Dmitri Shostakovich quotes

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Dmitri Shostakovich

Birthdate: 12. September 1906
Date of death: 9. August 1975
Other names: Шостакович Дмитрий Дмитриевич, Дмитрий Шостакович

Dmitri Dmitriyevich Shostakovich was a Russian composer and pianist. He is regarded as one of the major composers of the 20th century, with a unique harmonic language and a historic importance due to his years of work under Stalin.Shostakovich achieved fame in the Soviet Union under the patronage of Soviet chief of staff Mikhail Tukhachevsky, but later had a complex and difficult relationship with the government. Nevertheless, he received accolades and state awards and served in the Supreme Soviet of the RSFSR and the Supreme Soviet of the Soviet Union .

A polystylist, Shostakovich developed a hybrid voice, combining a variety of different musical techniques into his works. His music is characterized by sharp contrasts, elements of the grotesque, and ambivalent tonality; he was also heavily influenced by the neoclassical style pioneered by Igor Stravinsky, and by the late Romanticism of Gustav Mahler.

Shostakovich's orchestral works include 15 symphonies and six concerti. His chamber output includes 15 string quartets, a piano quintet, two piano trios, and two pieces for string octet. His solo piano works include two sonatas, an early set of preludes, and a later set of 24 preludes and fugues. Other works include three operas, several song cycles, ballets, and a substantial quantity of film music; especially well known is The Second Waltz, Op. 99, music to the film The First Echelon , as well as the suites of music composed for The Gadfly. Wikipedia

Works

Testimony
Dmitri Shostakovich

„It's about the people, who have stopped believing because the cup of evil has run over.“

—  Dmitri Shostakovich, book Testimony

Page 8
Of his Eleventh Symphony.
Testimony (1979)

„Real music is always revolutionary, for it cements the ranks of the people; it arouses them and leads them onward.“

—  Dmitri Shostakovich

"The Power of Music" (1964), translated in Music Journal, September 1965, p. 37.

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