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Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo

“The concrete is a combination of abstractions — not an arbitrary or subjective combination but one that corresponds to the laws of the movement of a given phenomenon.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Source: In Defense of Marxism (1942), p. 147

Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo

“A sledgehammer breaks glass but forges steel.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

"We do not change our course" (1938)

Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo

“Old age is the most unexpected of all the things that happen to a man.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Trotzky's Diary in Exile — 1935 (1958)

Leon Trotsky photo
Leon Trotsky photo
Leon Trotsky photo

“A means can be justified only by its end. But the end in its turn needs to be justified”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Source: Their Morals and Ours (1938)
Context: A means can be justified only by its end. But the end in its turn needs to be justified, From the Marxist point of view, which expresses the historical interests of the proletariat, the end is justified if it leads to increasing the power of man over nature and to the abolition of the power of man over man.

Leon Trotsky photo

“If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.”

Leon Trotsky book Literature and Revolution

Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.

Leon Trotsky photo
Leon Trotsky photo

“Every oppositionist becomes ipso facto a terrorist.”

Leon Trotsky (1879–1940) Marxist revolutionary from Russia

Statement from interview with New York Evening Journal, January 26, 1937. Quote from Harpal Brar's Trotskyism or Leninism? p. 625.
Context: Inside the Party, Stalin has put himself above all criticism and the State. It is impossible to displace him except by assassination. Every oppositionist becomes ipso facto a terrorist.