Quotes

Abbie Hoffman photo
Martin Amis photo

“Only it was much, much worse than that. In fact, words alone cannot adduce how much worse it was than that. September 11 was an attack on words: we felt a general deficit.”

Martin Amis (1949) Welsh novelist

"The world: an explanation" in The Daily Telegraph (8 March 2003) http://webcache.googleusercontent.com/custom?q=cache:hZVARej7mn0J:www.martinamisweb.com/documents/world_explanation.doc&hl=en&gl=uk&ct=clnk&cd=1&ie=UTF-8&client=pub-4015880282924246
Context: What happened on September 11? On September 11 — what happened? Picture this: two upended matchboxes, knocked over by the sheer force of paper-darts.
Only it was much, much worse than that. In fact, words alone cannot adduce how much worse it was than that. September 11 was an attack on words: we felt a general deficit. And with words destroyed, we had to make do, we had to bolster truth with colons and repetition: not only repetition: but repetition and: colons. This is what we adduce.

George MacDonald photo

“One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant.”

George MacDonald (1824–1905) Scottish journalist, novelist

The Fantastic Imagination (1893)
Context: "But a man may then imagine in your work what he pleases, what you never meant!"
 Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things: what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own.

E. B. White photo

“Democracy is the recurrent suspicion that more than half of the people are right more than half of the time. It is the feeling of privacy in the voting booths, the feeling of communion in the libraries, the feeling of vitality everywhere.”

E. B. White (1899–1985) American writer

The New Yorker (3 July 1943); reprinted as "Democracy" in The Wild Flag (1946)
Context: We received a letter from the Writers' War Board the other day asking for a statement on "The Meaning of Democracy." It is presumably our duty to comply with such a request, and it is certainly our pleasure. Surely the Board knows what democracy is. It is the line that forms on the right. It is the don't in don't shove. It is the hole in the stuffed shirt through which the sawdust slowly trickles, the dent in the high hat. Democracy is the recurrent suspicion that more than half of the people are right more than half of the time. It is the feeling of privacy in the voting booths, the feeling of communion in the libraries, the feeling of vitality everywhere.
Democracy is the letter to the editor. Democracy is the score at the beginning of the ninth. It is an idea which hasn't been disproved yet, a song the words of which have not gone bad. It's the mustard on the hot dog and the cream in the rationed coffee. Democracy is a request from a War Board, in the middle of the morning in the middle of a war, wanting to know what democracy is.

Andrew Biersack photo
W. H. Auden photo
Daniel Abraham photo

“They were willing to risk a hole in the ship emptying out half the ship’s air rather than let her up to the bridge. It was sort of gratifying to be scarier than sudden decompression.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Caliban's War (2012), Chapter 38 (p. 420)

Aristarchus of Samos photo
Gilbert O'Sullivan photo

“When I'm drinking my Bonaparte shandy
eating more than enough apple pies
will I glance at my screen
and see real human beings
starve to death right in front of my eyes?
Nothing old, nothing new, nothing ventured,
nothing gained, nothing stillborn or lost,
nothing further than proof, nothing wilder than youth,
nothing older than time, nothing sweeter than wine,
nothing physically recklessly hopelessly blind,
nothing I couldn't say
Nothing. Why? 'Cos today nothing rhymed”

Gilbert O'Sullivan (1946) Irish singer-songwriter

"Nothing Rhymed" (song)
Gilbert O'Sullivan. A live performance. On YouTube https://www.youtube.com/watch?v=MtoefxZGR6U
Gilbert O'Sullivan. A performance with orchestra, c.2017. On YouTube https://www.youtube.com/watch?v=c-SWTPDPriA
Gilbert O'Sullivan. Observations about "Nothing Rhymed", fifty years on. https://www.youtube.com/watch?v=Z2BlxtcH39Q (On YouTube)
(+ A cover version by Franklin Brown on YouTube) https://www.youtube.com/watch?v=y6kuZyk5WJ8
(+ A cover version by Colleen Coughlan on YouTube) https://www.youtube.com/watch?v=LcqndbjOPTs
(+ A cover version by Conor McCauley on YouTube) https://www.youtube.com/watch?v=8nAb0-7J9d4
(+ A cover version by The Ocelots on YouTube) https://www.youtube.com/watch?v=bRCDFiRaRA0
(+ Guitar instrumental by Phil McGarrick) https://www.youtube.com/watch?v=DmzFaUC1rDI
Song lyrics
Source: Gilbert O'Sullivan, "Nothing Rhymed" https://www.youtube.com/watch?v=OGE6gzkMAfw (song on YouTube)

Arthur Schopenhauer photo
Dani Rodrik photo
Jean de La Bruyère photo

“Criticism is often not a science; it is a craft, requiring more good health than wit, more hard work than talent, more habit than native genius. In the hands of a man who has read widely but lacks judgment, applied to certain subjects it can corrupt both its readers and the writer himself.”

La critique souvent n'est pas une science; c'est un métier, où il faut plus de santé que d'esprit, plus de travail que de capacité, plus d'habitude que de génie. Si elle vient d'un homme qui ait moins de discernement que de lecture, et qu'elle s'exerce sur de certains chapitres, elle corrompt et les lecteurs et l'écrivain.
Aphorism 63
Les Caractères (1688), Des Ouvrages de l'Esprit

“As an aphorist, Cioran has no rivals other than perhaps Nietzsche, and many of his philosophies are echoed by Ligotti. But Ligotti is far more disturbing than Cioran, who is actually very funny. In exploring these philosophies, nobody I’ve read has expressed the idea of humanity as aberration more powerfully than Cioran and Ligotti.”

Thomas Ligotti (1953) American horror author

Nic Pizzolatto, as quoted by Michael Calia (2014) " Writer Nic Pizzolatto on Thomas Ligotti and the Weird Secrets of ‘True Detective’ http://blogs.wsj.com/speakeasy/2014/02/02/writer-nic-pizzolatto-on-thomas-ligotti-and-the-weird-secrets-of-true-detective/", Speakeasy blog on the Wall Street Journal

Andrés Calamaro photo
Jonathan Edwards photo

“Godliness is more easily feigned in words than in actions”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

Source: The Religious Affections

Gabriel García Márquez photo
Marya Hornbacher photo

“Hatred is so much closer to love than indifference.”

Source: Wasted: A Memoir of Anorexia and Bulimia

John Grisham photo

“Some people have more guts than brains.”

Source: The Rainmaker