Henri Cartier-Bresson citations

Henri Cartier-Bresson est un photographe, photojournaliste et dessinateur français.

Avec Robert Capa, David Seymour, William Vandivert et George Rodger, il fonde en 1947 la célèbre agence coopérative Magnum Photos.

En 2003, un an avant sa mort, une fondation portant son nom est créée à Paris pour assurer la conservation et la présentation de son œuvre ainsi que pour soutenir et exposer les photographes dont il se sentait proche.

Connu pour la précision et le graphisme de ses compositions , il s'est surtout illustré dans le reportage de rue, la représentation des aspects pittoresques ou signifiants de la vie quotidienne .

Le concept de « l'instant décisif » est souvent utilisé à propos de ses photos, mais on peut l'estimer trop réducteur et préférer celui de « tir photographique », qui prend le contexte en compte.

Pour certains, il est une figure mythique de la photographie du XXe siècle, qu'une relative longévité de sa carrière photographique lui permit de traverser, en portant son regard sur les évènements majeurs qui ont jalonné le milieu du siècle.

L’exposition Henri Cartier-Bresson au Centre Pompidou en 2014 a renouvelé complètement la vision qu’on avait de lui, en montrant de façon explicite son activité militante pour le parti communiste dans la période 1936-1946.

✵ 22. août 1908 – 3. août 2004
Henri Cartier-Bresson: 35   citations 0   J'aime

Henri Cartier-Bresson Citations

Henri Cartier-Bresson: Citations en anglais

“Sometimes a single event can be so rich in itself and its facets that it is necessary to move all around it in your search for the solution to the problems it poses — for the world is movement, and you cannot be stationary in your attitude toward something that is moving.”

Henri Cartier-Bresson livre The Decisive Moment

The Decisive Moment (1952), p. i; also in The Mind's Eye (1999)
Contexte: The picture-story involves a joint operation of the brain, the eye and the heart. The objective of this joint operation is to depict the content of some event which is in the process of unfolding, and to communicate impressions. Sometimes a single event can be so rich in itself and its facets that it is necessary to move all around it in your search for the solution to the problems it poses — for the world is movement, and you cannot be stationary in your attitude toward something that is moving. Sometimes you light upon the picture in seconds; it might also require hours or days. But there is no standard plan, no pattern from which to work.

“I hate looking at photography books or illustrated magazines. This is not because of contempt. I’d rather look at contact sheets: that is where you can sense the individual.”

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 62

“The picture-story involves a joint operation of the brain, the eye and the heart.”

Henri Cartier-Bresson livre The Decisive Moment

The Decisive Moment (1952), p. i; also in The Mind's Eye (1999)
Contexte: The picture-story involves a joint operation of the brain, the eye and the heart. The objective of this joint operation is to depict the content of some event which is in the process of unfolding, and to communicate impressions. Sometimes a single event can be so rich in itself and its facets that it is necessary to move all around it in your search for the solution to the problems it poses — for the world is movement, and you cannot be stationary in your attitude toward something that is moving. Sometimes you light upon the picture in seconds; it might also require hours or days. But there is no standard plan, no pattern from which to work.

“We had a certain idea of our work, a respect for others, and above all, [we were determined] not to be paparazzi. For the photographer, curiosity is essential, the terrible counterpart is indiscretion, which is a lack of restraint.”

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Photographing Is Nothing, Looking Is Everything! Interview with Philippe Boegner (1989), p. 115

“You have to look, and looking is so difficult. We are used to thinking. We reflect all the time, well or not, but people are not taught how to look. It takes a very long time.”

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, The Main Thing Is Looking: Interview with Alain Desvergnes (1979), p. 70

“I am a visual man. I watch, watch, watch. I understand things through my eyes.”

"An island of pleasure gond adrift" in LIFE magazine (15 March 1963), p. 42

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