Iris Murdoch citations

Page 2

Source: Nuns and Soldiers

Source: The Sea, the Sea

Source: The Sea, the Sea

Source: The Sea, the Sea

Source: The Bell

The Bell (1958), ch. 9; 2001, p. 119.

The Message to the Planet (1989) p. 43.

The Good Apprentice (1985), p. 247.

The Philosopher's Pupil (1983) p. 165.

The Black Prince (1973); 2003, p. 181.

The Nice and the Good (1968), ch. 14, p. 127.
Murdoch attributed this opinion to her character Kate Gray. It was not her own.

Source: Sartre: Romantic Rationalist (1953), Ch. 10, p. 138

A Severed Head (1961); 1976, p. 181.

Source: Sartre: Romantic Rationalist (1953), Ch. 10, p. 148 (the concluding sentence of the book)

A Severed Head (1961); 1976, p. 61.

The Message to the Planet (1989) p. 532.

"Art and Eros: A Dialogue about Art", Acastos: Two Platonic Dialogues (1986).

The Bell (1958) p. 91

Not Iris Murdoch, but the actress and comedian Rosie O'Donnell. See George Mair Rosie O'Donnell: Her True Story (1997) p. 81.
Misattributed

The Message to the Planet (1989) p. 322.

Source: Sartre: Romantic Rationalist (1953), Ch. 9, p. 137

Source: Sartre: Romantic Rationalist (1953), Ch. 9, p. 127

The Book and the Brotherhood (1987) p. 248.

Quoted in The Times (6 July 1989).

Source: Sartre: Romantic Rationalist (1953), Ch. 7, p. 113

Quoted in The Observer September 13, 1987.

Source: Sartre: Romantic Rationalist (1953), Ch. 8, p. 119

The Sacred and Profane Love Machine (1974) p. 37.

The Sacred and Profane Love Machine (1974), p. 66.