James Berardinelli citations (64 citations)

“Despite his reputation as one of America's foremost "serious" filmmakers, Oliver Stone's name under the "director" caption does not guarantee a good movie. I learned that lesson while enduring the seemingly-endless tedium of The Doors, and was reminded of it during some of the long, drawn-out portions of JFK. However, nothing that Stone has directed — or misdirected — prepared me for the grotesque mess that is Natural Born Killers.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1509 of Natural Born Killers (1994).
One-and-a-half star reviews

“After the second Die Hard, Bruce Willis stated he would never do another. He should have stayed firm in his resolve. If quality is any indication (and it may be, with all the available blockbusters), box office returns will be disappointing this time around and, if nothing else, that will do to John McClane what dozens of assorted bad guys couldn't manage: kill him.”

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James Berardinelli

Review http://www.reelviews.net/movies/d/die_hard3.html of Die Hard with a Vengeance (1995).
Two-and-a-half star reviews

“Like everything else, James Bond (Pierce Brosnan) has had to change for the nineties. The venerable 007, coming off a long hiatus, has taken on his sixth face (the other five being Sean Connery, David Niven, George Lazenby, Roger Moore, and Timothy Dalton), changed his mode of transport from an Aston Martin to a BMW, and now answers to a female "M" (played dryly by Judi Dench). Bond's attitudes towards women have been modified — although not greatly. Also, there's more action in GoldenEye than in previous 007 entries — enough to keep a ninety-minute film moving at a frantic pace. Unfortunately, this movie isn't ninety-minutes long — it's one-hundred thirty, which means that fully one-quarter of GoldenEye is momentum-killing padding.”

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James Berardinelli

Review http://www.reelviews.net/movies/g/goldeneye.html of GoldenEye (1995).
Three star reviews

“As vampire movies go, few are more memorable than Nosferatu, which is not only the first screen version of Dracula, but, in some ways, remains the best. Unlike many of his predecessors who dabbled in the vampire genre, Murnau was a craftsman, and the care he lavished upon this production is evident in each shot and every scene. Alongside The Cabinet of Dr. Caligari, few motion pictures have had a more profound impact upon an entire genre than Nosferatu has had upon the legion of horror movies that trailed in its wake.”

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James Berardinelli

Review http://www.reelviews.net/movies/n/nosferatu.html of Nosferatu (1922).
Three-and-a-half star reviews

“Today, Psycho still holds up extraordinarily well (another reason why a remake seems pointless). With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps. The black-and-white photography is perfect for the film's tone and mood — the starkness of color would have blurred the nightmarish quality. The painstaking care with which [director Alfred] Hitchcock composed every scene is evident in the quality of the final product.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=669 of Psycho (1960).
Three-and-a-half star reviews

“The only thing as bad as bad comedy is bad action. Bad Boys II has plenty of both. In fact, those two things are all it has, unless you count the small helping of bad drama. When it comes to this movie, the word "bad" initially seems highly appropriate. But Bad Boys II isn't just bad — it's a catastrophic violation of every aspect of cinema that I as a film critic hold dear. It seems to have been constructed with terms like "unwatchable" and "godawful" as its slogans. There are motion picture failures every year — the resumes of Hollywood players are littered with them. But, when something this big — a would-be blockbuster with recognizable names in the cast and crew — collapses in such a spectacular fashion, it's worth taking note. Think of how many starving children could have been fed with the money that was poured into [director] Michael Bay's latest sinkhole.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=293 of Bad Boys II (2002).
Half-star reviews

“It's rare that the sequel to a good movie lives up to expectations. Such is the case with Die Hard 2, the somewhat-muddled but still entertaining return of Bruce Willis' John McClane. Fortunately, the original Die Hard was good enough that there's room for the second installment to be enjoyable while still not matching the pace or possessing the flair of its predecessor.”

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James Berardinelli

Review http://www.reelviews.net/movies/d/die_hard2.html of Die Hard 2: Die Harder (1990).
Three-and-a-half star reviews

“My hope is that Casino Royale has not only re-invented James Bond, but made him relevant for the 21st century. The target audience has shifted. Although there's nothing in Casino Royale that will exclude teenagers, this 007 is aimed squarely at adults. The November release date is also perfect — the film is almost too dark and serious for the kind of lighthearted, mindless fun we associate with summer blockbusters. In recent years, I have come to each new James Bond movie with a series of ingrained expectations. For the most part, the Brosnan films met them across the board. Casino Royale defies many of them, and I couldn't be happier.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=769 of Casino Royale (2006).
Three-and-a-half star reviews

“It's not hard to understand why an accomplished director like Gus Van Sant (whose most recent success, Good Will Hunting, gave him mainstream clout) would be interested in making this film. The lure of an exact remake presents a tremendous challenge. Unfortunately, it was undoubtedly a lot more stimulating for Van Sant and his crew to make Psycho than it is for an audience to watch it. [C]uriosity is going to be one of the primary reasons why people pay money to see this movie; boredom will be the predominant result.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1423 of Psycho (1998).
One-and-a-half star reviews

“The latest chapter of the venerable slasher film saga represents the tenth movie to use the title (although only the ninth with Myers); it's a sequel to the remake but not necessarily a remake of the sequel. It is also a complete and utter abomination. The film is so bad that it may make me rethink my stance on installment #6 (The Curse of Michael Myers) as the worst entry. That one, at least by all accounts, was severely compromised as a result of distributor interference. This one represents Rob Zombie's "vision."”

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James Berardinelli

That being the case, he's blind.
Review http://www.reelviews.net/php_review_template.php?identifier=1780 of Halloween II (2009).
Half-star reviews

“In answer to the question posed by the title, I can't in all honesty say, "This movie." But that's only because there are far too many Freddy Got Fingereds and Say It Isn't Sos out there. The fact that What's the Worst That Could Happen? is better than these movies should in no way be misconstrued as even a backhanded compliment. It's like comparing stale, moldy, rancid bread with soggy, stale, moldy, rancid bread. Both are equally probable to turn one's stomach, and, if ingested, likely to require some time spent kneeling in front of a toilet bowl.”

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James Berardinelli

Review http://www.reelviews.net/movies/w/whats_worst.html of What's the Worst That Could Happen? (2001).
One-and-a-half star reviews

“The Pink Panther is supposed to use humor to uplift. Instead, I departed this movie feeling depressed. Lifeless comedies can suck the energy out of a viewer, especially when they sully the image of an cinematic icon.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=810 of The Pink Panther (2006).
One-star reviews

“Parodies are hard to do well, as is shown by the mediocrity of so many recent attempts. No matter how ripe a genre is for satirizing, unless you know how to do it, there are no guarantees.”

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James Berardinelli

Review http://www.reelviews.net/movies/r/robin_tights.html of Robin Hood: Men in Tights (1993).
Two-and-a-half star reviews

“The Phantom Menace is not a masterpiece, but it's an example of how imagination, craftsmanship, and technological bravura can fashion superior entertainment out of something that is far from flawless.”

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James Berardinelli

Review http://www.reelviews.net/movies/s/sw99.html of Star Wars Episode I: The Phantom Menace (1999).
Three-and-a-half star reviews

“Imagine, if you will, the dispiriting experience of listening to an awful cover of one of your favorite songs. That's how I felt sitting through Die Another Day, the 20th official outing for [James Bond]. This is a train wreck of an action film … What's missing from this movie? Any real sense that we're watching 007 rather than a generic spy in a tuxedo.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=745 of Die Another Day (2002).
Two star reviews

“There's good news and bad news about 2 Fast 2 Furious, the moronic follow-up to The Fast and the Furious and a contender for the worst movie of 2003. The good news is that it's better, albeit marginally, than Freddy Got Fingered.”

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James Berardinelli

The bad news is that it's 15 minutes longer.
Review http://www.reelviews.net/php_review_template.php?identifier=1105 of 2 Fast 2 Furious (2003).
Half-star reviews

“The potential evidenced by [director James] Cameron in The Terminator — the ability to sustain suspense, meld action with story, and provide compelling characters despite the limitations of the actors portraying them — would be fully realized in two future features, Aliens and Terminator 2. This movie, however, is in some ways more impressive than either of those because of what the filmmaker was capable of achieving with a limited budget and without significant studio backing. The themes and ideas presented in The Terminator hold up well today, even though we have moved into the post-Cold War era and only the most nihilistic individuals could see 2029 in such bleak terms. It's a rousing science fiction story that proves an on-screen adrenaline rush need not short-circuit the brain.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1618 of The Terminator (1984).
Three-and-a-half star reviews

“In 1990, the MPAA introduced the NC-17 rating to provide an outlet for legitimate adult fare — non-pornographic motion pictures with content deemed too strong for the under-17 crowd. The first movie released with an NC-17 was Henry & June, whose financial failure was widely blamed on the new rating. After that, all potentially-lucrative films receiving an NC-17 made the cuts required by the MPAA to earn an R. Now, in 1995, there's Showgirls, the most significant test of the NC-17's commercial viability to date. Helmed by Paul Verhoeven (Total Recall, Basic Instinct) and written by Joe Eszterhas (Jagged Edge, Basic Instinct), this movie is going into wide release with the adult rating. Too bad it's one of the worst films of the year.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=221 of Showgirls (1995).
Half-star reviews

“Of all the indignities to have been visited upon Dracula during the past century (including being the "inspiration" for a cereal and a Sesame Street character, and being lampooned by Mel Brooks), none is more unsettling than what has happened to the world's most famous vampire in Dracula 2000. Dimension Films, the exploitation division of Miramax, decided that, with their two horror franchises currently on hold (the Scream and Halloween films), they would turn their attention in another direction. So they sunk their greedy fangs into the most venerable monster they could find and sucked him dry.”

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James Berardinelli

Review http://www.reelviews.net/movies/d/dracula2000.html of Dracula 2000 (2000).
One-star reviews

“The first star vehicle of the summer of 1996 is also the first major disappointment of the season. Mission: Impossible, the big-screen resurrection of the popular late-'60s/early-'70s series, fails to generate much in the way of excitement or intrigue. This globetrotting adventure looks like an opportunity for Tom Cruise to play James Bond — a role he is totally unsuited for. The writing for last year's 007 return, GoldenEye, isn't a lot better than that for Mission: Impossible, but, as an action hero, Pierce Brosnan is considerably more debonair and charismatic than Cruise.”

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James Berardinelli

Review http://www.reelviews.net/movies/m/mission.html of Mission: Impossible (1996).
Two-and-a-half star reviews

“[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. … Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.”

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James Berardinelli

Review http://www.reelviews.net/movies/b/batman_begins.html of Batman Begins (2005).
Three-and-a-half star reviews

“Although I am not averse to wasting a few hours playing computer games, I have never tried my hand at Doom. Judging by sales figures and testimonials, playing the game has to be an infinitely preferable experience to watching this pathetic excuse for a movie.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=928 of Doom (2005).
One-star reviews

“I could start this review by stating that Dumb and Dumberer lives up to its name, or by calling it stupid, moronic, and idiotic, but I believe that approach is a trap, since a movie like this might relish being the object of such bland invectives. Instead, let me try a few that can't possibly be misconstrued as twisted praise: unfunny, boring, torturous, and unwatchable. … [N]o movie could be more aptly compared to raw sewage than this film - Directed By Troy Miller.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1484 of Dumb and Dumberer (2003).
Zero star reviews

“Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=357 of Blade Runner (1982).
Three-and-a-half star reviews

“On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report. Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.”

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James Berardinelli

Review http://www.reelviews.net/movies/m/minority_report.html of Minority Report (2002).
Four star reviews

“Perhaps a better title for The Da Vinci Code might be Much Ado About Nothing. When you boil away the hype and hysteria, all that remains is a pedestrian murder mystery that isn't sufficiently challenging or scandalous to raise anyone's hackles. It's preposterous, overlong, and saddled with a sloppy denouement that defines the term "anti-climax." The film's two big "surprises" are telegraphed early, and the ease with which they can be guessed (using the "conservation of characters" process) leeches the movie of a large measure of its suspense. Individual scenes are entertaining in their own right, but the production as a whole is a lumbering mess.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1014 of The Da Vinci Code (2006).
Two-and-a-half star reviews

“Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. … [W]ith the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. … In the final analysis, The Curse of Michael Myers is a horrific motion picture — just not in the way the film makers intended - Directed By Joe Chappelle.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=708 of Halloween: The Curse of Michael Myers (1995).
Zero star reviews

“As absurd as it might sound, there's a strange synergy between very bad movies and very good ones. That's because films on either extreme of the quality scale have the ability to burrow deep into the subconscious, with unpredictable and occasionally remarkable results. Great works of art can cause euphoria, touch a deep emotional chord, or, in rare cases, affect fundamental changes in a person's outlook on life. Conversely, viewing unwatchable tripe can be damaging, possibly resulting in psychotic episodes, an appreciation of '70s fashion, or leaping to the defense of Pauly Shore. There's something almost profound about enduring a horrifically inept piece of cinema, and Coyote Ugly, living up to every letter in its name, offers the opportunity for such an experience.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1611 of Coyote Ugly (2000).
One-star reviews

“With Batman & Robin, the fourth entry in the recent Batman movie series, the profitable franchise appears poised to take a nosedive. This film, which places yet another actor in the batsuit, has all the necessary hallmarks of a sorry sequel — pointless, plodding plotting; asinine action; clueless, comatose characterization; and dumb dialogue. … Batman & Robin moves at a dizzying pace, yet goes absolutely nowhere.”

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James Berardinelli

Review http://www.reelviews.net/movies/b/batman4.html of Batman & Robin (1997).
Two star reviews

“The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.”

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James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1637 of Angels & Demons (2009).
One-and-a-half star reviews

James Berardinelli citations

James Berardinelli: Citations en anglais