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José Saramago photo

“To me, the Bible is a book. Important, no doubt, but a book.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Interview to the newspaper "O Globo", 2009.

José Saramago photo

“The best way to killing a rose is to force it open when it is still only the promise of a bud.”

José Saramago book The Cave

Source: The Cave (2000), p. 89 (Vintage 2003)

José Saramago photo
José Saramago photo

“Then Jesus slowly turned to look at her and said, I have never been with a woman. Mary held his hands, This is how everyone has to begin, men who have never known a woman, women who have never known a man, until the day comes for the one who knows to teach the one who does not.”

José Saramago book The Gospel According to Jesus Christ

Então Jesus voltou lentamente o rosto para ela e disse. Não conheço mulher. Maria segurou-lhe as mãos, Assim temos de começar todos, homens que não conheciam mulher, mulheres que não conheciam homem, um dia o que sabia ensinou, o que não sabia aprendeu.
Source: The Gospel According to Jesus Christ (1991), p. 235

José Saramago photo

“Worse still if that sameness should ever become total.”

José Saramago book The Double

The Double (2002)

José Saramago photo
José Saramago photo
José Saramago photo

“That it’s possible not to see a lie even when it’s in front of us.”

José Saramago book All the Names

Source: All the Names (1997), p. 210

José Saramago photo
José Saramago photo

“Ah, who will write the history of what might have been?”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

Fernando Pessoa (as Álvaro de Campos), quoted by José Saramago in The Stone Raft (1986), p. 9
Misattributed

José Saramago photo
José Saramago photo
José Saramago photo
José Saramago photo
José Saramago photo
José Saramago photo
José Saramago photo
José Saramago photo

“It’s is the old who age a day every hour”

José Saramago book The Cave

Source: The Cave (2000), p. 85 (Vintage 2003)

José Saramago photo

“Fumbling in total darkness, they reached out to each other, naked, he penetrated her with desire and she received him eagerly, and they exchanged eagerness and desire until their bodies were locked in embrace, their movements in harmony, her voice rising from the depth of her being, his totally submerged, the cry that is born, prolonged, truncated, that muffled sob, that unexpected tear, and the machine trembles and shudders, probably no longer even on the ground but, having rent the screen of brambles and undergrowth, is now hovering at dead of night amid the clouds, Blimunda, Baltasar, his body weighing on hers, and both weighing on the earth, for at last they are here, having gone and returned.”

José Saramago book Baltasar and Blimunda

Em profunda escuridão se procuraram, nus, sôfrego entrou nela, ela o recebeu ansiosa, depois a sofreguidão dela, a ânsia dele, enfim os corpos encontrados, os movimentos, a voz que vem do ser profundo, aquele que não tem voz, o grito nascido, prolongado, interrompido, o soluço seco, a lágrima inesperada, e a máquina a tremer, a vibrar, porventura não está já na terra, rasgou a cortina de silvas e enleios, pairou no alto da noite, entre as nuvens, pesa o corpo dele sobre o dela, e ambos pesam sobre a terra, afinal estão aqui, foram e voltaram.
Source: Baltasar and Blimunda (1982), pp. 255–256

José Saramago photo