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Mao Zedong photo

“Weapons are an important factor in war, but not the decisive factor; it is people, not things that are decisive.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Protracted Warfare (1938)
Context: Weapons are an important factor in war, but not the decisive factor; it is people, not things that are decisive. The contest of strength is not only a contest of military and economic power, but also a contest of human power and morale. People necessarily wield military and economic power.

Lila Downs photo

“I also come from a matriarchal family. My grandmother was left alone, not by choice. And then my mother as well. We lost my father when I was 16; he died. I was an adolescent figuring out that you’re not really worth much when you’re all women…”

Lila Downs (1968) Mexican American singer-songwriter

On how her village shunned Downs’ solely female household in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Womanhood

Sun Tzu photo

“When the enemy is at ease, be able to weary him; when well fed, to starve him; when at rest, to make him move. Appear at places to which he must hasten; move swiftly where he does not expect you.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Source: The Art of War, Chapter VI · Weaknesses and Strengths

George W. Bush photo

“In the defense of our nation, a president must be a clear-eyed realist.”

George W. Bush (1946) 43rd President of the United States

1990s, A Distinctly American Internationalism (November 1999)
Context: In the defense of our nation, a president must be a clear-eyed realist. There are limits to the smiles and scowls of diplomacy. Armies and missiles are not stopped by stiff notes of condemnation. They are held in check by strength and purpose and the promise of swift punishment.

Alaska Thunderfuck 5000 photo

“I used to get called a horse face. And so I decided to embrace the horse and make it my spirit animal…And now…the horse is a huge part of my symbolism.”

Alaska Thunderfuck 5000 (1985) American Drag queen

Advocate interview (2015)
Context: I used to get called a horse face. And so I decided to embrace the horse and make it my spirit animal…And now…the horse is a huge part of my symbolism. I gain a lot of power and strength from the horse.

Lois McMaster Bujold photo

“Leadership is mostly a power over imagination, and never more so than in combat.”

Lois McMaster Bujold Vorkosigan Saga

Vorkosigan Saga, Shards of Honor (1986)
Context: Leadership is mostly a power over imagination, and never more so than in combat. The bravest man alone can only be an armed lunatic. The real strength lies in the ability to get others to do your work.

Yuri Gagarin photo

“The main force in man — is the power of the spirit.”

Yuri Gagarin (1934–1968) Soviet pilot and cosmonaut, the first human in space

Ведь главная сила в человеке — это сила духа.
Variant translation: The main human strength is willpower.
As quoted in Essays on Marxist-Leninist Ethics [марксистско-ленинской этике] (1962) by Simon S. Utkin [Семен Семенович Уткин], p. 180

“What I did understand from the rebirth process was that the rebirth reproduced a physical duplicate of the original. But this is my point. It is physical.”

David Gemmell book The Swords of Night and Day

What truly makes a man who he is? Is it the strength of his arms, or the courage of his soul? You have your own soul, Harad. You are not Druss. Live your own life."
Source: Drenai series, The Swords of Night and Day, Ch. 8

Maxine Hong Kingston photo

“I think that individual voices are not as strong as a community of voices. If we can make a community of voices, then we can speak more truth. Also in a community, we learn to listen…”

Maxine Hong Kingston (1940) Chinese American author

Source: On the strength of a community in “’I Can Write My Shadow’: Alexis Cheung Interviews Maxine Hong Kingston” https://lareviewofbooks.org/article/can-write-shadow-alexis-cheung-interviews-maxine-hong-kingston/ in Los Angeles Review of Books (2016 Dec 22)

Kurt Student photo

“The limitations of our strength compelled us to concentrate on two objectives - the points which seemed the most essential to the success of the invasion. The main effort, under my own control, was directed against the bridges at Rotterdam, Dordrecht and Moerdijk by which the main route from the south was carried across the mouths of the Rhine. Our task was to capture the bridges before the Dutch could blow them up, and keep them open until the arrival of our mobile ground forces. My force comprised four parachute battalions and one air-transported regiment (of three battalions). We achieved complete success, at a cost of only 180 casualties. We dared not fail, for if we did the whole invasion would have failed. The secondary attack was made against The Hague. Its aim was to get a hold upon the Dutch capital, and in particular to capture the Government offices and the Service headquarters. The force employed here was commanded by General Graf Sponcck; it consisted of one parachute battalion and two air-transported regiments. This attack did not succeed. Several hundred men were killed and wounded, while as many were taken prisoner.”

Kurt Student (1890–1978) German Luftwaffe general during World War II

Quoted in "The Other Side of the Hill" - Page 124 - by Basil Henry Liddell Hart - History - 1948.

Klaus Kinski photo

“I find the totality of metamorphosis most terrifying when I'm Woyzeck… Suffering through that had as devastating an impact on me as if I hadn't only always suffered as Woyzeck but continue to do so over and over. Malaria of the soul, recurring again and again. My total being is one large breeding ground for the shocks of the world past, present and future. All living and dying, all vibrations pass through me. The entire universe pours into me, rages in me, rampages through and over me. Annihilates me. It comes and goes whenever it likes. It rules me, commands me, envelops me, threatens me, and waits for me everywhere and all the time. It sucks me up, sucks me dry, grows through me. It's in my spinal marrow. In my brain mass. In my blood, in my bones. My muscles. Guts. Genitals. Sperm. Flesh. Eyes. Hearing. Taste. Smell. Balance. Laughter. Tears. In my days and nights. In my thoughts. In my feelings. In my courage and my fear. In my despair and my hope. In my weakness and my strength. Everywhere and all the time.”

Klaus Kinski (1926–1991) German actor

On his performance in Woyzeck. p. 315
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

Shashi Tharoor photo

“But no - what’s this? The branch on which he is sitting is weak. That is not all: wood-mice are gnawing away at it: before long they will eat through it and it will snap and fall. The branch sags down over a well. Aha! Escape! Perhaps our hero can swim? But the well is dry and there are snakes writhing and hissing on its bed. As the branch bends lower, he perceives a solitary blade of grass on wall of well. On top of the blade of grass gleams a drop of honey. What is our hero to do? What action does our puranic man quintessential Indian, take in the situation? He bends with the branch and licks up the honey…. What did you expect? Some neat solution to the problem? The tiger changes its mind and goes away? Amitabh Bachchan leaps to the rescue? Don’t be silly. One strength of Indian mind is that it knows some problems cannot be resolved and it learns to make best of them. That is the Indian answer to the insuperable difficulty. One does not fight against that by which one is certain to be overwhelmed; but one finds the best way, for oneself, to live with it. This is our national aesthetic. Without it, india as we know it could not survive.”

Shashi Tharoor book The Great Indian Novel

The Great Indian Novel (1989)

Owen Lovejoy photo

“Now, what about this negro equality of which we hear so much, in and out of Congress? It is claimed by the Democrats of today, that Jefferson has uttered an untruth in the declaration of principles which underlie our government. I still abide by the democracy of Jefferson, and avow my belief that all men are created equal. Equal how? Not in physical strength, not in symmetry of form and proportion, not in graceful of motion, or loveliness of feature, not in mental endowment, moral susceptibility, and emotional power. Not socially equal, not of necessity politically equal. Not this, but every human being equally entitled to his life, his liberty, and the fruit of his toil. The Democratic Party deny this fundamental doctrine of our government, and say that there is a certain class of human beings which have no rights. If you maliciously kill them, it is no murder. If you take away their liberty, it is no crime. If you deprive them of their earnings, it is no theft. No rights which another is bound to regard. Was there ever so much diabolism compressed into one sentence? Why do |the Democrats come to us with their complaints about the negroes? I for one feel no responsibility in the matter. I did not create them; was not consulted.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838–64 https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA177 (2004), edited by William Frederick Moore and Jane Ann Moore, p. 177
1850s, The Fanaticism of the Democratic Party (February 1859)

Lyndon B. Johnson photo

“Many of you share the burden of this knowledge tonight with me. But there is a difference. For finally I must be the one to order our guns to fire, against all the most inward pulls of my desire. For we have children to teach, and we have sick to be cured, and we have men to be freed. There are poor to be lifted up, and there are cities to be built, and there is a world to be helped. Yet we do what we must. I am hopeful, and I will try as best I can, with everything I have got, to end this battle and to return our sons to their desires. Yet as long as others will challenge America's security and test the clearness of our beliefs with fire and steel, then we must stand or see the promise of two centuries tremble. I believe tonight that you do not want me to try that risk. And from that belief your President summons his strength for the trials that lie ahead in the days to come. The work must be our work now. Scarred by the weaknesses of man, with whatever guidance God may offer us, we must nevertheless and alone with our mortality, strive to ennoble the life of man on earth. Thank you, and goodnight.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Amitabh Bachchan photo

“There is always this criticism that the lyricism and the poetry and the language and the dialogues of the past, the written word, is not so prevailing now. To some extent, yes. For somebody that has lived through those years and come back, I feel that when I go to concerts and when I go to public events, nobody asks me to recite dialogues from Baghban or Paa (laughs), they say ‘can we have Deewar?’ or ‘Can we have Agneepath?’ or whatever. So I’m assuming, therefore, that there was a lot more strength and value in those dialogues than what we have now. But I think that, in defense of today’s generation, maybe they don’t want it. They don’t like too many words. This generation is very cryptic in the way it communicates, they’ll have just one or two words where we used to use four of five sentences in our time. That attention span has become very short. So they use one or two words, ‘it’s cool’ or ‘you’re rocking’, to describe the whole feeling. That is the style of the younger generation and if this is what they want, we must make films that follow it.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Burkard Schliessmann photo

“Chopin absolutely was influenced by Bach. We know that before Chopin himself performed in concert, he didn’t play anything other than Bach. His own Preludes are a reference to the Well-Tempered Clavier of Bach, and all Chopin’s students had to play Bach. In whole, Chopin admired Bach most of all composers, and it was nothing less than the Well-Tempered Clavier itself that was his musical diary. I also have said that Chopin is the crowning and climax of piano-playing. It’s something so unique, all-affecting in emotionalism, musical architecture, and structure, that all past giants are present in it: Bach and Mozart. Chopin’s elegance is so singular, that again you need much experience to convey his music in the real and original style. The question of rubato is very sensitive: It’s nothing arbitrary, but much more something well calculated and well proportioned, something that is integrated in the classical strength of form, which is constructed on the profound knowledge of the polyphonic and contrapuntal structures of Bach and Mozart. Whether the Goldbergs may relate to this question? Absolutely! I again want to mention a certain and special term: jeu perlé.”

Burkard Schliessmann classical pianist

Without this you can’t play Chopin, you can’t play Mozart, and lastly absolutely not the Goldbergs.
Talkings on Bach

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo

“You must remember what the concert of Europe is. The concert, or, as I prefer to call it, the inchoate federation of Europe, is a body which acts only when it is unanimous…remember this—that this federation of Europe is the embryo of the only possible structure of Europe which can save civilization from the desolating effects of a disastrous war. (Cheers.) You notice that on all sides the instruments of destruction, the piling up of arms, are becoming larger and larger. The powers of concentration are becoming greater, the instruments of death more active and more numerous, and are improved with every year; and each nation is bound, for its own safety's sake, to take part in this competition. These are the things which are done, so to speak, on the side of war. The one hope that we have to prevent this competition from ending in a terrible effort of mutual destruction which will be fatal to Christian civilization—the one hope we have is that the Powers may gradually be brought together, to act together in a friendly spirit on all questions of difference which may arise, until at last they shall be welded in some international constitution which shall give to the world, as a result of their great strength, a long spell of unfettered and prosperous trade and continued peace.”

Robert Gascoyne-Cecil, 3rd Marquess of Salisbury (1830–1903) British politician

Speech at the Guildhall (9 November 1897), quoted in The Times (10 November 1897), p. 6
1890s

Steve Scalise photo

“Mr. Speaker, you have no idea how great this feels to be great back here at work in people’s House. As you can imagine, these last 3 1/2 months have been pretty challenging times for me and my family. But, if you look at the outpouring of love — my gosh Jennifer and I have been overwhelmed with the outpouring — It’s given us the strength to get through all of this. And get to this point today; it starts with God. When I was laying out on that ball field, the first thing I did once I was down and couldn’t move anymore, I started to pray. And tell you, it gave me an unbelievable sense of calm knowing at that point it’s in God’s hands. I prayed for specific things, and I’ll tell you, pretty much every one of those prayers was answered. They were some pretty challenging prayers I was putting in God’s hands, but he really did deliver for me and my family. And it just gives you that renewed faith and understanding that the power of prayer is something you cannot under estimate. So I’m a living example that miracles really do happen.”

Steve Scalise (1965) American politician
André Maurois photo

“There must be no premature renunciation, physical or emotional. The heart, like the body, needs exercise. Naturally there can be no deliberate stirring up of emotion, but why, merely for reasons of age, should one deny oneself those that can be genuinely experienced? Because old men in love are ridiculous? They are ridiculous only if they forget that they are old men. There is nothing ridiculous about two old people really in love. Each still finds in the other those qualities which were admired in youth. Tender consideration, affection, and admiration have no age. In fact, it often happens that, when youth and its passions have vanished, love takes on an asceticism which is delightful. Sensual misunderstandings disappear with physical desire and jealousy with youth; impetuosity wanes with the body's strength. From the remnants of a stormy youth may be created an agreeable old age. Thus the existence of a couple resembles a river which leaps dangerously over jagged rocks near its source, but whose clear waters flow more slowly as it approaches the sea, its broad surface reflecting the poplars along its banks and the stars at night.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Burkard Schliessmann photo

“I’m very skeptical in approaching Bach as a clean slate. To understand Bach, one has to be at home in the whole literature of art and interpretation; one must have great experience in performing the complete literature, from Bach until the early avantgarde. I’m absolutely convinced that only by this deep knowledge one can feel the all-embracing range of effects that are compressed in Bach and his music - and how later generations have been inspired. Only by this experience you can give the Bach interpretation a new balance and tension. In the case of the Goldberg Variations we are confronted with these all-emotional effects, and I’m also skeptical whether this all-embracing range can be touched by much too young players, on harpsichord as well as on piano. Knowing the true worth of this condensed and nearly welded-in polyphonic structure and singular musical architecture, one ultimately knows that it is impossible to play with the variations, meaning to change voices, or make doublings. Then the music itself would be robbed of its true worth and sense, which can only be revealed by bringing out the embedded simplicity, which however is transformed to an electrified, heated atmosphere. One has to respect the internal strength.”

Burkard Schliessmann classical pianist

Talkings on Bach