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@xy, member from Sept. 25, 2023

Favourite quotes (21448)

“What was life? It was warmth, the warmth generated by a form-preserving instability, a fever of matter, which accompanied the process of ceaseless decay and repair of protein molecules that were too impossibly ingenious in structure.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

“I have an epic, not a dramatic nature. My disposition and my desires call for peace to spin my thread, for a steady rhythm in life and art.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Nobel Banquet Speech (10 December 1929) http://nobelprize.org/nobel_prizes/literature/laureates/1929/mann-speech.html

“Time has no divisions to mark its passage, there is never a thunderstorm or blare of trumpets to announce the beginning of a new month or year. Even when a new century begins it is only we mortals who ring bells and fire off pistols.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

“Love for him, for the human body, was extremely humanitarian an interest and had more educational power than the whole teaching skills of the world!”

Thomas Mann book The Magic Mountain

L’amour pour lui, pour le corps humain, c’est de même un intérêt extrêmement humanitaire et une puissance plus éducative que toute la pédagogie du monde!
Source: The Magic Mountain (1924), Ch. 5

“Has the world ever been changed by anything save the thought and its magic vehicle the Word?”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Freud and the Future (1937)

“What was it that drove these thousands into the arms of his art — what but the blissfully sensuous, searing, sense-consuming, intoxicating, hypnotically caressing, heavily upholstered — in a word, the luxurious quality of his music?”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Suffering and Greatness of Richard Wagner (1933)

“The only religious way to think of death is as part and parcel of life; to regard it, with the understanding and the emotions, as the the inviolable condition of life.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

“Absolutely everything beloved and cherished of the bourgeoisie, the conservative, the cowardly, and the impotent — the State, family life, secular art and science — was consciously or unconsciously hostile to the religious idea, to the Church, whose innate tendency and permanent aim was the dissolution of all existing worldly orders, and the reconstitution of society after the model of the ideal, the communistic City of God.”

Thomas Mann book The Magic Mountain

Naphta in Ch. 7
The Magic Mountain (1924)

“Why does almost everything seem to me like its own parody? Why must I think that almost all, no, all the methods and conventions of art today are good for parody only?”

Thomas Mann book Doctor Faustus

Source: Doctor Faustus (1947), Ch. 15

“There were profound reasons for his attachment to the sea: he loved it because as a hard-working artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life’s task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 3, as translated by David Luke

“The new hero-type favored by Aschenbach, and recurring in his books in a multiplicity of individual variants, had already been remarked upon at an early stage by a shrewd commentator, who had described his conception as that of “an intellectual and boyish manly virtue, that of a youth who clenches his teeth in proud shame and stands calmly on as the swords and spears pass through his body … the figure of Saint Sebastian is the most perfect symbol if not of art in general, then certainly of the kind of art in question.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 2, as translated by David Luke

“Hans Castorp loved music from his heart; it worked upon him much the same way as did his breakfast porter, with deeply soothing, narcotic effect, tempting him to doze.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 3

“I love and reverence the Word, the bearer of the spirit, the tool and gleaming ploughshare of progress.”

Thomas Mann book The Magic Mountain

Settembrini's view of literature, Ch. 4
The Magic Mountain (1924)

“The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage as the cradle of life, as the womb of palingenesis.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

“It seemed that at the end of the lecture Dr. Krokowski was making propaganda for psycho-analysis; with open arms he summoned all and sundry to come unto him. "Come unto me," he was saying, though not in those words, " come unto me, all ye who are weary and heavy-laden." And he left no doubt of his conviction that all those present were weary and heavy-laden. He spoke of secret suffering, of shame and sorrow, of the redeeming power of the analytic. He advocated the bringing of light into the unconscious mind and explained how the abnormality was metamorphosed into the conscious emotion; he urged them to have confidence; he promised relief.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

“The days began to fly now, and yet each one of them was stretched by renewed expectations and swollen with silent, private experiences. Yes, time is a puzzling thing, there is something about it that is hard to explain.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain

“Order and simplification are the first steps toward the mastery of a subject — the actual enemy is the unknown.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

“We do not fear being called meticulous, inclining as we do to the view that only the exhaustive can be truly interesting.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain

“What good would politics be, if it didn’t give everyone the opportunity to make moral compromises.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain

“Only love, and not reason, yields kind thoughts.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain