Begum Akhtar citations (7 citations)

Begum Akhtar: 7 citations0 J'aime

Begum Akhtar: Citations en anglais

“People don't want to listen to an imitation. If they want to listen to my style, they will go and buy my records.”

In Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html, <br class="br">Quote

“But Begum Akhtar who had trained long and hard under various Ustads is I think, and forgive the opinion of a rank amateur, in point of classical technique the more consummate artist.”

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Begum Akhtar

Begum Akhtar the Undisputed Malika of Ghazals

“She had lovers and, if the secret must be out, she drank. What else accounts for the naughtiness of her eyes? Like so many tawaifs (geishas, courtesans) there were ups and downs in her childhood, the father leaving the mother and so on, but she was blessed with the divine gift and her art transcended the various accidents of her life. In the end all else was forgotten. Only the legend and the accomplishment survive.”

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Begum Akhtar

Begum Akhtar the Undisputed Malika of Ghazals

“Her forte was not necessarily the audibility of her music, for she had a defective area where her voice cracked at a high-pitch, with a limited one-octave range, but she turned it into her virtue for she knew how to mould her voice.”

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Begum Akhtar

What a life

“We live in an age where people are constantly trying to find remedies for pain, instead of learning how to sublimate it into divine music, the way Begum Akhtar did. For, the mercurial diva from Lucknow sang the poetry of Ghalib and many others in a manner that would make even pain seem desirable.”

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Begum Akhtar

By Namita Devidayal in Pain gave the singer her song, 10 October 2009, 2 January 2014, Times of India http://articles.timesofindia.indiatimes.com/2009-10-10/mumbai/28060204_1_begum-akhtar-music-lovers-divine-music,

“As a tawaif, she was trained to charm the system and subvert narrow patriarchal practices by means of highly sophisticated seduction. At another level, she was a hapless victim, constantly tormented by the twists and turns of her own destiny. She braved on regardless, driven by a deep inner quest to pursue love in its purest form, as an end in itself; be it in music or in life.”

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Begum Akhtar

In "New Release: Begum Akhtar: Love’s Own Voice".

“The much loved classical diva of 20th century India Akhtaribai Faizabadi, or Begum Akhtar was the last of the great female singers from the courtesan (tawaif) community.”

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Begum Akhtar

In New Release: Begum Akhtar: Love’s Own Voice, 31 August 2009, 2 January 2014, Hindustan Times http://www.hindustantimes.com/lifestyle/books/new-release-begum-akhtar-love-s-own-voice/article1-448844.aspx,