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@xy, member from Sept. 25, 2023

Favourite quotes (21448)

“If a student always follows the teacher's instructions, how can he accomplish something which the teacher cannot accomplish? Now go away and don't interfere, or I'll put you into the fire!”

Richard Wagner Siegfried

Quotes from his operas, Siegfried, Siegfried, forging his sword, Act 1, Scene 3
Original: (de) "Was der Meister nicht kann,
vermöcht’ es der Knabe,
hätt’ er ihm immer gehorcht
Jetzt mach’ dich fort, misch’ dich nicht drein:
sonst fällst du mir mit in’s Feuer!"

“No clever person can help here; I see that clearly. Here, only stupidity can help the stupid one!”

Richard Wagner Siegfried

Original: (de) "Hier hilft kein Kluger, das seh’ ich klar: hier hilft dem Dummen die Dummheit allein!"
Source: Quotes from his operas, Siegfried, Mime, the dwarf (and master metal-smith), Act 1, Scene 3

“Although my mother gave me courage [and power], I do not thank her for yielding to your trickery; prematurely aged, colorless and pale, I hate happy people, and nothing gives me pleasure!”

Richard Wagner (1813–1883) German composer, conductor

Original: (de) Gab mir die Mutter Muth,
nicht mag ich ihr doch danken,
daß deiner List sie erlag:
frühalt, fahl und bleich,
hass' ich die Frohen,
freue mich nie!
Source: Quotes from his operas, Götterdämmerung, Hagen, Act 2, Scene 1

“The knight's song and direction
I found new, but not confused;
He left our path,
but strode strongly and confidently.
When you want to evaluate, according to rules, something which doesn't follow your rules,
You have to forget your own ways,
And seek out its rules!”

Richard Wagner (1813–1883) German composer, conductor

Original: (de) Des Ritters Lied und Weise,
sie fand ich neu, doch nicht verwirrt;
verliess er unsre Gleise,
schritt er doch fest und unbeirrt.
Wollt ihr nach Regeln messen,
was nicht nach eurer Regeln Lauf,
der eignen Spur vergessen,
sucht davon erst die Regeln auf!
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 1, Scene 3

“My child, all is lost for him, and he will never achieve the rank of 'Master' in any land, because someone who is born a master, always has the lowest standing among 'Masters'.”

Richard Wagner (1813–1883) German composer, conductor

Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 2, Scene 4
Original: (de) Mein Kind, für den ist alles verloren,
und Meister wird der in keinem Land;
denn wer als Meister geboren,
der hat unter Meistern den schlimmsten Stand.

“... forced to flee, he imagines that he is hunting. He does not hear his own cry of pain when he claws into his own flesh; he thinks he is expressing pleasure!”

Richard Wagner (1813–1883) German composer, conductor

Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 1
Original: (de) "... in Flucht geschlagen,
wähnt er zu jagen;
hört nicht sein eigen Schmerzgekreisch,
wenn er sich wühlt ins eig'ne Fleisch,
wähnt Lust sich zu erzeigen!"

“Believe me, mankind's truest madness is revealed to him in dreams. All word-craft and poetry is nothing but true dream-interpretation.”

Richard Wagner (1813–1883) German composer, conductor

Original: (de) "Glaubt mir, des Menschen wahrster Wahn
wird ihm im Traume aufgetan:
all' Dichtkunst und Poeterei
ist nichts als Wahrtraumdeuterei."
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3, Scene 2

“A moment of weakness comes, for everyone, but then he feels stupid, and listens to his good sense.”

Richard Wagner (1813–1883) German composer, conductor

Original: (de) "Die schwache Stunde kommt für jeden, da wird er dumm und lässt mit sich reden."
Source: Quotes from his operas, Die Meistersinger von Nürnberg, Hans Sachs, Act 3 Scene 3

“The error in the art-genre of Opera consists herein: a Means of expression (Music) has been made the end, while the End of expression (the Drama) has been made a means.”

Richard Wagner book Opera and Drama

Opera and Drama (1851)

“It is necessary for us to explain the involuntary repugnance we possess for the nature and personality of the Jews … The Jews have never produced a true poet. Heinrich Heine reached the point where he duped himself into a poet, and was rewarded by his versified lies being set to music by our own composers. He was the conscience of Judaism, just as Judaism is the evil conscience of our modern civilization.”

Richard Wagner book Das Judenthum in der Musik

Judaism in Music (1850)

“Certain things in Mozart will and can never be excelled.”

Richard Wagner (1813–1883) German composer, conductor

26 February 1878
Cosima Wagner's Diaries (1978)

“This is Alberich's dream come true — Nibelheim, world dominion, activity, work, everywhere the oppressive feeling of steam and fog.”

Richard Wagner (1813–1883) German composer, conductor

25 May 1877, quoting Richard's impressions of London
Cosima Wagner's Diaries (1978)

“Though physiologists are still divided as to whether Man was meant by Nature to feed exclusively on fruits, or also upon flesh-meat, from its first faint glimmerings History shews Man's constant progress as a beast of prey. As such he conquers every land, subdues the fruit-fed races, founds mighty realms by subjugating other subjugators, forms states and sets up civilisations, to enjoy his prey at rest.”

Richard Wagner (1813–1883) German composer, conductor

Part II
Religion and Art (1880)

“Recently, while I was in the street, my eye was caught by a poulterer's shop; I stared unthinkingly at his piled-up wares, neatly and appetizingly laid out, when I became aware of a man at the side busily plucking a hen, while another man was just putting his hand in a cage, where he seized a live hen and tore its head off. The hideous scream of the animal, and the pitiful, weaker sounds of complaint that it made while being overpowered transfixed my soul with horror. Ever since then I have been unable to rid myself of this impression, although I had experienced it often before. It is dreadful to see how our lives—which, on the whole, remain addicted to pleasure—rest upon such a bottomless pit of the cruellest misery! This has been so self-evident to me from the very beginning, and has become even more central to my thinking as my sensibility has increased … I have observed the way in which I am drawn in the [direction of empathy for misery] with a force that inspires me with sympathy, and that everything touches me deeply only insofar as it arouses fellow-feeling in me, i. e. fellow-suffering. I see in this fellow-suffering the most salient feature of my moral being, and presumably it is this that is the well-spring of my art.”

Richard Wagner (1813–1883) German composer, conductor

Selected Letters of Richard Wagner, translated by Stewart Spencer and Barry Millington (New York: W. W. Norton & Company, 1987), pp. 422-424 http://www.animal-rights-library.com/texts-c/wagner02.htm

“The oldest, truest, most beautiful organ of music, the origin to which alone our music owes its being, is the human voice.”

Richard Wagner book Opera and Drama

Opera and Drama (1851)

“Attack and defence, want and war, victory and defeat, lordship and thraldom, all sealed with the seal of blood: this from henceforth is the History of Man.”

Richard Wagner (1813–1883) German composer, conductor

Part II
Religion and Art (1880)

“I had translated the first twelve books of the Odyssey. For a while I learnt English also, merely so as to gain an accurate knowledge of Shakespeare; and I made a metrical translation of Romeo's monologue. Though I soon left English on one side, yet Shakespeare remained my exemplar, and I projected a great tragedy which was almost nothing but a medley of Hamlet and King Lear. The plan was gigantic in the extreme; two- and-forty human beings died in the course of this piece, and I saw myself compelled, in its working-out, to call the greater number back as ghosts, since otherwise I should have been short of characters for my last Acts. This play occupied my leisure for two whole years.”

Richard Wagner (1813–1883) German composer, conductor

Autobiographical Sketch (1843)

“From of old, amid the rage of robbery and blood-lust, it came to wise men's consciousness that the human race was suffering from a malady which necessarily kept it in progressive deterioration. Many a hint from observation of the natural man, as also dim half-legendary memories, had made them guess the primal nature of this man, and that his present state is therefore a degeneration. A mystery enwrapped Pythagoras, the preacher of vegetarianism; no philosopher since him has pondered on the essence of the world, without recurring to his teaching. Silent fellowships were founded, remote from turmoil of the world, to carry out this doctrine as a sanctification from sin and misery. Among the poorest and most distant from the world appeared the Saviour, no more to teach redemption's path by precept, but example; his own flesh and blood he gave as last and highest expiation for all the sin of outpoured blood and slaughtered flesh, and offered his disciples wine and bread for each day's meal:—"Taste such alone, in memory of me." … Perhaps the one impossibility, of getting all professors to continually observe this ordinance of the Redeemer's, and abstain entirely from animal food, may be taken for the essential cause of the early decay of the Christian religion as Christian Church. But to admit that impossibility, is as much as to confess the uncontrollable downfall of the human race itself.”

Richard Wagner (1813–1883) German composer, conductor

Part II
Religion and Art (1880)

“I believe in God; and Mozart, and Beethoven as his only sons.”

Richard Wagner (1813–1883) German composer, conductor

Last words of the hero in "The Life's End of a German Musician in Paris" (1840), a short story written for the Gazette Musicale, as quoted in Autobiographical Sketch (1843) http://users.belgacom.net/wagnerlibrary/prose/wagauto.htm

“Oh, I hate the thought of all those costumes and grease paint! When I think that characters like Kundry will now have to be dressed up, those dreadful artists' balls immediately spring into my mind. Having created the invisible orchestra, I now feel like inventing the invisible theatre!”

Richard Wagner (1813–1883) German composer, conductor

23 September 1878
Cosima Wagner's Diaries (1978)