Quotes

H. H. Asquith photo
John Maynard Keynes photo
Richard Fuller (minister) photo
Robert Fludd photo
Arundhati Roy photo
Washington Gladden photo
Du Fu photo
William Ernest Henley photo
Gardiner Spring photo
Jean-François Millet photo

“He [Alfred de Musset] puts you into a fever, it is true; but he can do nothing more for you. He has undoubted charms, but his taste is capricious and poisoned. All he can do is to disenchant and corrupt you, and at the end leave you in despair. The fever passes, and you are left without strength - like a convalescent who is in need of fresh air, of the sunshine, and of the stars.”

Jean-François Millet (1814–1875) French painter

a remark to his friend Louis Marolle in Paris c. 1839; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters https://archive.org/stream/jeanfrancoismill00cart#page/n5/mode/2up, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 60
Millet had little sympathy with the French poet Alfred de Musset and criticized the tendencies of his poetry severely.
1835 - 1850

Alexander Maclaren photo
Galileo Galilei photo
Wassily Kandinsky photo
Wilhelm Von Humboldt photo
Franklin D. Roosevelt photo
Mark W. Clark photo

“The general seeking to break an enemy defense line and destroy his forces must decide just when and how to strike and precisely to what extent he dare weaken one sector of his front in order to mass overpowering strength at the main point of attack. He, too, must take a chance, although, in the stilted phraseology of military communiqués, he calls it a "calculated risk".”

Mark W. Clark (1896–1984) American general

Source: Calculated Risk (1950), p. 1
Context: A soldier's life in combat is an endless series of decisions that mean success or failure, and perhaps life or death for himself or his comrades. The rifleman crawling through the rubble of a bombed-out street must decide on the best moment to escape enemy fire as he dodges from one doorway to the next. He must take a chance. The general seeking to break an enemy defense line and destroy his forces must decide just when and how to strike and precisely to what extent he dare weaken one sector of his front in order to mass overpowering strength at the main point of attack. He, too, must take a chance, although, in the stilted phraseology of military communiqués, he calls it a "calculated risk".

Thomas Traherne photo
Napoleon I of France photo

“Sentiment de Napoléon sur la divinité de Jésus-Christ (1841), p. 59. Translated: "From first day to the last, he is the same, always the same, majestic and simple, extremely severe and extremely mild in the business of public life, so to speak, Jesus does not hold to any criticism, his prudent manner so delighted admiration by a mixture of strength and gentleness."”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Depuis le premier jour jusqu'au dernier, il est le même, toujours le même, majestueux et simple , infiniment sévère et infiniment doux ; dans un commerce de vie pour ainsi dire public, Jésus ne donne jamais de prise à la moindre critique; sa conduite si prudente ravit l'admiration par un mélange de force et de douceur.

Amiri Baraka photo
Oswald Spengler photo

“p>Romanticism is no sign of powerful instincts, but, on the contrary, of a weak, self-detesting intellect. They are all infantile, these Romantics; men who remain children too long (or for ever), without the strength to criticize themselves, but with perpetual inhibitions arising from the obscure awareness of their own personal weakness; who are impelled by the morbid idea of reforming society, which is to them too masculine, too healthy, too sober.”

Oswald Spengler (1880–1936) German historian and philosopher

...</p>
<p>And these same everlasting "Youths" are with us again today, immature, destitute of the slightest experience or even real desire for experience, but writing and talking away about politics, fired by uniforms and badges, and clinging fantastically to some theory or other. There is a social Romanticism of sentimental Communists, a political Romanticism which regards election figures and the intoxication of mass-meeting oratory as deeds, and an economic Romanticism which trickles out from behind the gold theories of sick minds that know nothing of the inner forms of modern economics. They can only feel in the mass, where they can deaden the dull sense of their weakness by multiplying themselves. And this they call the Overcoming of Individualism.</p>
The Hour of Decision (1933)