Micko

Source: Love and Will (1969), Ch. 3 : Eros in Conflict with Sex, p. 73
Context: Sex can be defined fairly adequately in physiological terms as consisting of the building up of bodily tensions and their release. Eros, in contrast, is the experiencing of the personal intentions and meaning of the act. Whereas sex is a rhythm of stimulus and response, eros is a state of being. The pleasure of sex is described by Freud and others as the reduction of tension; in eros, on the contrary, we wish not to be released from the excitement but rather to hang on to it, to bask in it, and even to increase it. The end toward which sex points is gratification and relaxation, whereas eros is a desiring, longing, a forever reaching out, seeking to expand.

Source: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel
Context: Civilization begins with a rebellion. Prometheus, one of the Titans, steals fire from the gods on Mount Olympus and brings it as a gift to man, marking the birth of human culture. For this rebellion Zeus sentences him to be chained to Mount Caucasus where vultures consume his liver during the day and at night it grows back only to be again eaten away the next day. This is a tale of the agony of the creative individual, whose nightly rest only resuscitates him so that he can endure his agonies the next day.

Source: The Courage to Create (1975), Ch. 5 : The Delphic Oracle as Therapist, p. 106
Context: The value of dreams, like … divinations, is not that they give a specific answer, but that they open up new areas of psychic reality, shake us out of our customary ruts, and throw light on a new segment of our lives. Thus the sayings of the shrine, like dreams, were not to be received passively; the recipients had to "live" themselves into the message.

Existence (1956) p. 39; also published in The Discovery of Being : Writings in Existential Psychology (1983), Part III : Contributions to Therapy, Ch. 6 : To Be and Not to Be, p. 94
Existence (1958)
Context: It is interesting that the term mystic is used in this derogatory sense to mean anything we cannot segmentize and count. The odd belief prevails in our culture that a thing or experience is not real if we cannot make it mathematical, and that somehow it must be real if we can reduce it to numbers. But this means making an abstraction out of it … Modern Western man thus finds himself in the strange situation, after reducing something to an abstraction, of having then to persuade himself it is real. … the only experience we let ourselves believe in as real, is that which precisely is not.

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 32
Context: Artists are generally soft-spoken persons who are concerned with their inner visions and images. But that is precisely what makes them feared by any coercive society. For they are the bearers of the human being's age old capacity to be insurgent. They love to immerse themselves in chaos in order to put it into form, just as God created form out of chaos in Genesis. Forever unsatisfied with the mundane, the apathetic, the conventional, they always push on to newer worlds.

Source: The Courage to Create (1975), Ch. 6 : On the Limits of Creativity, p. 115
Context: Creativity arises out of the tension between spontaneity and limitations, the latter (like the river banks) forcing the spontaneity into the various forms which are essential to the work of art or poem.

As quoted in Think and Grow Rich : A Black Choice (1991) by Dennis Kimbro and Napoleon Hill, p. 104
Context: Many people feel they are powerless to do anything effective with their lives. It takes courage to break out of the settled mold, but most find conformity more comfortable. This is why the opposite of courage in our society is not cowardice, it's conformity.

Source: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel
Context: Art is a substitute for violence. The same impulses that drive persons to violence — the hunger for meaning, the need for ecstasy, the impulse to risk all — drive the artist to create. He is by nature our archrebel. … the essence of the rebellion is in the new way of seeing nature and life.

Miłośc i wola

Miłośc i wola

reakcja na słowa „Jestem Aleksander, Wielki Król” wypowiedziane przez Aleksandra Macedońskiego.

gdy ujrzał dziecko pijące wodę ze studni przy pomocy złożonych rąk.

rzekoma wypowiedź, gdy zobaczył strażników skarbca świątyni prowadzących złodzieja, który ukradł czarę.

Source: Leksykon złotych myśli, wyboru dokonał Krzysztof Nowak, Warszawa 1998.

słowa te miał wypowiedzieć w Likejonie, kiedy przyniósł na wykłady oskubanego koguta, chcą obalić platonowską definicję człowieka: „Człowiek jest to istota żywa, dwunożna, nieopierzona”.

rzekomo do Aleksandra Wielkiego, który złożył mu wizytę i zapytał, co mógłby dla niego zrobić.
Source: Jostein Gaarder, Świat Zofii. Cudowna podróż w głąb historii filozofii, Warszawa 1995, tłum. Iwona Zimnicka, s. 148.

Source: Religion: A Dialogue and Other Essays