Anne Rice idézet

oldal 5

“What does all this mean finally, I kept asking like a college kid. Why does it make me want to cry? Maybe it’s that we are all outsiders, we are all making our own unusual way through a wilderness of
normality that is just a myth.”

“But the sky was never quite the same shade of blue again.”

“I stumble through a carnival of horrors”

“I will write things, he was thinking. I will write something meaningful and wonderful someday. I can do that. And I'll dedicate it to you because you're the first person who ever made me think I could.”

“Oh, the lies that I have told myself and others. I knew it yet I didn't know.”

“In the flesh,” Maharet said. “In the flesh all wisdom begins. Beware the thing that has no flesh. Beware the gods, beware the, beware the devil.”

“I like to read things I've read before. It's like listening over and over to your favorite song.”

“His blood coursed through my veins sweeter than life itself. And as it did, Lestats words made sense to me.
I knew peace only when I killed and when I heard his heart in that terrible rhythm,
I knew again what peace could be.”

“Don't let the old story repeat itself now. Arm yourself with all that's happened.”

“I was particularly stunned by the casting of [Tom] Cruise, who is no more my Vampire Lestat than Edward G. Robinson is Rhett Butler.”

“Was it fair to say I didn't know the full state of my soul?”

“I picture heaven as a vast library, with unlimited volumes to read. And paintings and statues to examine galore. I picture it as a great doorway to learning… rather than one great dull answer to all our questions”

“I'm the Vampire Lestat. Remember me? The vampire who became a super rock star, the one who wrote the autobiography? The one with the blond hair and the blue eyes, and the insatiable desire for visibility and fame? You remember.”

“I was seven years old. What do you know when you’re seven years old? All my life, or so I thought, we’d been in the city of Alexandria, in the Street of the Carpenters, with the other Galileans, and sooner or later we were going home.”

“But let me be a lover in the Savage Garden with you, and the light that went out of life would come back in a great burst of glory. Out of mortal flesh I would pass into eternity. I would be one of you.”

“The worst takes its time to come, and then to pass.”

“The Vampire Lestat here. I have a story to tell you. It's about something that happened to me.”

“God kills, and so shall we; indiscriminately He takes the richest and the poorest, and so shall we; for no creatures under God are as we are, none so like him as ourselves, dark angels not confined to the stinking limits of hell but wandering His earth and all its kingdoms.”

“I saw it," said James. "I saw it when he made the sparrows out of clay on the Sabbath. The teacher told him he shouldn’t do such things on the Sabbath. Jesus looked at the birds and they turned into real birds. They flew away. You saw it too. He killed Eleazer, Mother, I saw it.”

“"I see..." said the vampire thoughtfully, and slowly he walked across the room towards the window.”

“Good? What are you talking about, 'Good'?”

“Centuries ago, when I first stood on that little boulevard stage in Paris — when I saw the happy faces, when I heard applause — I felt as if my body and soul had found their destiny; I felt as if every promise in my birth and childhood had begun its fulfillment at last.
Oh, there were other actors, worse and better; other singers; other clowns; there have been a million since and a million will come after this moment. But each of us shines with his own inimitable power; each of us comes alive in his own unique and dazzling moment; each of us has his chance to vanquish the others forever in the eye of the beholder, and that is the only kind of accomplishment I can really understand: the kind of accomplishment in which the self-this self, if you will — is utterly whole and triumphant.”

“Roman influence seeds itself, sprouting mighty oaks right through the modern forest of computers, digital disks, microviruses and space satellites.”

“In spite of all the refinements of civilization that conspired to make art – the dizzying perfection of the string quartet or the sprawling grandeur of Fragonard's canvases – beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.”

“We would make our heroes shallow,” he answered, the words very slow and almost sad. “We would make them brittle. It is they who must remind us of the true meaning of strength.”

“Doesn't matter now, devils who paint angels.”

“And when a strong man is sweet, even Goddesses look down from Mount Olympus.”

“I was so conflicted and disillusioned about organized religion that I couldn't write. … I think my writings will go on being the writings of a believer in Christ. I think I'll be less frustrated and freer to write about the full dimension of what that means. But I write metaphysical thrillers, and how this works out in fiction is always mysterious: characters confront dilemmas. The worldview of the novel is certainly optimistic and that of a believer. What character will say what, I don't know until I start writing. …. Because I had written Christ the Lord: Out of Egypt and Christ the Lord: The Road to Cana, I had become a public Christian. I wanted my readers to know that I was stepping aside from organized religion and the names Christian and Christianity because I wanted to exonerate myself from the things organized religion was doing in the name of Jesus. Christians have lost credibility in America as people who know how to love. They have become associated with hatred, persecution, attempting to abolish the separation of church and state, and trying to pressure people to vote certain ways in elections. I wanted to make it clear that I did not in any way remain complicit with those things.”

“Vampires pretending to be humans pretending to be vampires … How avant-garde!”