“When I make a photograph, I make love.”
in 'Alfred Stieglitz' Photo notes, August 1946, p. 65
From Adams to Stieglitz' (1990)
Alfred Stieglitz:
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Alfred Stieglitz: Idézetek angolul
“Photography is a reality so subtle that it becomes more real than reality.”
Alfred Stieglitz, as quoted in The Real Thing: Imitation and Authenticity in American Culture, 1880-1940, M. Orvell (1989). p. 220
Változat: There is a reality — so subtle that it becomes more real than reality. That's what I'm trying to get down in photography.
Modern Art and America: Alfred Stieglitz and His New York Galleries, Sarah Greenough, Washington: National Gallery of Art. 2000, pp. 26–53; as quoted on Wikipedia
in 'Alfred Stieglitz' Photo notes, August 1946, p. 65
From Adams to Stieglitz' (1990)
w:Dorothy Norman recorded a conversation between Stieglitz and a man, looking at one of his 'Equivalents' prints
Forrás: 'Minor White, A Living Remembrance', Dorothy Norman, in 'Aperture', 1984, p. 9.
'Is Photography a Failure?', Alfred Stieglitz, 'Sun: 5.', March 14, 1922; as quoted on Wikipedia
“Photography as a fad is well-nigh on its last legs, thanks principally to the bicycle craze.”
Alfred Stieglitz (1887), in the American Annual of Photography 1897.
Forrás: 'A Plea for Art Photography in America', Alfred Stieglitz, in 'Photographic Mosaics,' Vol 28, 1892: About Pictorialism.
“I am an American. Photography is my passion. The search for truth my obsession”
From Adams to Stieglitz' (1990)
Forrás: 'Alfred Stieglitz' Photo notes, August 1946, p. 65
'How I came to Photograph Clouds', Alfred Stieglitz, in 'Amateur Photographer and Photography', (19 September 1923): 255.
about his new subject: 'clouds' in his long series 'Equivalents' he started in 1922
In a letter about his 'Equivalents' to w:Hart Crane; as quoted in Photography as High Art, Hilton Kramer, (1982-12-19)., in 'New York Times'. p. 1. Retrieved 2008-12-26; as quoted on Wikipedia.
“Nearly right is child's play.”
Modern Art and America: Alfred Stieglitz and His New York Galleries, Sarah Greenough, Washington: National Gallery of Art. 2000, pp. 26–53; as quoted on Wikipedia