Quoted in Helen McCarthy, Osamu Tezuka: God of manga , translated by Fabio Deotto, Edizioni BD, 2010, back cover.
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Song lyrics, Blood on the Tracks (1975), You're a Big Girl Now
Source: The Province of Jurisprudence Determined (1832), p. 6
American Girl
Lyrics, Tom Petty And The Heartbreakers (1974)
1960s, Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1966)
Context: My face looked like it had been jammed into the spokes of a speeding Harley, and the only thing keeping me awake was the spastic pain of a broken rib. It had been a bad trip... fast and wild in some moments, slow and dirty in others, but on balance it looked like a bummer. On my way back to San Francisco, I tried to compose a fitting epitaph. I wanted something original, but there was no escaping the echo of Mistah Kurtz' final words from the heart of darkness: "The horror! The horror!... Exterminate all the brutes!"
“There is so much a man can tell you,
So much he can say.
You remain, my power, my pleasure, my pain”
"Kiss from a Rose"
Seal (1994)
Source: Work and the nature of man, 1966, p. 75).
Prologue, p. xvi
The Age of Fallibility (2006)
Context: The main obstacle to a stable and just world order is the United States. This is a harsh — indeed, for me, painful — thing to say, but unfortunately I am convinced it is true. The United States continues to set the agenda for the world in spite of its loss of influence since 9/11, and the Bush administration is setting the wrong agenda. The Bush agenda is nationalistic: it emphasizes the use of force and ignores global problems whose solution requires international cooperation. The rest of the world dances to the tune the United States is playing, and if that continues too long we are in danger of destroying our civilization. Changing the attitude and policies of the United States remains my top priority.
And Thou Too (1888)
Context: Ah, not to a blaze of light I go,
Nor shouts of a triumph train;
I go down to kiss the dregs of woe,
And drink up the Cup of Pain. And whether a scaffold or crucifix waits
'Neath the light of my silver star,
I know and I care not: I only know
I shall pause not though it be far.
"The pool", p. 127
Short Stories, Collected short stories 1
Third Session of Parliament (June 30, 2007)
Yanni in Words. Miramax Books. Co-author David Rensin
Les hommes et les femmes ne se réunissent au théâtre que pour entendre parler de l'amour, et pour prendre part aux douleurs et aux joies qu'il cause. Tous les autres intérêts de l'humanité restent à la porte.
Preface to La Femme de Claude (Paris: Michel Lévy, 1873) p. xxxiii; translation from Henri Pène du Bois (trans. and ed.) French Maxims of the Stage (New York: Brentano's, 1894) p. 49.
Bruce Bartlett, "Keynesian Policy and Development Economics" in Dissent on Keynes (1992).
1990s