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Favourite quotes (21448)

“In this age few tragedies are written.”

Arthur Miller (1915–2005) playwright from the United States

Tragedy and the Common Man (1949)
Context: In this age few tragedies are written. It has often been held that the lack is due to a paucity of heroes among us, or else that modern man has had the blood drawn out of his organs of belief by the skepticism of science, and the heroic attack on life cannot feed on an attitude of reserve and circumspection. For one reason or another, we are often held to be below tragedy — or tragedy above us.

“The Crucible became by far my most frequently produced play, both abroad and at home. Its meaning is somewhat different in different places and moments.”

Arthur Miller (1915–2005) playwright from the United States

Timebends : A Life (1987)
Context: The Crucible became by far my most frequently produced play, both abroad and at home. Its meaning is somewhat different in different places and moments. I can almost tell what the political situation in a country is when the play is suddenly a hit there — it is either a warning of tyranny on the way or a reminder of tyranny just past.

“I saw clearly only when I saw with love. Or can one ever remember love? It's like trying to summon up the smell of roses in a cellar. You might see a rose, but never the perfume. And that's the truth of roses, isn't it? — The perfume?”

Arthur Miller After the Fall

Quentin in After the Fall (1964) Act II
After the Fall (1964)

“I'm a fatalist. … I consider I am rejected in principle. My work is and, through my work, I am. If it's accepted, it's miraculous or the result of a misunderstanding.”

Arthur Miller (1915–2005) playwright from the United States

As quoted in "Arthur Miller, Moral Voice of American Stage, Dies at 89" by Marilyn Berger in The New York Times (11 February 2005) http://www.nytimes.com/2005/02/11/theater/newsandfeatures/11cnd-miller.html?ei=5070&en=3842d0df3195ba4c&ex=1148356800&adxnnlx=1148209567-ZnjnGzbndB3P1XvCU5BNDg&pagewanted=all&position=

“Maybe all one can do is hope to end up with the right regrets.”

Arthur Miller The Ride Down Mt. Morgan

Act 1
The Ride Down Mount Morgan (1991)
Source: The Ride Down Mt. Morgan

“I am bewildered by the death of love. And my responsibility for it.”

Arthur Miller After the Fall

Quentin in After the Fall (1964) Act II
After the Fall (1964)

“Be loving to him. Because he’s only a little boat looking for a harbor.”

Arthur Miller book Death of a Salesman

Source: Death of a Salesman

“If I have to be alone I want to be by myself.”

Arthur Miller (1915–2005) playwright from the United States

“My argument with so much of psychoanalysis, is the preconception that suffering is a mistake, or a sign of weakness, or a sign even of illness, when in fact, possibly the greatest truths we know have come out of people's suffering”

Arthur Miller (1915–2005) playwright from the United States

1963 interview, used in The Century of the Self (2002)
Context: My argument with so much of psychoanalysis, is the preconception that suffering is a mistake, or a sign of weakness, or a sign even of illness, when in fact, possibly the greatest truths we know have come out of people's suffering; that the problem is not to undo suffering or to wipe it off the face of the earth but to make it inform our lives, instead of trying to cure ourselves of it constantly and avoid it, and avoid anything but that lobotomized sense of what they call "happiness." There's too much of an attempt, it seems to me, to think in terms of controlling man, rather than freeing him. Of defining him rather than letting him go. It's part of the whole ideology of this age, which is power-mad.

“He is a kind of psychic journalist, even when he's great.”

Arthur Miller (1915–2005) playwright from the United States

Paris Review (Summer 1966)
Context: A playwright … is … the litmus paper of the arts. He's got to be, because if he isn't working on the same wave length as the audience, no one would know what in hell he was talking about. He is a kind of psychic journalist, even when he's great.

“I've almost asked that question, then realized it's good for my soul not to know. For a while! Just to let the evening wear on and see what I think of this person without knowing what he does and how successful he is, or what a failure. We're ranking everybody every minute of the day.”

Arthur Miller (1915–2005) playwright from the United States

Paris Review (Summer 1966)
Context: Success, instead of giving freedom of choice, becomes a way of life. There's no country I've been to where people, when you come into a room and sit down with them, so often ask you, "What do you do?" And, being American, many's the time I've almost asked that question, then realized it's good for my soul not to know. For a while! Just to let the evening wear on and see what I think of this person without knowing what he does and how successful he is, or what a failure. We're ranking everybody every minute of the day.

“There's too much of an attempt, it seems to me, to think in terms of controlling man, rather than freeing him. Of defining him rather than letting him go. It's part of the whole ideology of this age, which is power-mad.”

Arthur Miller (1915–2005) playwright from the United States

“Betrayal is the only truth that sticks.”

Arthur Miller (1915–2005) playwright from the United States

“Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.”

Arthur Miller (1915–2005) playwright from the United States

Variant: You can quicker get back a million dollars that was stolen than a word that you gave away.
Source: A View from the Bridge: A Play in Two Acts

“All my lovers asked me why they couldn't replace Mary, but it's simply impossible. The only friend I've got is Mary and I don't want anybody else. To me, she was my common-law wife. To me, it was a marriage. We believe in each other, that's enough for me.”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

On Mary Austin, a long time companion, and the inheritor of most of his estate, as quoted in "For A Song : The Mercury that's rising in rock is Freddie the satiny seductor of Queen" by Fred Hauptfuhrer, in People magazine (5 December 1977) http://www.queenarchives.com/index.php?title=Group_-_12-05-1977_-_People

“I like people to go away from a Queen show feeling fully entertained, having had a good time. I think Queen songs are pure escapism, like going to see a good film - after that, they can go away and say that was great, and go back to their problems. I don't want to change the world with our music. There are no hidden messages in our songs, except for some of Brian's.”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

"The Man Who Would Be Queen" in Melody Maker (2 May 1981).

“Hello everybody! Hey hey hey! Okay! Do you know it's not... it's not very often that we do shows in daylight. And I fucking wish we'd done before, I can see you all now. And there's some beauties here tonight, I can tell you!”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

Live at Milton Keynes Bowl (5 June 1982) http://www.ultimatequeen.co.uk/Songs/queenonfire.htm.

“You know something? There's been a lot of rumors lately about a certain band called Queen. The rumors are that... The rumors are that we're gonna split up. What do you think? [audience replies "No!"] [Pointing to his posterior] They're talking from here! [audience replies "Yes"!] My apologies, but I say what I want. You know what I mean? So forget those rumors. We’re gonna stay together until we fucking well die, I’m sure of it. I keep — I must tell you — I keep wanting to leave, but they won’t let me. Also, I suppose we’re not... We're not bad for four aging queens, are we? Really, what do you think?”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

"Queen: Live at Wembley" (1986), shortly before performing "Who Wants To Live Forever." http://www.youtube.com/watch?v=0GNJ1SQpxFI

“We’re confident people will take to us, because although the camp image has already been established by people like Bowie and Bolan we are taking it to another level. The concept of Queen is to be regal and majestic. Glamour is part of us and we want to be dandy. We want to shock and be outrageous instantly.”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

On Queen, in "Standing Up For Queen" (28 July 1973) http://www.queenarchives.com/index.php?title=Group_-_07-28-1973_-_Melody_Maker.

“Listen, if you guys wanna move around and shift your asses a little, it's okay. It's okay by us, right? You can take all your clothes off if you like too, doesn't matter... Fuck off!”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

laughs <br class="br">During a concert in Montreal, Canada, (24 or 25 November 1981), first released as videotape We Will Rock You (1984) http://www.ultimatequeen.co.uk/Videos/wewillrock.htm, and later on DVD as Queen Rock Montreal (2007).