Olga Rozanova citations

Olga Vladimirovna Rozanova , née en 1886 à Melenki près de Vladimir et morte le 7 novembre 1918 à Moscou, est une artiste représentative de l'avant-garde russe, à la fois peintre et sculptrice, proche du mouvement suprématiste. Wikipedia  

✵ 21. juin 1886 – 7. novembre 1918
Olga Rozanova photo
Olga Rozanova: 4   citations 0   J'aime

Olga Rozanova: Citations en anglais

“The Bases of the New Creation and the Reasons Why It Is Misunderstood.”

the title of her essay, 1913; as quoted by Anya Wyman: 'Rediscovering Rozanova', 12 May, 2000 http://www.thecrimson.com/article/2000/5/12/rediscovering-rozanova-pmalevich-popova-kandinsky-chagall-these/
in her essay Rozanova describes the process of 'creation' in 3 stages: 1: the intuitive principle, 2: individual transformation of the visible, 3: abstract creation

“Only the absence of honesty and of a true love of art provides some artists with the affrontery to live on stale cans of artistic economics stocked up for years, and, year in year out, until they are fifty, to mutter about what they had first started to talk about when they were twenty.”

Quote, 1913, in 'Osnovy novogo tvorchestva i prichiny ego neponimaniia,', in 'Soiuz molodezhi' (St. Petersburg), March 1913, p. 20; translated in John E. Bowlt, The Russian Avant- Garde: Theory and Criticism; Thames and Hudson, London 1988, p. 109

“Opponents of the New Art fall back on this calculation, rejecting its self-sufficient meaning and, having declared it 'Transitional,' being unable even to understand properly the conception of this Art, lumping together Cubism, Futurism, and other phenomena of artistic life, not ascertaining for themselves either their essential differences or the shared tenets that link them.”

Olga Rozanova, in 'Osnovy Novogo Tvorchestva i printsipy ego neponimaniia,' Soiuz molodezhi 3 (March 1913), p. 18; as quoted by Svetlana Dzhafarova, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932 (transl. Jane Bobko); Guggenheim Museum, New York, 1992, p. 477
Olga Rozanova accused the critics and their brethren of bad faith, citing as a prime example Aleksandr Benua's "Kubizm ili Kukishizm" ("Cubism or Je-m'en-foutisme"), a scathing 1912 review

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