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Wyndham Lewis citations

Percy Wyndham Lewis est un peintre et un écrivain britannique, né canadien. Il est l'un des fondateurs du mouvement vorticiste et de la revue Blast . Ses romans comptent Tarr, qui se déroule à Paris avant la Première Guerre mondiale, et The Human Age, une trilogie qui comprend The Childermass , Monstre Gai et Malign Fiesta , situés dans l'au-delà. Lewis avait amorcé un quatrième volume de The Human Age, intitulé The Trial of Man, mais il le laissa à l'état de fragments au moment de sa mort.

Wyndham Lewis est né sur le yacht de son père au large de la province canadienne de la Nouvelle-Écosse. Sa mère britannique et son père américain se séparent vers 1893. Sa mère retourne alors en Angleterre, où Lewis fait ses études, d'abord à la Rugby School, puis à la Slade School of Art de l'University College de Londres, avant de passer la majeure partie des années 1900 à voyager à travers l'Europe et à étudier l'art à Paris. Wikipedia  

✵ 18. novembre 1882 – 7. mars 1957
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Wyndham Lewis: 15   citations 0   J'aime

Wyndham Lewis: Citations en anglais

“Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire.”

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Wyndham Lewis

Notes to Kenneth Allott, as quoted in Contemporary Verse (1948) edited by Kenneth Allott<!-- Penguin, London -->
Contexte: Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire — whether verse or prose — is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.

“Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.”

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Wyndham Lewis

Notes to Kenneth Allott, as quoted in Contemporary Verse (1948) edited by Kenneth Allott<!-- Penguin, London -->
Contexte: Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire — whether verse or prose — is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.

“The earth has become one big village, with telephones laid on from one end to the other, and air transport, both speedy and safe.”

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Wyndham Lewis

America and Cosmic Man (New York: Doubleday, [1948] 1949) p. 21.

“Great Britain is certainly suspect to Americans. They cannot make head or tail of her. She is a stuck-up old girl who owes a lot of money - an odd thing for such a highly respectable old lady to do. She is rather flighty, which is alarming in one so old - she never seems quite serious, that is - goes into giggles all of a sudden, or smiles enigmatically, if politely. She seems to the average American slightly phoney. Let us face up to that. She has many habits which baffle and put one on one's guard - the curious way she has of speaking English with a foreign accent, for instance. Then she must be the most quarrelsome old dame which ever stepped: always - umbrella in hand - getting into scraps with her neighbours, and spitting at them over the garden wall.”

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Wyndham Lewis

The Hitler Cult (Dent, 1949)

“The Relativity theory, the copernican upheaval, or any great scientific convulsion, leaves a new landscape. There is a period of stunned dreariness; then people begin, antlike, the building of a new human world. They soon forget the last disturbance. But from these shocks they derive a slightly augmented vocabulary, a new blind spot in their vision, a few new blepharospasms or tics, and perhaps a revised method of computing time.”

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Wyndham Lewis

"The Great God Flux".
Source: The Art of Being Ruled (1926), p. 336

“I have been called a Rogue Elephant, a Cannibal Shark, and a crocodile. I am none the worse. I remain a caged, and rather sardonic, lion, in a particularly contemptible and ill-run zoo.”

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Wyndham Lewis livre Blasting and Bombardiering

Blasting and Bombardiering (London: Eyre & Spottiswoode, 1937) p. 12.

“1. Laughter is the Wild Body's song of triumph.
2. Laughter is the climax in the tragedy of seeing, hearing and smelling self-consciously.
3. Laughter is the bark of delight of a gregarious animal at the proximity of its kind.
4. Laughter is an independent, tremendously important, and lurid emotion.
5. Laughter is the representative of Tragedy, when Tragedy is away.
6. Laughter is the emotion of tragic delight.
7. Laughter is the female of Tragedy.
8. Laughter is the strong elastic fish, caught in Styx, springing and flapping about until it dies.
9. Laughter is the sudden handshake of mystic violence and the anarchist.
10. Laughter is the mind sneezing.
11. Laughter is the one obvious commotion that is not complex, or in expression dynamic.
12. Laughter does not progress. It is primitive, hard and unchangeable.”

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Wyndham Lewis

"Inferior Religions" (1917), cited from Lawrence Rainey (ed.) Modernism: An Anthology (Oxford: Blackwell, 2005) pp. 208-9.

“Is it with us a compensatory fact that, being more stupid in the mass, we shoot up higher, when we do shoot up, in dazzling concentrations of intellectual power and so produce what we describe as "genius"? For "genius" is with us an individual thing. Whereas all Jews are little geniuses.”

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Wyndham Lewis

The Jews, are they human? 1939, p. 68.

“Men were only made into "men" with great difficulty even in primitive society: the male is not naturally "a man" any more than the woman. He has to be propped up into that position with some ingenuity, and is always likely to collapse.”

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Wyndham Lewis

"Call Yourself a Man!"
The Art of Being Ruled (1926)

“The ideas of a time are like the clothes of a season: they are as arbitrary, as much imposed by some superior will which is seldom explicit. They are utilitarian and political, the instruments of smooth-running government.”

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Wyndham Lewis

"Beyond Action and Reaction".
The Art of Being Ruled (1926)

“I am an artist, and, through my eye, must confess to a tremendous bias. In my purely literary voyages my eye is always my compass. “The architectural simplicity” – whether of a platonic idea or greek temple – I far prefer to no idea at all, or no temple at all, or, for instance, to most of the complicated and too tropical structures of India. Nothing could ever convince my EYE – even if my intelligence were otherwise overcome – that anything that did not possess this simplicity, conceptual quality, hard exact outline, grand architectural proportion, was the greatest art. Bergson is indeed the arch enemy of every impulse having its seat in the apparatus of vision, and requiring a concrete world. Bergson is the enemy of the Eye, from the start; though he might arrive at some emotional compromise with the Ear. But I can hardly imagine any way in which he is not against every form of intelligent life. (p. 338)”

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Wyndham Lewis

"The Great God Flux".
The Art of Being Ruled (1926)

“The puritanic potentialities of science have never been forecast. If it evolves a body of organized rites, and is established as a religion, hierarchically organized, things more than anything else will be done in the name of "decency". The coarse fumes of tobacco and liquors, the consequent tainting of the breath and staining of white fingers and teeth, which is so offensive to many women, will be the first things attended to.”

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Wyndham Lewis

"The Family and Feminism".
The Art of Being Ruled (1926)

“The art of advertisement, after the American manner, has introduced into all our life such a lavish use of superlatives, that no standard of value whatever is intact.”

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Wyndham Lewis

"'Promise' as an Institution", in The Doom of Youth (London: Chatto & Windus, 1932).

“You as a Fascist stand for the small trader against the chain-store; for the peasant against the usurer; for the nation, great or small, against the super-state; for personal business against Big Business; for the craftsman against the Machine; for the creator against the middleman; for all that prospers by individual effort and creative toil, against all that prospers in the abstract air of High Finance or of the theoretic ballyhoo of Internationalism.”

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Wyndham Lewis

British Union Quarterly, 1937.