Cynthia Zarin, , "The More the Merrier — Robert Denning's Extravagance of Color and Pattern", Architectural Digest (April 2002), v. 59 #4, pp. 146-152.
Robert Denning:
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J'aime
Robert Denning: Citations en anglais
“Never put sofas against wall.”
Patricia Volk, " The Sweet Smell of Excess http://www.nytimes.com/2006/10/08/style/tmagazine/08texcess.html", The New York Times (October 8, 2006; retrieved October 4, 2007).
“We were about ways to show money.”
Patricia Volk, " The Sweet Smell of Excess http://www.nytimes.com/2006/10/08/style/tmagazine/08texcess.html", The New York Times (October 8, 2006; retrieved October 4, 2007).
Suzanne Stephens, "Florida Renaissance — Italianate Splendors Enrich A Villa in Naples", Architectural Digest, October 2000, v. 57 #10, pp. 284-298.
Cynthia Zarin, , "The More the Merrier — Robert Denning's Extravagance of Color and Pattern", Architectural Digest (April 2002), v. 59 #4, pp. 146-152.
“I'll be dragged from the last room I do, screaming, 'More!”
Cynthia Zarin, , "The More the Merrier — Robert Denning's Extravagance of Color and Pattern", Architectural Digest (April 2002), v. 59 #4, pp. 146-152.
“No white anything (except sheets).”
Patricia Volk, " The Sweet Smell of Excess http://www.nytimes.com/2006/10/08/style/tmagazine/08texcess.html", The New York Times (October 8, 2006; retrieved October 4, 2007).
“Cooking is like decorating — it never bores me.”
"Denning's Pot-au-Feu – A decorator indulges his passion for cuisine bourgeoise", by Suzanne Hart, House & Garden, March 1992
“I'll accept commissions from anyone who isn't frightened by my proposals.”
The AD100 Architectural Digest (January 2000), v. 57 #1, p. 48.
“Texture and pattern should function as a surprise.”
Patricia Volk, " The Sweet Smell of Excess http://www.nytimes.com/2006/10/08/style/tmagazine/08texcess.html", The New York Times (October 8, 2006; retrieved October 4, 2007).
“Everything is really about lighting.”
Cynthia Zarin, , "The More the Merrier — Robert Denning's Extravagance of Color and Pattern", Architectural Digest (April 2002), v. 59 #4, pp. 146-152.
“A la Rothschild, a style I define as many good things used irreverently.”
Aileen Mehle, "Manhattan Grand Luxe — Richly Appointed Rooms For Collectors", Architectural Digest (September 1994), v. 51 #9, pp. 126-176.