J. G. Ballard idézet (78 idézet, oldal 3)

“Even the run-down nature of the high-rise was a model of the world into which the future was carrying them, a landscape beyond technology where everything was either derelict or, more ambiguously, recombined in unexpected but more meaningful ways. Laing pondered this — sometimes he found it difficult not to believe that they were living in a future that had already taken place, and was now exhausted.”

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J. G. Ballard könyv High-Rise

Forrás: High-Rise (1975), Ch. 16

“A widespread taste for pornography means that nature is alerting us to some threat of extinction.”

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J. G. Ballard

"News from the Sun" in Myths of the Near Future (1982)

“The bourgeois novel is the greatest enemy of truth and honesty that was ever invented. It's a vast, sentimentalizing structure that reassures the reader, and at every point, offers the comfort of secure moral frameworks and recognizable characters. This whole notion was advanced by Mary McCarthy and many others years ago, that the main function of the novel was to carry out a kind of moral criticism of life. But the writer has no business making moral judgments or trying to set himself up as a one-man or one-woman magistrate's court. I think it's far better, as Burroughs did and I've tried to do in my small way, to tell the truth.”

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J. G. Ballard

"J.G. Ballard on William S. Burrough's Naked Truth" by Richard Kadrey in Salon (2 September 1997) http://web.archive.org/web/20000511215816/http://www.salon.com/sept97/wsb2970902.html

“Perhaps our own fin-de-siècle decadence takes the form, not of libertarian excess, but of the kind of over-the-top puritanism we see in political correctness and the assorted moral certainties of physical fitness fanatics, New Agers and animal-rights activists.”

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J. G. Ballard

"Back to the Heady Future", review of The Encyclopedia of Science Fiction, edited by John Clute and Peter Nicholls, originally published in the [London] Daily Telegraph (1993)
A User's Guide to the Millennium (1996)

“The residents had eliminated both past and future, and for all their activity, they existed in a civilized and eventless world.”

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J. G. Ballard könyv Running Wild

Running Wild (1988)

“Without realizing it, [the architect] had given these people a means of escaping into a new life, and a pattern of social organization that would become the paradigm of all future high-rise blocks.”

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J. G. Ballard könyv High-Rise

Forrás: High-Rise (1975), Ch. 3

“By the time I came to England at the age of sixteen I'd seen a great variety of landscapes. I think the English landscape was the only landscape I'd come across which didn't mean anything, particularly the urban landscape. England seemed to be very dull, because I'd been brought up at a much lower latitude — the same latitude as the places which are my real spiritual home as I sometimes think: Los Angeles and Casablanca. I'm sure this is something one perceives — I mean the angle of light, density of light. I'm always much happier in the south — Spain, Greece — than I am anywhere else. The English one, oddly enough, didn't mean anything. I didn't like it, it seemed odd. England was a place that was totally exhausted.”

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J. G. Ballard

Interviewed by James Goddard and David Pringle (1975)

“I find wholly baffling the widespread belief today that the dropping of the Hiroshima and Nagasaki bombs was an immoral act, even possibly a war crime to rank with Nazi genocide.”

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J. G. Ballard

"The End of My War", originally printed in the [London] Sunday Times (1995)
A User's Guide to the Millennium (1996)

“Science and technology multiple around us. To an increasing extent they dictate the languages in which we speak and think. Either we use those languages, or we remain mute.”

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J. G. Ballard könyv Crash

"Introduction" to the French edition (1974) of Crash (1973); reprinted in Re/Search no. 8/9 (1984)
Crash (1973)

“At first Laing found something alienating about the concrete landscape of the project — an architecture designed for war, on the unconscious level if no other.”

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J. G. Ballard könyv High-Rise

Forrás: High-Rise (1975), Ch. 1

“For me the intentions of background music are openly political, and an example of how political power is constantly shifting from the ballot box into areas where the voter has nowhere to mark his ballot paper. The most important political choices in the future will probably never be consciously exercised. I'm intrigued by the way some background music is surprisingly aggressive, especially that played on consumer complaint phone lines and banks, airplanes and phone companies themselves, with strident non-rhythmic and arms-length sequences that are definitely not user-friendly.”

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J. G. Ballard

As quoted in Elevator Music (1994) by Joseph Lanza

“After the commonplaces of everyday life, with their muffled dramas, all my organic expertise for dealing with physical injury had long been blunted or forgotten. The crash was the only real experience I had been through for years.”

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J. G. Ballard könyv Crash

Crash (1973)

“Our lives today are not conducted in linear terms. They are much more quantified; a stream of random events is taking place.”

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J. G. Ballard

Conversation http://www.jgballard.ca/interviews/macbeth_interview_1967.html with George MacBeth on Third Programme (BBC) (1 February 1967)], published in The New S.F. (1969), edited by Langdon Jones