xy

@xy, member from Sept. 25, 2023

Favourite quotes (21448)

“The purpose of psychology is to give us a completely different idea of the things we know best.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Tel Quel (1943)

“Politics is the art of preventing people from taking part in affairs which properly concern them.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Tel Quel (1943)

“Great things are accomplished by men who are not conscious of the impotence of man. Such insensitiveness is precious.
But we must admit that criminals are not unlike our heroes in this respect.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), p. 58

“It is therefore reasonable to think that the creations of man are made either with a view to his body, and that is the principle we call utility, or with a view to his soul, and that is what he seeks under the name of beauty. But, further, since he who constructs or creates has to deal with the rest of the world and with the movement of nature, which both tend perpetually to dissolve, corrupt or upset what he makes, he must recognize and seek to communicate to his works a third principle, that expresses the resistance he wishes them to offer to their destiny, which is to perish. So he seeks solidity or lastingness.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Socrates, pp. 128–9
Eupalinos ou l'architecte (1921)

“A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

"Recollection", Collected Works, vol. 1 (1972), as translated by David Paul
Variant translations:
A poem is never finished; it's always an accident that puts a stop to it — i.e. gives it to the public.
As attributed in Susan Ratcliffe, Concise Oxford Dictionary of Quotations (2011), p. 385.
A poem is never finished; it is only abandoned.
Widely quoted, this is a paraphrase of Valéry by W. H. Auden in 1965. See W. H. Auden: Collected Poems (2007), ed. Edward Mendelson, "Author's Forewords", p. xxx.
An artist never finishes a work, he merely abandons it.
A paraphrase by Aaron Copland in the essay "Creativity in America," published in Copland on Music (1944), p. 53
In the eyes of those lovers of perfection, a work is never finished — a word that for them has no sense — but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.

“Man's deepest glances are those that go out to the void. They converge beyond the All.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Socrates, p. 141
Eupalinos ou l'architecte (1921)

“Most people in reasoning, dear Phaedrus, use notions that not only are "ready-made," but have actually been made by nobody. No one is responsible for them, and so they serve everyone badly.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Socrates, p. 137
Eupalinos ou l'architecte (1921)

“In the Beginning was the Fable.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Tityrus, p. 169, quoting "a philosopher whose name I have forgotten". The philosopher is Valéry himself, who used this phrase at the end of his essay on Poe's Eureka, and elsewhere (Dialogues, textual note on p. 195).
Dialogue de l'arbre (1943)

“The folly of mistaking a paradox for a discovery, a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself for an oracle, is inborn in us.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Le mal de prendre une hypallage pour une découverte, une métaphore pour une démonstration, un vomissement de mots pour un torrent de connaissances capitales, et soi-même pour un oracle, ce mal naît avec nous.
Introduction to the Method of Leonardo da Vinci (1895)

“The commerce of minds was necessarily the first commerce in the world, … since before bartering things one must barter signs, and it is necessary therefore that signs be instituted.
There is no market or exchange without language. The first instrument of all commerce is language.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), p. 166

“The being filled with wonder is lovely, like a flower.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Lucretius, p. 163
Dialogue de l'arbre (1943)

“If the state is strong, it crushes us. If it is weak, we perish.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

History and Politics http://books.google.com/books?id=7I82AAAAIAAJ&q=&quot;If+the+state+is+strong+it+crushes+us+If+it+is+weak+we+perish&quot; as translated by D. Folliot and J. Mathews (1971)

“Freedom of mind and mind itself have been most fully developed in regions where trade developed at the same time. In all ages, without exception, every intense production of art, ideas, and spiritual values has occurred in some locality where a remarkable degree of economic activity was also manifest.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), pp. 167-168

“Beautiful heaven, true heaven, look how I change!
After such arrogance, after so much strange
Idleness — strange, yet full of potency —
I am all open to these shining spaces;
Over the homes of the dead my shadow passes,
Ghosting along — a ghost subduing me.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Beau ciel, vrai ciel, regarde-moi qui change!
Après tant d'orgueil, après tant d'étrange
Oisiveté, mais pleine de pouvoir,
Je m'abandonne à ce brillant espace,
Sur les maisons des morts mon ombre passe
Qui m'apprivoise à son frêle mouvoir.
As translated by by C. Day Lewis
Charmes ou poèmes (1922)

“What is there more mysterious than clarity?… What more capricious than the way in which light and shade are distributed over hours and over men?”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Socrates, p. 107. Ellipsis in original.
Eupalinos ou l'architecte (1921)

“That which has always been accepted by everyone, everywhere, is almost certain to be false.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Tel Quel (1943)

“But what, Phaedrus, is the contrary of a dream if not some other dream?… A dream of vigilance and tension dreamt by Reason herself!—And what would such a Reason dream?—If a Reason were to dream—a Reason hard, erect, eyes armed, mouth closed, as though mistress of her lips—would not the dream she dreamt be what we see now—this world of exact forces and studied illusions?—A dream, a dream, but a dream interpenetrated with symmetries, all order, acts and sequences!”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Socrates, p. 35
L'Âme et la danse (1921)

“The “determinist” swears that if we knew everything we should also be able to deduce and foretell the conduct of every man in every circumstance, and that is obvious enough. But the expression “know everything” means nothing.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Source: Regards sur le monde actuel [Reflections on the World Today] (1931), p. 42