Quotes

Wilt Chamberlain photo
Mohammad Hussein Fadlallah photo
Mohammad Hussein Fadlallah photo

“The Quran also wants to emphasize that the right of the weak to resist and confront the strong who are oppressing them is part of the natural laws that have been laid down to make humans feel secure in life and in their religious beliefs.”

Mohammad Hussein Fadlallah (1935–2010) Lebanese faqih

The Quran calls on the weak and oppressed to gain strength http://english.bayynat.org/TheHolyQuran/Quran_QuranCalls.htm

Mohammad Hussein Fadlallah photo

“The Quran encourages us to expose the reality of those who are followed by exhorting the followers to be aware of the faults of the oppressors no matter how strong and influential they would appear to be.”

Mohammad Hussein Fadlallah (1935–2010) Lebanese faqih

The Quran calls on the weak and oppressed to gain strength http://english.bayynat.org/TheHolyQuran/Quran_QuranCalls.htm

Mohammad Hussein Fadlallah photo

“The Quran endeavors to make the weak and the oppressed feel the necessity of daring to defy their oppressors, to resist them and deprive them of their power.”

Mohammad Hussein Fadlallah (1935–2010) Lebanese faqih

The Quran calls on the weak and oppressed to gain strength http://english.bayynat.org/TheHolyQuran/Quran_QuranCalls.htm

Martin Luther King, Jr. photo

“The greatness of our God lies in the fact that He is both toughminded and tenderhearted.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Source: 1960s, Strength to Love (1963), Ch. 1 : A tough mind and a tender heart

Robert Greene photo
Giorgio de Chirico photo

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475
1920s and later

Cormac McCarthy photo
China Miéville photo
Oswald Spengler photo
Joseph Strutt photo
Baba Amte photo
Neville Chamberlain photo
Stanley Baldwin photo
Ayrton Senna photo
Kit Carson photo
Eric Holder photo