“Give me a museum and I'll fill it.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
“Give me a museum and I'll fill it.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
“What one does is what counts. Not what one had the intention of doing.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Quoted in: Ann Livermore (1988), Artists and Aesthetics in Spain. p. 154
Attributed from posthumous publications
“I paint objects as I think them, not as I see them.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
“When I don't have red, I use blue.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Pablo Picasso (1953); quoted in: Kilkenny (2004), Doomsday Marauders, p. 83.
1950s
“To draw, you must close your eyes and sing”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
“If only we could pull out our brain and use only our eyes.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Picasso quoted in 'TIME'; quoted in: The Atlantic, Vol. 214 (1964), p. 97.
Picasso commented on his ambiguous style, or use of multiple styles.
1960s
“[Speaking of computers] But they are useless. They can only give you answers.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
As discussed in this entry from Quote Investigator http://quoteinvestigator.com/2011/11/05/computers-useless/#more-2932, the origin seems to be the article "Pablo Picasso: A Composite Interview" by William Fifield which appeared in The Paris Review 32, Summer-Fall 1964, and collected a number of interviews Fifield had done with Picasso. <br class="br">Common later variant: "Computers are useless. They can only give you answers." This variant seems to have arisen in the 1980s, the earliest known appearance in a book is Herman Feshbach, "Reflections on the Microprocessor Revolution: A Physicist's Viewpoint", in Man and Technology (1983), ed. Bruce M. Adkins, where the attribution is described as "rumoured". http://books.google.com/books?id=9EohAQAAIAAJ&q=Picasso <br class="br">1960s
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Herschel Browning Chip (1968, p. 270).
Other translation:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality.
Richard Friedenthal (1968, p. 256-7).
Longer version:
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, stimulated his ideas and set of his emotions. These ideas and emotions will be imprisoned in his work for good.. .Whether he wants it or not, man is the instrument of nature; she imposes on him character and appearance. In my paintings of Dinard, as in my paintings of Purville, I have given expression to more or less the same vision.. .. You cannot go against nature. She is stronger than the strongest of men. We can permit ourselves some liberties, but in details only (Boisgeloup, winter 1934).
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Context: Abstract art is only painting. What about drama?
There is no abstract art. You always start with something. Afterward you can remove all traces of reality.
“The world doesn't make sense, so why should I paint pictures that do?”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
“Painting is just another way of keeping a diary.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Source: 1920s, "Picasso Speaks" (1923), p. 315.
“For me, there are two kinds of women — goddesses and doormats.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Quoted in: Briton Hadden, Henry Robinson Luce (1969), Time, Vol. 93. p. 66.
1960s
“The meaning of life is to find your gift. The purpose of life is to give it away.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
“If I paint a wild horse, you might not see the horse… but surely you will see the wildness!”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
“Bad artists copy. Good artists steal.”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Compare: "Immature poets imitate; mature poets steal." T. S. Eliot, in Philip Massinger, in The Sacred Wood (1920)
Disputed
Variant: Good artists copy, great artists steal.