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Paul Valéry photo

“All perishes. A thing of flesh and pore
Am I. Divine impatience also dies.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Allez! Tout fuit! Ma présence est poreuse,
La sainte impatience meurt aussi!
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

Paul Valéry photo

“This character out of my fantasy, whose author I became in the days of my partly literary, partly solitary or.. inward youth, has lived, apparently, since that faded time with a certain life — which his reticence, more than what he said, has persuaded a few readers to attribute to him.
Teste was conceived — in a room where Auguste Comte spent his early years — at a period when I was drunk on my own will and subject to strange excesses of consciousness of my self.
I was suffering from the acute ailment called precision. I tended toward the extreme of the reckless desire to understand, and I searched in myself for the critical points in my powers of attention.”

Paul Valéry book Monsieur Teste

Preface
Monsieur Teste (1919)

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“Since everything that lives is obliged to expend and receive life, there is an exchange of modifications between the living creature and its environment.
And yet, once that vital necessity is satisfied, our species—a positively strange species—thinks it must create for itself other needs and tasks besides that of preserving life. … Whatever may be the origin or cause of this curious deviation, the human species is engaged in an immense adventure, an adventure whose objective and end it does not know. …
The same senses, the same muscles, the same limbs—more, the same types of signs, the same instruments of exchange, the same languages, the same modes of logic—enter into the most indispensable acts of our lives, as they figure into the most gratuitous. …
In short, man has not two sets of tools, he has only one, and this one set must serve him for the preservation of his life and his physiological rhythm, and expend itself at other times on illusions and on the labours of our great adventure. …
The same muscles and nerves produce walking as well as dancing, exactly as our linguistic faculty enables us to express our needs and ideas, while the same words and forms can be combined to produce works of poetry. A single mechanism is employed in both cases for two entirely different purposes.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 158-159

Paul Valéry photo

“One should be light like a bird, and not like a feather.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

We consider the quote as suspicious, we have no evidence supporting authorship
Paul Valéry photo

“A man who is of 'sound mind' is one who keeps his inner madman under lock and key.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Unsourced

Paul Valéry photo

“Follow the path of your aroused thought, and you will soon meet this infernal inscription: There is nothing so beautiful as that which does not exist.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Paul Valéry photo

“Nothing is more natural than mutual misunderstanding; the contrary is always surprising. I believe that one never agrees on anything except by mistake, and that all harmony among human beings is the happy fruit of an error.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: The Art of Poetry

Paul Valéry photo

“To see is to forget the name of the thing one sees.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Unsourced

Paul Valéry photo

“God made everything out of nothing. But the nothingness shows through.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Mauvaises Pensées et Autres (1941)

Paul Valéry photo

“Politeness is organized indifference.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Tel Quel (1943)

Paul Valéry photo

“You have neither the patience that weaves long lines nor a feeling for the irregular, nor a sense of the fittest place for a thing … For you intelligence is not one thing among many.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Writing at the Yalu River (1895) quoted in Of Time, Passion, and Knowledge: Reflections on the Strategy of Existence (1990) by Julius Thomas Fraser, Part 2, Images in Heaven and on the Earth, Ch. IV, The Roots of Time in the Physical World. Sect. 3 The Living Symmetries of Physics
Context: You have neither the patience that weaves long lines nor a feeling for the irregular, nor a sense of the fittest place for a thing … For you intelligence is not one thing among many. You … worship it as if it were an omnipotent beast … a man intoxicated on it believes his own thoughts are legal decision, or facts themselves born of the crowd and time. He confuses his quick changes of heart with the imperceptible variation of real forms and enduring Beings.... You are in love with intelligence, until it frightens you. For your ideas are terrifying and your hearts are faint. Your acts of pity and cruelty are absurd, committed with no calm, as if they were irresistible. Finally, you fear blood more and more. Blood and time.

Paul Valéry photo

“Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.

Paul Valéry photo

“Poe is the only impeccable writer. He was never mistaken.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Letter to writer André Gide, as quoted in The Tell-Tale Heart: The Life and Works of Edgar Allan Poe (1978) by Julian Symons, Pt. 1, Epilogue

Paul Valéry photo

“Now, of all acts the most complete is that of constructing. A work demands love, meditation, obedience to your finest thought, the invention of laws by your soul, and many other things that it draws miraculously from your own self, which did not suspect that it possessed them. This work proceeds from the most intimate center of your existence, and yet it is distinct from yourself.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Socrates, p. 145
Eupalinos ou l'architecte (1921)

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“Cognition reigns but does not rule.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Paul Valéry photo

“The deeper education consists in unlearning one's first education.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: An Anthology

Paul Valéry photo

“The history of thought may be summed up in these words: it is absurd by what it seeks and great by what it finds.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Paul Valéry photo

“Poetry is to prose as dancing is to walking.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Paul Valéry photo

“Our most important thoughts are those that contradict our emotions.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Paul Valéry photo

“Stupidity is not my strong point.”

Paul Valéry book Monsieur Teste

Variant translations:
Stupidity is not my strong suit.
Monsieur Teste (1919)
Context: Stupidity is not my strong point. I have seen many persons; I have visited several countries; I have taken part in various enterprises without liking them; I have eaten nearly every day; I have had women. I can now recall a few hundred faces, two or three great spectacles, and the substance of perhaps twenty books. I have not retained the best nor the worst of these things: what could stay with me did.