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Leonardo Da Vinci photo

“Oh! how foul a thing, that we should see the tongue of one animal in the guts of another.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Of the Tongues of Pigs and Calves in Sausage-skins.
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings

Leonardo Da Vinci photo

“Every instrument requires to be made by experience.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Leonardo Da Vinci photo

“Impetus is a power of the mover applied in a movable thing which causes the movable thing to move after it is separated from its mover.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XVII Flight

Leonardo Da Vinci photo

“Avoid studies of which the result dies with the worker.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Variant: Shun those studies in which the work that results dies with the worker.

Leonardo Da Vinci photo

“When that which loves is united to the thing beloved it can rest there; when the burden is laid down it finds rest there. There will be eternal fame also for the inhabitants of that town, constructed and enlarged by him.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Leonardo Da Vinci photo

“Whoever in discussion adduces authority uses not intellect but rather memory.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Variant translations:
Anyone who conducts an argument by appealing to authority is not using his intelligence; he is just using his memory.
As quoted in The Book of Unusual Quotations (1957) by Rudolf Flesch, p. 12
Any one who in discussion relies upon authority uses, not his understanding, but rather his memory.
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

Leonardo Da Vinci photo

“I ask at what part of its curved motion the moving cause will leave the thing moved and moveable.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XXI Letters. Personal Records. Dated Notes.

Leonardo Da Vinci photo

“Of several luminous bodies of equal size and brilliancy and at an equal distance, that will look the largest which is surrounded by the darkest background.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

Leonardo Da Vinci photo

“All objects transmit their image to the eye in pyramids, and the nearer to the eye these pyramids are intersected the smaller will the image appear of the objects which cause them.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

Leonardo Da Vinci photo

“A shadow will appear dark in proportion to the brilliancy of the light surrounding it and conversely it will be less conspicuous where it is seen against a darker background.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IV Perspective of Disappearance

Leonardo Da Vinci photo

“The outlines and form of any part of a body in light and shade are indistinct in the shadows and in the high lights; but in the portions between the light and the shadows they are highly conspicuous.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), III Six books on Light and Shade

Leonardo Da Vinci photo
Leonardo Da Vinci photo

“When the thing taken into union is perfectly adapted to that which receives it, the result is delight and pleasure and satisfaction.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Leonardo Da Vinci photo

“Threats alone are the weapons of the threatened man.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Leonardo Da Vinci photo

“No impetus created by any movement whatever can be immediately consumed, but if it finds an object which has a great resistance it consumes itself in a reflex movement.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XVII Flight

Leonardo Da Vinci photo

“Fire may be represented as the destroyer of all sophistry, and as the image and demonstration of truth; because it is light and drives out darkness which conceals all essences”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

or subtle things
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations

Leonardo Da Vinci photo

“It is ill to praise, and worse to reprimand in matters that you do not understand.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Variant: You do ill if you praise, and still worse if you reprove in a matter you do not understand.

Leonardo Da Vinci photo
Leonardo Da Vinci photo
Leonardo Da Vinci photo