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@xy, member from Sept. 25, 2023

Favourite quotes (21448)

“Opinions cannot survive if one has no chance to fight for them.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 6

“I, for one, have never in my life come across a perfectly healthy human being.”

Thomas Mann book The Magic Mountain

The psychoanalyst "Dr. Krokowski" in Ch. 1
The Magic Mountain (1924)

“This conflict between the powers of love and chastity … it ended apparently in the triumph of chastity. Love was suppressed, held in darkness and chains, by fear, conventionality, aversion, or a tremulous yearning to be pure…. But this triumph of chastity was only an apparent, a pyrrhic victory. It would break through the ban of chastity, it would emerge — if in a form so altered as to be unrecognizable.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

“Wagner’s art is the most sensational self-portrayal and self-critique of German nature that it is possible to conceive.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Suffering and Greatness of Richard Wagner (1933)

“Democracy is timelessly human, and timelessness always implies a certain amount of potential youthfulness.”

Thomas Mann book The Coming Victory of Democracy

The Coming Victory of Democracy (1938), p. 14, translated by Agnes E. Meyer, Knopf (1938)

“I never can understand how anyone can not smoke — it deprives a man of the best part of life … with a good cigar in his mouth a man is perfectly safe, nothing can touch him — literally.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 3

“It is a cruel atmosphere down there, cruel and ruthless.”

Thomas Mann book The Magic Mountain

Hans Castorp on the world outside the sanatorium, in Ch. 5
The Magic Mountain (1924)

“This longing for the bliss of the commonplace.”

Thomas Mann book Tonio Kröger

Source: Tonio Kröger (1903), Ch. 4, and also in Ch. 9, as translated by David Luke

“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 2, as translated by David Luke

“Human reason needs only to will more strongly than fate, and she is fate.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 6

“Paradox is the poisonous flower of quietism, the iridescent surface of the rotting mind, the greatest depravity of all.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

“Six months at most after they get here, these young people — and they are mostly young who come — have lost every idea they had, except flirtation and temperature.”

Thomas Mann book The Magic Mountain

Settembrini on the Magic Mountain Society, in Ch. 5
The Magic Mountain (1924)

“They sang their mysterious duo, sang of their nameless hope, their death-in-love, their union unending, lost forever in the embrace of night’s magic kingdom. O sweet night, everlasting night of love! Land of blessedness whose frontiers are infinite!”

Thomas Mann book Tristan

Source: Tristan (1902), Ch. 8

“Love as a force contributory to disease.”

Thomas Mann book The Magic Mountain

The title of "Dr. Krokowski" lectures. Ch. 4
The Magic Mountain (1924)

“Beer, tobacco, and music,” he went on. “Behold the Fatherland.”

Thomas Mann book The Magic Mountain

"Herr Settembrini" commenting on Germany, in Ch. 4
The Magic Mountain (1924)

“I have always been an admirer. I regard the gift of admiration as indispensable if one is to amount to something; I don’t know where I would be without it.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Letter, (1950); as quoted in Thomas Mann — The Birth of Criticism (1987) by Marcel Reich-Ranicki

“How else is the famous short story ‘A study in Abjection’ to be understood but as an outbreak of disgust against an age indecently undermined by psychology.”

Thomas Mann book Death in Venice

On a short story of the character, "Gustav Aschenbach". Ch. 2, as translated by David Luke
Death in Venice (1912)

“Disease makes men more physical, it leaves them nothing but body.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

“An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Speech at the Prussian Academy of Art in Berlin (22 January 1929); also in Essays of Three Decades (1942)

“This was Venice, the flattering and suspect beauty — this city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 5, as translated by David Luke