Amitábh Baccsan idézet

“The next superstar could very well be ET!!! Sincerely, at that point in the history of Hollywood, there were no stars. Paul Newman has said on record, ‘What’s the point in my being an actor? The three greatest hits have been mechanical gadgets!’ There was a shark in Jaws that crashed the box-office, there was this peculiar animal in ET and there was that robot in Star Wars. I saw it millions of times. And everytime I see ET I find it’s a lovable person. So maybe you don’t need an actor, it’s going to be a computer! Look, one of the poignant scenes in 2001 Space Odyssey was the death of the computer. The computer on board is programmed to take the spaceship to a particular planet and also manage everything, right to the food of the astronauts. Then they realize that this very same computer is actually programmed to sabotage the mission. So this astronaut unscrews the computer. It dies with the voice going fainter ‘Don’t kill … me … don’t … kill me’. If just mechanical gadgets are going to be moving us to tears, then Paul Newman is right. What is the need for actors?”

“I know that there are a lot of areas inside me which I need to analyse. But I need time. I can't be rushed into it. Even if it keeps lingering in the back of my mind always. I keep joking, fooling around on the sets, trying to push everything away for a later day scrutiny. I don't even want to acknowledge those dark corners of my insides as yet. And if at all I do it, I'll do it for no one else but myself. Not my wife, not my parents. Maybe my children - maybe just my son. Nobody else. Of course, there is also another way of looking at things. Supposing I did not have this pressure of talking to the media, maybe people like you and others would have always thought of me as somebody else. I don't know what opinion of me you have now. I don't know what you felt before you met me, how you felt while you were interviewing me and how you feel today and how you'll feel tomorrow. But I'm sure there will be a difference. Because forming an opinion without meeting a person and judging your instincts and impressions after meeting him are two different things. Most people I've met of late have gone back thinking exactly the contrary of what they thought earlier. I've tried to be as honest as I can with you. I can tell you that I've never spoken like this to anyone before. I wonder if you're convinced. You don't look it. Maybe I will convince you someday.”

“I didn't like Jaya's Hazaar Chaurasi ki Ma, though I did like her performance. I felt the movie was too verbose. I thought why did they have to make a film? They could have simply written an article.”

“One does not leave gold untouched, when one discovers the yellow metal in filth. One is ver ready to pick it up. What is intrinsically good will never change no matter where it is found. A diamond is often spotted amidst black blocks of coal. Lotus blossoms in a swamp and the beautiful rose blooms among thorns. In fact the presence of such invaluable wonders enhances the importance of a place no matter how sullied it is!”

“The problems of this country are not going to be solved by one actor or even 10 actors. The problems are far too big. On the screen we get poetic justice in three hours. Poetic justice doesn’t come in a lifetime.”

“No, it doesn't affect my morale. Because life must go on. I would pick up a paper or a derogatory article and stick it in my bathroom or my desk and see it every morning. I look at it as something that has to be overcome- (On his reaction to the abuse and ridicule in the Press).”

“Why should youngsters get butterflies in their stomachs while working with me when my condition too is no different from theirs?”

“It is good to praise others but it important to look for faults within oneself. It is nice to be concerned about people but to be introspective is even nicer.”

“I may be number 1-10 at the box office but that still does not mean that I am irreplaceable.”

“Truly I don't know what a 60-year chap is supposed to feel. I like doing some of the things that my son does. I love the kind of clothes the young wear. I love going to their hangouts. I love to talk like them. I'd love to be included in their evenings out, I don't see myself in a rocking chair reading a book.”

“We had forgotten the art of using silence to convey emotions in our films and that's what you seem to have mastered. You've used silence to great advantage in the film. It's brilliant.”

“I believe that cinema picks up ideas from society and not the other way round.”

“There's no particular complex that I have about acting in a Hollywood movie if offered. Some would say there's a lot here in our industry for us to go there and suck up to them. I don't consider it sucking up. If I am offered a blink and you miss appearance in a Hollywood film starring Brando, De Niro, Pacino or Nicholson, where I just have to go and hand a suitcase to them, I would simply do it out of sheer veneration for these great and renowned artists. And yes, despite all my success and fame in our industry and nation. There's no vanity I harbour in my mind in order to do that.”

“There are no withdrawal symptoms yet (post retirement in 1992). I'm enjoying the feeling of being faltu.”

“We are not the people we are in films. I am not an alcoholic. But I portray that. I can't bash up 20 guys at a time in real life. It's just that I do it well on-screen.”

“It's a great opportunity to be together apart from celebrating Indian cinema.”

“Me a playboy?! You must be joking. But playing something like Robert Redford's role in Indecent Proposal would be a pleasant surprise.”

“I had left all I had including my job because I had a desire to work in the movies. I didn't have a place to stay. You know there is a limited amount of time you can spend with friends because you're barging into their house. So I spent a couple of days on Marine Drive benches in the company of some of the largest rats I have seen in my life.”

“I cannot stop them. This is their affection and love and we live for this. And I hope that this love and affection remains with us so that we are inspired to work more and be able to satisfy their desires and expectations.”

“I never expected to play lead roles! Primarily, because I was not the conventional good looking hero, and in fact, I used to feel I’ll never look as good as Rajesh Khanna. Why the hell am I going into it? Now that we are being frank and talking our hearts out, I’d like to say that I still remember a photograph of Kaka's which came in Filmfare and I thought ‘yaar, ye aadmi kya khaata hain? Iske gaal itne lal kaise hain?”

“The whole intention was to act. There were rough times, but I had landed up with my driver's license and thought to myself that if I didn't make it as an actor, I would ply taxis.”

“What has age go to do with acting? (What has) it do with the roles you play? There are just a handful of people who say this. Surely, I must be my own judge. None of them were around when I was deciding to work in my movies. Nobody told me I should work in an Anand or a Saat Hindustani. Or that I should work in Deewar. It is very easy to criticize the food once you have got it ready-made in front of you. But no one wants to be there when you're packing up the pyaaz and the bhindi and the mooli. So really, I should be my own judge.”

“I think that I’m at a stage where the onus and the responsibility of the leading man, and therefore the onus and responsibility of the success of the film, and its marketing and its sale etc, is really not on my shoulders. Therefore, let me do what is coming my way. Therefore to do something like a Nishabd or even a Ram Gopal Varma Ki Aag…well, I enjoyed doing them. Okay, people didn’t like it and they trashed it. And that’s fine, we must respect that. But I didn’t mind doing those roles because they tested my creativity and I enjoyed doing them.”

“You want to talk about the fading of an icon? You never said I was an icon in the first place. But you want to talk about it in a derogatory fashion. You say the superstar has fallen. But you've never called me a superstar ever. It's only that you use these words when you want to say something derogatory.”

“I was very shy as a child. Very shy. Lot of problems with very simple things. Like entering a restaurant all by myself.”

“A lot of people wouldn't believe me now if I told them I used to down pints of beer with friends, loitering on the banks of the Nainital Lake while at Sherwood College. Something I would be embarrassed to admit now, but that still was youthful joie de vivre. Later in the film industry it became a kind of social compulsion to be seen at parties holding a wine glass in one hand and a cigarette in another, looking all classy and affluent. There was a certain artificiality about it I couldn't fathom. Maybe that's what gradually led me to become a teetotaler.”

“When they started bumping me off in every film, it became difficult for me to die in different styles. But now I have to start thinking of different ways of getting drunk.”

“But I would dance with my daughter if I could. And if I can dance with Shilpa Shetty, then I will do that- (On being asked in an interview whether it was suitable for a man his age to dance in a song in the film Lal Badshah with Shilpa Shetty, who was young enough to be his daughter).”

“There is always this criticism that the lyricism and the poetry and the language and the dialogues of the past, the written word, is not so prevailing now. To some extent, yes. For somebody that has lived through those years and come back, I feel that when I go to concerts and when I go to public events, nobody asks me to recite dialogues from Baghban or Paa (laughs), they say ‘can we have Deewar?’ or ‘Can we have Agneepath?’ or whatever. So I’m assuming, therefore, that there was a lot more strength and value in those dialogues than what we have now. But I think that, in defense of today’s generation, maybe they don’t want it. They don’t like too many words. This generation is very cryptic in the way it communicates, they’ll have just one or two words where we used to use four of five sentences in our time. That attention span has become very short. So they use one or two words, ‘it’s cool’ or ‘you’re rocking’, to describe the whole feeling. That is the style of the younger generation and if this is what they want, we must make films that follow it.”