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Chris Rea idézet

Chris Rea brit rockgitáros, énekes, zeneszerző, szövegíró.

✵ 4. március 1951
Chris Rea fénykép
Chris Rea: 13   idézetek 0   Kedvelés

Chris Rea: Idézetek angolul

“Driving in my car
I'm driving home for Christmas
With a thousand memories
I take look at the driver next to me
He's just the same
Just the same”

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Chris Rea

"Driving Home for Christmas"
Song lyrics, New Light Through Old Windows (1988)

“Look out world take a good look
What comes down here
You must learn this lesson fast
And learn it well
This ain't no upwardly mobile freeway
Oh no, this is the road to Hell”

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Chris Rea

"The Road to Hell (Part 2)"
Song lyrics, The Road to Hell (1989)

“On the rock stars: Rock stars don’t talk to each other. They’re too important to talk to another one. They’ve all got their own little palace, their own universe, of which they are the head. So how can they possibly go to somebody else’s universe? They can’t handle it. I will one day write the book that shows just how massive some of these egos are. Because I was a slow success, I was meeting people socially whose records I had at home, who were now talking to me on a what-strings-do-you-use level. And very few of them have not disappointed. [Pink Floyd’s] Dave Gilmour is the only one that [hasn’t disappointed]. That paints everyone else as a cunt. Which they are. But Gilmour is fabulous.”

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Chris Rea

Henry Yates (2015 December 1) " An Interview With The Straight-Talking, No-F**ks-Given Chris Rea http://teamrock.com/feature/2015-12-01/chris-rea-straight-shooter" by TeamRock
2015

“On his experience with streaming, illegal downloading: Every Christmas we got a nice little present off God, you know, with sales of The Best Of… and since it’s gone in to YouTube the shortfall is over 90 per cent because people don’t need to buy the record. They would but you’re offering them Driving Home For Christmas for 32p. […] You see, I’m lucky - we did very well. I feel sorry for the young Chris Reas who aren’t pop stars but love music, but they don’t have anywhere to go with the music, you know? I mean Derek Trucks, it’s just criminal what’s happened to his potential sales because of what’s happened to the business.”

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Chris Rea

David Mead (2017 June 15) " Chris Rea on his guitar origins, Strats, the blues and La Passione http://www.musicradar.com/news/guitars/chris-rea-on-his-guitar-origins-strats-the-blues-and-la-passione-638813" by MusicRadar
2017

“Fool if you think it's over
'Cause you said goodbye
Fool if you think it's over
I'll tell you why
New born eyes always cry with pain
At the first look at the mornin' sun
Fool if you think it's over
It's just begun”

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Chris Rea

"Fool (If You Think It's Over)"
Song lyrics, Whatever Happened to Benny Santini? (1978)

“There's rain on my window
But I'm thinking of you
Tears on my pillow
But I will come through
Josephine
I'll send you all my love
And every single step, I'll take
I'll take for you”

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Chris Rea

"Josephine"
Song lyrics, Shamrock Diaries (1985)

“On Charley Patton's voice and music style: I heard this fella, and his voice sounded like my voice. I’d always thought, ‘Well, I could never be a singer with this horrible voice’. I hated it. Absolutely hated it. Still do. But he sounded like the same kind of thing. I didn’t know black American terms: a boll weevil or turnpike blues. But there was an emotion that clicked with me. I became fascinated with gospel blues. I still play more gospel than Chicago. I very rarely go anywhere near that speed, aggression, Clapton thing. Someone once reviewed me, saying the testosterone was missing from my blues solos, because I don’t do Chicago. It’s just alien to me.”

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Chris Rea

2015

“On the artist, Charley Patton, who changed him: What happened was I was going out on a Saturday night, so I went into my mam’s bedroom, she’s got a double mirror, really kitsch 50s. So I’m in there, doing that, and she’s got an old alarm clock where the radio comes on, but she never learned how to do it properly. And it came on. […] I remember it was ten past three in the afternoon and it was winter, it was getting dark, and it was when the BBC had just started doing Telstar live things from America. It was some station in Memphis - one of those classic names, ‘RK 51’ or whatever. […] On it came and there’s this record. The satellite thing was a bit cloudy and it was a 78 record and there was compression on the radio, so it was this strange kind of musical blur with this voice coming through: Charley Patton. […] On that night I told the bass player of one of the local bands that I’d heard this record and it sounded weird, it sounded like a violin. He said, ‘No, it’s not a violin, it’s a slide guitar.’ I thought, ‘What’s one of them?”

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Chris Rea

2017

“On working at La Passione (1996): Day one, the damage was done. All it was meant to be was one hour of a little boy’s dreams. And I had things I wanted to do with the guitar that hadn’t been done before. Like, there’s one number called "Olive Oil", where I was actually playing slide guitar in the same scale as a saxophone. […] But then in came millions of executives from America. So in the end, it fell flat on its arse. And it came out the same week that Britpop took off. Blair had just won the election. Oasis. Spice Girls. So something a bit Fellini-ish – about a little boy who loved red cars – went straight over the top. It was like, ‘Well, don’t you have a 335 guitar with a Union Jack on it?’”

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Chris Rea

2015

“On the disappearance of "rock star" hysteria surrounding him: I took it rather better than some of them I could tell you about, who had nervous breakdowns because they’re not the king any more. I found fame really annoying. Anything to do with ‘celebrity’, I just don’t get.”

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Chris Rea

2015

“On his neglect of being a rock star: There’s a certain discipline about being a rock star, and I don’t have it. If I was a rock star, I wouldn’t have let a photographer in here, dressed like this. I’d have been down the hairdressers. You try and get Sting to do something without 15 advisors. These boys are like Russian princes…”

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Chris Rea

2015

“On media consideration to be a reluctant rock star: I'm not a reluctant rock star, I am not one at all. I haven't an ounce of rock star in me. […] What I despise about the rock star lifestyle is the lack of music in it. The average day is spent travelling to hotels, giving interviews, being nice to people you're told to be nice to, and maybe if you're lucky you might squeeze a bit of music in. The musician's day is music. […] I am in that unique little club, where I went into music because I love music, not because I wanted to be rich and famous. I've always knocked on the door of the musicians' room, not the rock stars' room. The British press refuses to see the difference between them, mainly because of the capers of people like Phil Collins, a musician who behaves like a rock star. But there are people who love music and have no interest in being a rock star at all.”

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Chris Rea

John Henry Walsh (1997 May 2) " The reluctant rocker https://www.independent.co.uk/life-style/the-reluctant-rocker-1259348.html" by The Independent
1997

“On his refusal of a set for MTV Unplugged: It’s one of the biggest career mistakes I’ve ever made. I’d be so much more wealthy, because of America. I was offered one of the first ones. But I saw Eric Clapton on it, and it reminded me of Pebble Mill At One.”

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Chris Rea

I thought, ‘Oh my God, I don’t want anything to do with this’. Because he’s like God to me. [...] So I turned it down. I should have had an older brother who said, ‘Fucking do it’.
2015