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"The Sententious Man," ll. 31-36
Words for the Wind (1958)

On her decision to play Emma, in The Turning Point (1977). Interview People magazine, quoted in "Anne Bancroft" http://archive.salon.com/people/bc/2001/09/18/anne_bancroft/index2.html at Salon.com (18 September 2001).
In a letter to New Life Church; published in Colorado Springs Gazette, November 5, 2006.

Scotland in the World Forum (February 4, 2008), Church of Scotland (May 25, 2009)

Sans doute vos chrétiens, qu'on persécute en vain,
Ont quelque chose en eux qui surpasse l'humain:
Ils mènent une vie avec tant d'innocence,
Que le ciel leur en doit quelque reconnaissance;
Se relever plus forts, plus ils sont abattus,
N'est pas aussi l'effet des communes vertus.
Sévère, act V, scene vi.
Polyeucte (1642)

"Michael Clarke Duncan's Exclusive Interview With PETA", video on PETA's YouTube channel (10 May 2012) https://www.youtube.com/watch?v=iGh2_qgYJd8.
Source: Seize the Night (1999), Chapter 4; musings of Christopher Snow

Watchtower ONLINE LIBRARY http://wol.jw.org/en/wol/d/r1/lp-e/102011166?q=barack+obama&p=par Statement made by U.S. President Barack Obama at a joint press conference with Prime Minister David Cameron of the United Kingdom in July 2010
2010

http://www.ua-football.com/ukrainian/ukrainians/5314b4c0.html

The Progress of Fifty Years (1893)
Context: The anti-slavery cause had come to break stronger fetters than those that held the slave. The idea of equal rights was in the air. The wail of the slave, his clanking fetters, his utter need, appealed to everybody. Women heard. Angelina and Sara Grimki and Abby Kelly went out to speak for the slaves. Such a thing had never been heard of. An earthquake shock could hardly have startled the community more. Some of the abolitionists forgot the slave in their efforts to silence the women. The Anti-Slavery Society rent itself in twain over the subject. The Church was moved to its very foundation in opposition.

Source: Darkness Visible (1990), III
Context: This general unawareness of what depression is really like was apparent most recently in the matter of Primo Levi, the remarkable Italian writer and survivor of Auschwitz who, at the age of sixty-seven, hurled himself down a stairwell in Turin in 1987. Since my own involvement with the illness, I had been more than ordinarily interested in Levi’s death, and so, late in 1988, when I read an account in The New York Times about a symposium on the writer and his work held at New York University, I was fascinated but, finally, appalled. For, according to the article, many of the participants, worldly writers and scholars, seemed mystified by Levi’s suicide, mystified and disappointed. It was as if this man whom they had all so greatly admired, and who had endured so much at the hands of the Nazis — a man of exemplary resilience and courage — had by his suicide demonstrated a frailty, a crumbling of character they were loath to accept. In the face of a terrible absolute — self-destruction — their reaction was helplessness and (the reader could not avoid it) a touch of shame.
My annoyance over all this was so intense that I was prompted to write a short piece for the op-ed page of the Times. The argument I put forth was fairly straightforward: the pain of severe depression is quite unimaginable to those who have not suffered it, and it kills in many instances because its anguish can no longer be borne. The prevention of many suicides will continue to be hindered until there is a general awareness of the nature of this pain. Through the healing process of time — and through medical intervention or hospitalization in many cases — most people survive depression, which may be its only blessing; but to the tragic legion who are compelled to destroy themselves there should be no more reproof attached than to the victims of terminal cancer.

Source: The Expanding Circle: Ethics, Evolution, and Moral Progress (1981), Chapter 4, Reason, p. 120
By Namita Devidayal in Pain gave the singer her song, 10 October 2009, 2 January 2014, Times of India http://articles.timesofindia.indiatimes.com/2009-10-10/mumbai/28060204_1_begum-akhtar-music-lovers-divine-music,

Non-Fiction, Flame Into Being: The Life and Work of D. H. Lawrence (1985)