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Eugene O’Neill idézet

Eugene Gladstone O’Neill Nobel-díjas amerikai drámaíró.

Jelentősége: megteremti az európaival egyenrangú amerikai drámát. Az úgynevezett „kis színház” célja: a művészet otthonává tenni a színházat, és megteremteni az amerikai színházat. Wikipedia  

✵ 16. október 1888 – 27. november 1953   •   Más nevek Eugene O'Neill, یوجین اونیل
Eugene O’Neill fénykép
Eugene O’Neill: 36   idézetek 0   Kedvelés

Eugene O’Neill: Idézetek angolul

“There is no present or future-only the past, happening over and over again-now.”

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Eugene O'Neill A Moon for the Misbegotten

Forrás: A Moon for the Misbegotten

“Censorship of anything, at any time, in any place, on whatever pretense, has always been and always will be the last resort of the boob and the bigot.”

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Eugene O'Neill

“I haven't touched a piano in so many years. I couldn't play with such crippled fingers, even if I wanted to. For a time after my marriage I tried to keep up my music. But it was hopeless. One-night stands, cheap hotels, dirty trains, leaving children, never having a home — [She stares at her hands with fascinated disgust. ] See, Cathleen, how ugly they are! So maimed and crippled! You would think they'd been through some horrible accident! [She gives a strange little laugh. ] So they have, come to think of it. [She suddenly thrusts her hands behind her back. ] I won't look at them. They're worse than the foghorn for reminding me — [Then with defiant self-assurance. ] But even they can't touch me now. [She brings her hands from behind her back and deliberately stares at them — calmly. ] They're far away. I see them, but the pain has gone.”

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Eugene O'Neill Long Day's Journey into Night

Page 106 (Act 3)
Long Day's Journey into Night (1955)

“Or rather, I inherited the acquired trait of the by-product, wealth, but none of the energy, none of the strength of the steel that made it. I am sired by gold and damned by it, as they say at the race track — damned in more ways than one.”

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Eugene O'Neill The Hairy Ape

Mildred: Scene 2
The Hairy Ape (1922)

“I am so far from being a pessimist… on the contrary, in spite of my scars, I am tickled to death at life.”

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Eugene O'Neill

“They have lost the ideal of the Land of the Free. Freedom demands initiative, courage, the need to decide what life must mean to oneself. To them, that is terror.”

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Eugene O'Neill

John: Act 3, Scene 2.
Days Without End (1933)
Kontextus: I listen to people talking about this universal breakdown we are in and I marvel at their stupid cowardice. It is so obvious that they deliberately cheat themselves because their fear of change won't let them face the truth. They don't want to understand what has happened to them. All they want is to start the merry-go-round of blind greed all over again. They no longer know what they want this country to be, what they want it to become, where they want it to go. It has lost all meaning for them except as pig-wallow. And so their lives as citizens have no beginnings, no ends. They have lost the ideal of the Land of the Free. Freedom demands initiative, courage, the need to decide what life must mean to oneself. To them, that is terror. They explain away their spiritual cowardice by whining that the time for individualism is past, when it is their courage to possess their own souls which is dead — and stinking! No, they don't want to be free. Slavery means security — of a kind, the only kind they have courage for. It means they need not to think. They have only to obey orders from owners who are, in turn, their slaves!

“I listen to people talking about this universal breakdown we are in and I marvel at their stupid cowardice.”

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Eugene O'Neill

John: Act 3, Scene 2.
Days Without End (1933)
Kontextus: I listen to people talking about this universal breakdown we are in and I marvel at their stupid cowardice. It is so obvious that they deliberately cheat themselves because their fear of change won't let them face the truth. They don't want to understand what has happened to them. All they want is to start the merry-go-round of blind greed all over again. They no longer know what they want this country to be, what they want it to become, where they want it to go. It has lost all meaning for them except as pig-wallow. And so their lives as citizens have no beginnings, no ends. They have lost the ideal of the Land of the Free. Freedom demands initiative, courage, the need to decide what life must mean to oneself. To them, that is terror. They explain away their spiritual cowardice by whining that the time for individualism is past, when it is their courage to possess their own souls which is dead — and stinking! No, they don't want to be free. Slavery means security — of a kind, the only kind they have courage for. It means they need not to think. They have only to obey orders from owners who are, in turn, their slaves!

“Why am I afraid to dance, I who love music and rhythm and grace and song and laughter? Why am I afraid to live, I who love life and the beauty of flesh and the living colors of the earth and sky and sea? Why am I afraid to love, I who love love?”

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Eugene O'Neill

Forrás: The Great God Brown and Other Plays

“None of us can help the things life has done to us. They’re done before you realize it, and once they’re done they make you do other things until at last everything comes between you and what you’d like to be, and you’ve lost your true self forever.”

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Eugene O'Neill Long Day's Journey into Night

Page 63 (Act 2, Scene 1)
Long Day's Journey into Night (1955)
Forrás: Long Day's Journey Into Night
Kontextus: But I suppose life has made him like that, and he can't help it. None of us can help the things life has done to us. They're done before you realize it, and once they're done they make you do other things until at last everything comes between you and what you'd like to be, and you've lost your true self forever.

“Man is born broken. He lives by mending. The grace of God is glue!”

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Eugene O'Neill The Great God Brown

Act 4, Scene 1
The Great God Brown (1926)

“Obsessed by a fairy tale, we spend our lives searching for a magic door and a lost kingdom of peace.”

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Eugene O'Neill

“We are such things as rubbish is made of, so let's drink up and forget it.”

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Eugene O'Neill Long Day's Journey into Night

Forrás: Long Day's Journey Into Night

“To hell with the truth! As the history of the world proves, the truth has no bearing on anything. It's irrelevant and immaterial, as the lawyers say. The lie of a pipe dream is what gives life to the whole misbegotten mad lot of us, drunk or sober.”

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Eugene O'Neill The Iceman Cometh

Forrás: The Iceman Cometh

“It wasn't the fog I minded, Cathleen. I really love fog. It hides you from the world and the world from you. You feel that everything has changed, and nothing is what it seemed to be. No one can find or touch you any more. Its the foghorn I hate. It won't let you alone. It keeps reminding you, and warning you, and calling you back.”

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Eugene O'Neill Long Day's Journey into Night

Page 100-101 (Act 3)
Long Day's Journey into Night (1955)
Forrás: Long Day's Journey Into Night

“It kills the pain. You go back until at last you are beyond its reach. Only the past when you were happy is real.”

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Eugene O'Neill Long Day's Journey into Night

Page 107 (Act 3)
Long Day's Journey into Night (1955)

“Yes, I remember. I fell in love with James Tyrone and was so happy for a time”

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Eugene O'Neill Long Day's Journey into Night

Page 179
Long Day's Journey into Night (1955)

“What the hell was it I wanted to buy, I wonder, that was worth—Well no matter. It's a late day for regrets.”

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Eugene O'Neill Long Day's Journey into Night

Act 4 http://books.google.com/books?id=YI8iwzZhl6AC&q=%22what+the+hell+was+it+I+wanted+to+buy+I+wonder+that+was+worth+well+no+matter+it's+a+late+day+for+regrets%22&pg=PT133#v=onepage
Long Day's Journey into Night (1955)

“I hate doctors! They'll do anything — anything to keep you coming to them. They'll sell their souls! What's worse, they'll sell yours, and you never know it till one day you find yourself in hell!”

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Eugene O'Neill Long Day's Journey into Night

Forrás: Long Day's Journey into Night (1955), Page 76 (Act 2, Scene 1)

“You mustn't feel sorry for me. Don't you see I'm happy at last — free — free! — freed from the farm — free to wander on and on — eternally! Look! Isn't it beautiful beyond the hills? I can hear the old voices calling me to come — And this time I'm going! It isn't the end. It's a free beginning — the start of my voyage! I've won to my trip — the right of release — beyond the horizon! Oh, you ought to be glad — glad — for my sake!”

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Eugene O'Neill Beyond the Horizon

Robert: Act 3, Scene 2
Beyond the Horizon (1918)

“Don't cry. The damned don't cry.”

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Eugene O'Neill

Page 253.
Mourning Becomes Electra (1931)

“A credulous, religious-minded fool, as I've pointed out! And he carried his credulity into the next period of his life, where he believed in one social or philosophical Ism after another, always on the trail of Truth! He was never courageous enough to face what he really knew was true, that there is no truth for men, that human life in unimportant and meaningless. No. He was always grasping at some absurd new faith to find an excuse for going on!”

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Eugene O'Neill

Loving: Act 3, Scene 1.
Days Without End (1933)

“How thick the fog is. I can't see the road. All the people in the world could pass by and I would never know. I wish it was always that way. It's getting dark already. It will soon be night, thank goodness.”

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Eugene O'Neill Long Day's Journey into Night

Page 104 (Act 3)
Long Day's Journey into Night (1955)

“One may not give one's soul to a devil of hate — and remain forever scatheless.”

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Eugene O'Neill

Father Baird: Act 3, Scene 1.
Days Without End (1933)

“It has been a long day. Why don't you sleep now—as you used to, remember?—for a little while.”

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Eugene O'Neill Strange Interlude

Act 9 http://books.google.com/books?id=q6JEAAAAYAAJ&q=%22It+has+been+a+long+day+Why+don't+you+sleep+now+as+you+used+to+remember+for+a+little+while%22&pg=PA200#v=onepage
Strange Interlude (1928)

“Is it one wid this you'd be, Yank — black smoke from the funnels smudging the sea, smudging the decks — the bloody engines pounding and throbbing and shaking — wid divil a sight of sun or a breath of clean air — choking our lungs wid coal dust — breaking our backs and hearts in the hell of the stokehole — feeding the bloody furnace — feeding our lives along wid the coal, I'm thinking — caged in by steel from a sight of the sky like bloody apes in the Zoo!”

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Eugene O'Neill The Hairy Ape

Paddy: Scene 1
The Hairy Ape (1922)

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