xy

@xy, member from Sept. 25, 2023

Favourite quotes (21448)

“The purifying, healing influence of literature, the dissipating of passions by knowledge and the written word, literature as the path to understanding, forgiveness and love, the redeeming might of the word, the literary spirit as the noblest manifestation of the spirit of man, the writer as perfected type, as saint.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 7

“This music of yours. A manifestation of the highest energy — not at all abstract, but without an object, energy in a void, in pure ether — where else in the universe does such a thing appear? We Germans have taken over from philosophy the expression ‘in itself,’ we use it every day without much idea of the metaphysical. But here you have it, such music is energy itself, yet not as idea, rather in its actuality. I call your attention to the fact that is almost the definition of God. Imitatio Dei — I am surprised it is not forbidden.”

Thomas Mann book Doctor Faustus

Source: Doctor Faustus (1947), Ch. 9

“The positive thing about the sceptic is that he considers everything possible!”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Attributed as a statement of Mann in the 1920s in Chariots of the Gods? : Unsolved Mysteries of the Past (1969) by Erich von Däniken, as translated by Michael Heron

“The invention of printing and the Reformation are and remain the two outstanding services of central Europe to the cause of humanity.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 6

“There is something suspicious about music, gentlemen. I insist that she is, by her nature, equivocal. I shall not be going too far in saying at once that she is politically suspect.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

“It is a pregnant complex, gleaming up from the unconscious, of mother-fixation, sexual desire, and fear.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Suffering and Greatness of Richard Wagner (1933)

“A black pall, you know, with a silver cross on it, or R. I. P. — requiescat in pace — you know. That seems to me the most beautiful expression — I like it much better than ‘He is a jolly good fellow,’ which is simply rowdy.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 5

“Frau Stöhr … began to talk about how fascinating it was to cough…. Sneezing was much the same thing. You kept on wanting to sneeze until you simply couldn’t stand it any longer; you looked as if you were tipsy; you drew a couple of breaths, then out it came, and you forgot everything else in the bliss of the sensation. Sometimes the explosion repeated itself two or three times. That was the sort of pleasure life gave you free of charge.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

“We are most likely to get angry and excited in our opposition to some idea when we ourselves are not quite certain of our own position, and are inwardly tempted to take the other side.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Buddenbrooks [Buddenbrooks: Verfall einer Familie, Roman] (1901). Pt 8, Ch. 2

“I admire the proud and cold who go adventuring on the paths of great and demoniac beauty, and scorn "man" — but I do not envy them. For if anything is capable of making a poet out of a man of letters, it is this plebeian love of mine for the human, living, and commonplace. All warmth, all goodness, all humor is born of it, and it almost seems to me as if it were that love itself, of which it is written that a man might speak with the tongues of men and of angels, and yet without it be no more than sounding brass or a tinkling cymbal.”

Thomas Mann book Tonio Kröger

Source: Tonio Kröger (1903), Ch. 9, as translated by Bayard Quincy Morgan

“Our air up here is good for the disease — I mean good against the disease,… but it is also good for the disease.”

Thomas Mann book The Magic Mountain

Source: The Magic Mountain (1924), Ch. 4

“The deep conviction... that nothing good for Germany or the world can come out of the present German regime, has made me avoid the country in whose spiritual tradition I am more deeply rooted than are those who for three years have been trying to find courage enough to declare before the world that I am not a German. And I feel to the bottom of my heart that I have done right in the eyes of my contemporaries and of posterity.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Responding to anti-semitic propaganda and to criticisms of German writers living in exile during the early years of the Nazi regime in Germany, as quoted in "Homage to Thomas Mann" in The New Republic (1 April 1936) http://www.newrepublic.com/article/114269/thomas-mann-stands-anti-semitism-stacks

“In the Word is involved the unity of humanity, the wholeness of the human problem, which permits nobody to separate the intellectual and artistic from the political and social, and to isolate himself within the ivory tower of the "cultural" proper.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Letter to the dean of the Philosophical Faculty, Bonn University (January 1937)

“Beauty can pierce one like pain.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Buddenbrooks [Buddenbrooks: Verfall einer Familie, Roman], Pt 11, Ch. 2

“By the approach through abnormality we have succeeded in penetrating most deeply into the darkness of human nature … The literary person should be the last person to be surprised at this fact. Sooner might he be surprised that he, considering his strong generally and individual tendency, should have so late become aware of the close sympathetic relations which connected his own existence with psychoanalytic research and the life-work of Sigmund Freud. I realized this connection only at a time when his achievement was no longer thought of as merely a therapeutic method, whether recognized or disputed; when it had long since outgrown his purely medical implications and become a world movement which penetrated into every field of science and every domain of the intellect: literature, the history of art, religion and prehistory; mythology, folklore, pedagogy, and what not.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Freud and the Future (1937)

“Gustav Aschenbach was the writer who spoke for all those who work on the brink of exhaustion, who labor and are heavy-laden, who are worn out already but still stand upright, all those moralists of achievement who are slight of stature and scanty of resources, but who yet, by some ecstasy of the will and by wise husbandry, manage at least for a time to force their work into a semblance of greatness.”

Thomas Mann book Death in Venice

Source: Death in Venice (1912), Ch. 2, as translated by David Luke