Quotes about recollection
page 2

Alexander Hamilton photo
Gouverneur Morris photo

“It is not easy to be wise for all times, not event for the present much less for the future; and those who judge the past must recollect that, when it was the present the present was future”

Gouverneur Morris (1752–1816) American politician

Gouverneur Morris to Robert Walsh ( February 5, 1811 http://www.bgdlegal.com/clientuploads/Publications/Publications/John%20Bush%20-%20Gouverneur%20Morris.pdf)
1810s

Max Scheler photo

“We do not use the word “ressentiment” because of a special predilection for the French language, but because we did not succeed in translating it into German. Moreover, Nietzsche has made it a terminus technicus. In the natural meaning of the French word I detect two elements. First of all, ressentiment is the repeated experiencing and reliving of a particular emotional response reaction against someone else. The continual reliving of the emotion sinks it more deeply into the center of the personality, but concomitantly removes it from the person's zone of action and expression. It is not a mere intellectual recollection of the emotion and of the events to which it “responded”—it is a re-experiencing of the emotion itself, a renewal of the original feeling. Secondly, the word implies that the quality of this emotion is negative, i. e., that it contains a movement of hostility. Perhaps the German word “Groll” (rancor) comes closest to the essential meaning of the term. “Rancor” is just such a suppressed wrath, independent of the ego's activity, which moves obscurely through the mind. It finally takes shape through the repeated reliving of intentionalities of hatred or other hostile emotions. In itself it does not contain a specific hostile intention, but it nourishes any number of such intentions.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

D. S. Bradford photo

“When the rains have fallen down
We can live our lives underground
No recollection of before
We'll make our own history
Fulfill our destiny
For sure, we can save humanity”

D. S. Bradford (1982) musician

A Call To The Stars II: A Home In The Sky https://www.musixmatch.com/lyrics/D-S-Bradford/A-Call-to-the-Stars-Ii-A-Home-in-the-Sky, verse 1
A Call To The Stars II: A Home In The Sky (2016)

Friedrich Hayek photo

“Life at Cambridge during those war years was to me particularly congenial, and it completed the process of thorough absorption in English life which, from the beginning, I had found very easy. Somehow the whole mood and intellectual atmosphere of the country had at once proved extraordinarily attractive to me, and the conditions of a war in which all my sympathies were with the English greatly speeded up the process of becoming thoroughly at home—much more than in my native Austria from which I had already become somewhat estranged during the conditions of the 1920s. While neither on my early visit to the United States nor during my later stay there or still later in Germany did I feel that I really belonged there, English ways of life seemed so naturally to accord with all my instincts and dispositions that, if it had not been for very special circumstances, I should never have wished to leave the country again. And of all the forms of life, that at one of the colleges of the old universities…still seems to me the most attractive. The evenings at the High Table and the Combinations Room at King's are among the pleasantest recollections of my life, and some of the older men I came then to know well, especially J. H. Clapham, remained, while they lived, dear friends.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Stephen Kresge and Leif Wenar (eds.), Hayek on Hayek: An Autobiographical Dialogue (London: Routledge, 1994), p. 86
1980s and later

Kamisese Mara photo

“(Recollection of what he was thinking to himself when confronted by the military): "They want me out, they want me to abrogate the constitution and this is exactly what Speight wants and if they belong to Speight, I don’t belong to them."”

Kamisese Mara (1920–2004) President of Fiji

(Quotes from an interview conducted in 2001, broadcast on Fijian television partially on 30 April 2001, and fully on 29 April 2004).

Evelyn Underhill photo
Herman Melville photo

“At the height of their madness
The night winds pause,
Recollecting themselves;
But no lull in these wars.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

The Armies of the Wilderness, Pt. II, st. 5
Battle Pieces: And Aspects of the War (1860)

Charles Brockden Brown photo
Nelson Mandela photo
James Prescott Joule photo
Georg Brandes photo

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

David Wood photo

“The educated man is the man who does not live in immediate intuition, but in his recollection so that little is new to him any longer.”

David Wood (1946) British philosopher, born 1946

Source: Philosophy At The Limit (1990), Chapter 4, Philosophy As Writing: The Case Of Hegel, p. 74

Yaroslav Alexandrovich Evdokimov photo
George Macartney photo
Richard Henry Dana Jr. photo
D. V. Gundappa photo
Christopher Vokes photo

“My recollection is that most of the crap coming out of the trial via the media had Meyer condemned even before the trial was over.”

Christopher Vokes (1904–1985) Canadian general

The Occupation, p. 205
Vokes - My Story (1985)

Leo Tolstoy photo
Harlan F. Stone photo
Tenzin Gyatso photo
Brigham Young photo

“I very well recollect the reformation which took place in the country among the various denominations of Christians-the Baptists, Methodists, Presbyterians, and others-when Joseph was a boy. Joseph's mother, one of his brothers, and one, if not two, of his sisters were members of the Presbyterian Church, and on this account the Presbyterians hung to the family with great tenacity. And in the midst of these revivals among the religious bodies, the invitation, "Come and join our church," was often extended to Joseph, but more particularly from the Presbyterians. Joseph was naturally inclined to be religious, and being young, and surrounded with this excitement, no wonder that he became seriously impressed with the necessity of serving the Lord. But as the cry on every hand was, "Lo, here is Christ," and "Lo, there!" Said he, "Lord, teach me, that I may know for myself, who among these are right." And what was the answer? "They are all out of the way; they have gone astray, and there is none that doeth good, no not one. When he found out that none were right, he began to inquire of the Lord what was right, and he learned for himself. Was he aware of what was going to be done? By no means. He did not know what the Lord was going to do with him, although He had informed him that the Christian churches were all wrong, because they had not the Holy Priesthood, and had strayed from the holy commandments of the Lord, precisely as the children of Israel did.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses 12:67 (June 23, 1867)
Young’s recollection of religious excitement and events leading up to Joseph Smith, Jr.’s first vision.
1860s

Thomas Carlyle photo

“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared." I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

Robert Solow photo
Matthijs Maris photo

“I recollect after the war in '71 [in Paris, where he stayed then and was fighting against the German] there were some debts to pay of course: what had I to do? I said to Wisselingh [Dutch art-dealer] who was with Goupil, 'tell them that I'll take them back later on.' I've never been able to do so, for one Van Gogh [probably Vincent, then art-seller at Goupil], his partner, gave me 200 francs, someone bought it for 350, and sold it in America for 700 pounds. He had asked Wisselingh how long it had taken me to do [make] it; he said a week, so I was the chap for him; no wonder he was always talking making fortune, fancy 100 pounds per day, make some more or this sort: do it only for a year. So I had to commit suicides upon suicides [he means, making salable paintings]: what did it matter to him or anyone else? Someone said once to me: 'You must have somebody fool enough to say, here is money for you, and go your own way': that is the very thing one may not do. There is always someone telling you how to set about, and then come the schools telling you that it is not allowed to be one's self, but that one has to be a Roman or Greek, or imitate what they have performed..”

Matthijs Maris (1839–1917) Dutch painter

in a letter to David Croal Thomson (1907), as cited in: The Brothers Maris (James – Matthew – William), ed. Charles Holme; text: D.C. Thomson https://ia800204.us.archive.org/1/items/cu31924016812756/cu31924016812756.pdf; publishers, Offices of 'The Studio', London - Paris, 1907, p. BMxvii