this day
Forrás: Uncle Tungsten (2001), p. 172

“A spectacular anomaly came up with the hydrides of the nonmetals—an ugly bunch, about as inimical to life as one could get. Arsenic and antimony hydrides were very poisonous and smelly; silicon and phosphorous hydrides were spontaneously inflammable. I had made in my lab the hydrides of sulfur (H2S), selenium (H2Se), and tellurium (H2Te), all Group VI elements, all dangerous and vile-smelling gases. The hydride of oxygen, the first Group VI element, one might predict by analogy, would be a foul-smelling, poisonous, inflammable gas, too, condensing to a nasty liquid around −100°C. And instead it was water, H2O—stable, potable, odorless, benign, and with a host of special, indeed unique properties (its expansion when frozen, its great heat capacity, its capacity as an ionizing solvent, etc.) which made it indispensable to our watery planet, indispensable to life itself. What made it such an anomaly? […]”

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Oliver Sacks könyv Uncle Tungsten

This question, I found, had only been resolved recently, in the 1930s, with Linus Pauling's delineation of the hydrogen bond.
Forrás: Uncle Tungsten (2001), pp. 204–205

“Lemurs are close to the ancestral stock from which all primates arose, and I am happy to think that one of my own ancestors, 50 million years ago, was a little tree-dwelling creature not so dissimilar to the lemurs of today. I love their leaping vitality, their inquisitive nature.”

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Oliver Sacks

My Periodic Table, New York <I>Times</I>, 24 July 2015

“While autism is a developmental disorder, sometimes a devastating one, there is always within the autism a unique and sometimes strangely gifted individual. The great psychoanalyst Winicott used to feel that there was something like a tulip in every person and this was their essence and that this internal part of them was inaccessible to the person themselves and should not be meddled with or touched by psychoanalysis or anything else and one wonders if there is not some autistic essence like this tulip which needs to be respected and not meddled with.”

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Oliver Sacks

Rage For Order episode of Oliver Sacks: The Mind Traveller

“Temple, who was driving, suddenly faltered and wept. “I’ve read that libraries are where immortality lies.... I don’t want my thoughts to die with me.... I want to have done something.... I’m not interested in power, or piles of money. I want to leave something behind. I want to make a positive contribution—know that my life has meaning. Right now, I’m talking about things at the very core of my existence.” I was stunned. As I stepped out of the car to say goodbye, I said, “I’m going to hug you. I hope you don’t mind.””

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Oliver Sacks

I hugged her—and (I think) she hugged me back.
An Anthropologist On Mars, The New Yorker, 27 December 1993

“During the war the congregation was largely broken up […] and it was never really reconstituted after the war. […] Before the war my parents (I, too) had known almost every shop and shopkeeper in Cricklewood […] and I would see them all in their places in shul. But all this was shattered with the impact of the war, and then with the rapid postwar social changes in our corner of London. I myself, traumatized at Braefield, had lost touch with, lost interest in, the religion of my childhood. I regret that I was to lose it as early and as abruptly as I did, and this feeling of sadness or nostalgia was strangely admixed with a raging atheism, a sort of fury with God for not existing, not taking care, not preventing the war, but allowing it, and all its horrors, to occur.”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), pp. 178–179

“We had a large old-fashioned battery, a wet cell, in the kitchen, hooked up to an electric bell. The bell was too complicated to understand at first, and the battery, to my mind, was more immediately attractive, for it contained an earthenware tube with a massive, gleaming copper cylinder in the middle, immersed in a bluish liquid, all this inside an outer glass casing, also filled with fluid, and containing a slimmer bar of zinc. It looked like a miniature chemical factory of sorts, and I thought I saw little bubbles of gas, at times, coming off the zinc. The Daniell cell (as it was called) had a thoroughly nineteenth-century, Victorian look about it, and this extraordinary object was making electricity all by itself—not by rubbing or friction, but just by the virtue of its own chemical reactions.”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), p. 160

“It came upon me sometime in my fifteenth year that I no longer woke up with sudden excitements—“Today I will get the Clerici solution! Today I will read about Humphry Davy and electric fish! Today I will finally understand diamagnetism, perhaps!” I no longer seemed to get these sudden illuminations, these epiphanies, these excitements which Flaubert (whom I was now reading) called “erections of the mind.” Erections of the body, yes, this was a new, exotic part of life—but those sudden raptures of the mind, those sudden landscapes of glory and illumination, seemed to have deserted or abandoned me. Or had I, in fact, abandoned them?”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), p. 310

“Hydrogen selenide, I decided, was perhaps the worst smell in the world. But hydrogen telluride came close, was also a smell from hell. An up-to-date hell, I decided, would have not just rivers of fiery brimstone, but lakes of boiling selenium and tellurium, too.”

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Oliver Sacks könyv Uncle Tungsten

Forrás: Uncle Tungsten (2001), p. 90